• Small and light, good build.
• 3 modes for more versatility – music, gaming and movie modes.
• Innovative detachable magnetic cable system.
• Plug and playable, compatible with desktops/laptops, apple and android phones (there is an option to get Lightning versus USB C connectors).
• Very low output impedance, suitable for low impedance IEMs. No hiss.
• Neutralish, with a slight bass boost to add some fun.
• Volume controller.

Cons

• Gets slightly warm.
• Volume may jump when switching between modes – best to mute device/lower volume first.

Executive Summary

The IKKO Zerda ITM01 is a swiss army knife of the budget dongle DAC/AMP arena. It has a music, gaming and movie mode, making it quite versatile. It also has volume controls and boasts a very innovative magnetic cable system. There is good power on tap, yet this set can still drive low impedance type IEMs because of its low output impedance.

Specifications

• DAC uses ESS’s high-performance ESS9298 chip
• PCM supports up to 16Bit/384kHz
• DSD supports up to DoP128
• Adopts ikko’s custom anti-interference magnet thread connection method
• SNR: 118dB@32Ω (A-weight)
• Frequency response range: 20Hz-40kHz (-0.5dB)
• Output impedance: <0.8Ω
• Adaptation impedance: adaptive 16ohm – 600ohm
• Output level: 2V @ 32Ω (125mW @ 32Ω)
• Distortion: < 0.001%
• Decoding ability: Simulation (multiple sound optimizations)
• Size: 58x22x11mm
• Output: 3.5 mm
• Tested at $59 USD

Accessories

• 1x Ikko ITM01 Dongle
• 1x USB A cable
• 1x Type C or lightning cable (you can choose either option at order).

The USB A cable is very long, so no worries of a too short cable limiting your usage. In fact I found it too long and dangly, and had to tie up the cable when using it with my laptop. This cable is cloth braided and there is an included faux leather strap to tie the USB A cable.

A second cable is included, this is either a Lightning or USB Type C connector, depending on which one you choose at ordering. Well that depends if you are of the Apple or Android persuasion, but this cable is very much shorter.

These 2 included cables feature a very nifty and innovative magnetic connector to attach the cable to the DAC/AMP device. The magnetic end of the cable locks on easily and can be used in either direction; this may lessen wear and tear for frequent cable changing.

Contrary to the impressions that a magnetic connector can cause an easy dislodgement of the cable from the DAC/AMP, it is actually not easy to remove this magnetic clamp once the cable is inside, and I had no issues with dislodging the cable on the go.

This cable is unfortunately proprietary. I do appreciate that this DAC/AMP dongle’s cable is detachable, as a non-detachable one may be a point of failure down the line. In this current year of 2021, it is really not excusable to have a non-detachable cable for these dongles (unless we are talking about an ultra-budget set), as a non-detachable cable is one awkward yank away from being a white elephant.

Build

The ITM01 is made of plastic, but is sturdy yet light. As mentioned above, the detachable cable definitely should prolong its lifespan.

Measuring in at 58 x 22 x 11 mm, this set can easily fit into a jeans pocket on the go.

This set has a 3.5 mm output (single ended) and has no balanced option.

Functionality

The IKKO Zerda ITM01 is a plug and play set, and is compatible with desktops/laptops, apple and android phones (depending on the cable type you order), without any need to install drivers.

Disclaimer: I am not an Apple fanboy and do not own any Apple products, so I opted for the USB C version and tested this set on Android phones and a Windows laptop. Please check with others who have bought the Lightning version if they have any issues with Apple products.

The volume buttons work as advertised on the IKKO Zerda ITM01, they can be pressed down with a satisfactory click. I appreciate that the volume steps in the ITM01 are quite fine, unlike the Tempotec Sonata HD Pro, which have huge volume levels in between each volume step.

Pressing the middle button once (short press) pauses or starts the music. This middle button also controls the mode if pressed for 3 seconds: music (yellow LED), movie (blue LED) and game mode (purple LED).

Technical Aspects

The IKKO Zerda ITM01 can support PCM up to 16Bit/384kHz and DSD up to DoP128.

I did not note any RF interference when putting the IKKO Zerda ITM01 through its paces. Neither did I hear any hiss nor clicking with changing tracks midway. There is a bit of a clicking noise however, when changing modes.

On the music mode (yellow LED), the IKKO Zerda ITM01 essentially is neutralish with a slight bass boost. This keeps it from sounding sterile and adds a little bit of fun to the equation. The background is pitch dark with highly sensitive IEMs.

In fact with the advertised <0.8Ω output impedance, this set is perfect for multi driver low impedance IEMs (rule of eights in audiophile teachings). I’ve tried some 9ish ohm low output impedance sets like the Audiosense T800 and TRI Starsea on this DAC/AMP without any issues.

With very high impedance earbuds and cans eg ~ 300 ohms, the IKKO Zerda ITM01 faired well and could drive such gear adequately. When paired with some power hungry IEMs, eg KBEAR BElieve/Final E3000 (low sensitivity) and TRI I3 (planar tribid), these all sounded good, with a lot more headroom to spare.

On the movie mode (blue LED), the soundstage was compressed a tinge, with a boost in the upper mids region, giving more clarity to voices. This gave a spherical blob of soundstage with the head as the reference point, and there was some loss in instrument separation.

I didn’t get a “surround sound” vibe with this mode though. The volume cap is also much higher here than on the music mode, and the volume levels may jump from the music mode when playing an equivalent track (so beware).

On the gaming mode (purple LED), the soundstage became unnaturally wide (it may not be suited for music listening as such), but this might aid in placement of gun shots and footsteps, especially for FPS players. Instrument separation does take a hit compared to the music mode.

Likewise, the volume cap here is also much more than on the music mode, and the volume can also jump suddenly compared to the music mode, while on the same test track.

Hence, when changing modes to the gaming/movie mode, as they have a different volume level/cap, my advise is to mute the volume of your device and put the source (eg phone/laptop) volume to zero, and slowly increase incrementally, in case of any sudden jumps in volume between the modes.

The IKKO Zerda ITM01 does get a bit warm with prolonged usage, but I’ve definitely had other dongle DAC/AMPs that go much hotter.

Comparisons

Compared to the Tempotec Sonata HD Pro, the ITM01 has about comparable sound quality, but the ITM01 is more fun sounding in view of a bass boost, compared to the rather neutral Sonata HD Pro; the Sonata HD Pro can sound a bit more boring as such.

The Sonata HD Pro also has weaker driving power, and can’t drive some more demanding gear, eg 300 ohm cans. Having said that, there are some mods (eg BHD firmware mod, or using a 3.5 mm to 3.5 mm adapter) to get the Sonata HD Pro to output more juice, but the volume steps on the Sonata HD Pro are also bigger, so fine tuning volume levels on the Sonata HD Pro isn’t as reliable.

Compared to the E1DA 9038D, the ITM01 has poorer soundstage and technicalities, but that is not surprising considering the E1DA 9038D is around double the price (the 9038D is not better by twice for sure).

Driving power on both sets are good for a single-ended dongle, but the E1DA 9038D drains more battery and gets noticeably warmer. The E1DA 9038D is also very neutral and may sound more boring and analytical than the ITM01.

Conclusions

The IKKO Zerda ITM01 is a swiss army knife of the budget dongle DAC/AMP arena. It has a music, gaming and movie mode, making it quite versatile. It also has volume controls and boasts a very innovative magnetic cable system. There is good power on tap, yet this set can still drive low impedance type IEMs because of its low output impedance.

This DAC/AMP dongle (on the music mode) features a neutral signature with some slight bass boost to add a bit of fun to the music. Soundwise, the ITM01 definitely holds its own at the budget segment, and at $59 USD, has really quite good price to performance ratio. Recommended!

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Disclaimer

I would like to thank Rebecca from IKKO for providing this review unit. It can be purchased here: https://www.ikkoaudio.com/products/ikko-zerda-itm01-portable-audio-dac-detachable-magnetic-cable-adapter

Our generic standard disclaimer.

You find an INDEX of our most relevant technical articles HERE.

The post IKKO Zerda ITM01 Review (1) – Swiss Army Knife appeared first on Music For The Masses.

Fast and tight bass.
Good imaging and layering.
Great tonality, generally non fatiguing.
Good timbral accuracy for a pure BA setup.
Branded cable and eartips. 2 pin cable – better lifespan than MMCX in general.
Easy to drive.

Cons

Poor isolation.
Provided Xelastec tips may cause excessive suction in the ear, and also gives nasal vocals.
BA bass – bass lacks movement of air and decay, with lack of subbass extension.
Below average soundstage.
Lacking in micro-details and dynamics.

EXECUTIVE SUMMARY

The See Audio Bravery is a 4 BA IEM with a relatively non fatiguing U shaped tuning While the tonality and timbre (for a pure BA setup) is good, the technicalities are not classleading, and there are some limitations such as a BA bass.

SPECIFICATIONS

• Driver configuration: 4 x Balanced Armature (two Knowles BA drivers for the bass, one Sonion BA for the midrange, and one Knowles BA driver for the treble)
• Frequency response: 20 Hz – 20kHz
• Impedance: 18 Ω
• Sensitivity: 110 dB/mW
• Cable: 2 Pin (0.78mm), 6N OCC Hakugei cable.
• Tested at $289 USD

ACCESSORIES

The Bravery comes in an anime girl packaging. This could very well be the reason for buying this set, it is one for our otaku and weeb friends!

Included are:
1) Specially customized 6N OCC Hakugei cable – very premium looking and well braided with a cloth sleeve. They do not tangle, but unfortunately there are some microphonics present. The Hakugei brand of cables is quite well known in audio circles and adds some elegance to the packaging. I won’t comment on whether cables change the sound signature (that usually ends up in flamewars haha), but See Audio didn’t skimp on the cables at least.

2) Azla Xelastec Sednafit eartips – they also didn’t skimp on this portion, these tips are expensive! The Xelastec eartips provide good grip and boost vocals in general with other IEMs, but some may find these tips to be a lint and dirt magnet, and they are rather sticky. Ironically, the Xelastec tips may cause the vocals to be nasal with the Bravery, which we will talk about later.

3) Foam tips – S/M/L – they tend to tame the treble and increase isolation.

4) Round hard case – is that a playboy bunny logo on it? For our otaku anime friends?

The accessories provided are okay for a close to $300 USD set. As discussed above, the cable and eartips are “branded” and will have added to the costs.

I liked that See Audio provided a cable with a 2 pin connector, I had my fair share of mishaps with MMCX type connectors after switching cables once too often, they ended up like spinning windvanes.

For the purposes of this review, the stock Xelastec tips and stock cables were used, so as not to change the sound signature with aftermarket gear.

BUILD/COMFORT

Build wise, the Bravery is made of resin and feels very solid. In fact they look like semi customs. They are quite beautiful too, but of course we are more interested in how it sounds!

Comfort wise, it is a mixed bag. While the shells themselves are comfortable, some might find that the provided Xelastec tips can create a suction effect in the ear, this may be uncomfortable for some.

I didn’t have driver flex on my set, but this is partially related to ear anatomy an types of tips used, so YMMV.

ISOLATION

I usually use pure BA setups for travelling or stage monitoring, as they tend to be unvented and provide better isolation than vented DD type sets (in general).

Disappointingly, the isolation on the Bravery is poor, due to the vented bass design. This set didn’t pass my subway test, and I wouldn’t recommend them for use in a noisy environment – to protect hearing health and also cause one will lose details and the bass frequencies in a noisy place.

DRIVABILITY

I tested the Bravery with a Khadas Tone Board -> Schiit Asgard 3 amp, Khadas Tone Board -> Topping L30 amp, Sony NW A-55 DAP (Walkman One Plus v2 Mr Walkman Mod), smartphone, Shanling Q1 DAP, Tempotec Sonata HD Pro, E1DA 9038D, and a Khadas Tone Board -> Fiio A3 Amp.

The Bravery are easy to drive, amping doesn’t really give much value add.

SOUND & TECHNICALITIES

The See Audio Bravery is a U shaped set, with a relatively non fatiguing tuning. In the department of tonality, the Bravery is actually quite good, with no major flaws, perhaps only having poor subbass extension.

Timbral accuracy on the Bravery is good for a pure BA set. It won’t beat some pure single DD setups in terms of timbre, but most acoustic instruments sounded quite organic here. Vocals however may sound a bit thin and nasal with the provided stock Xelastec tips, but this can perhaps be mitigated to some extent with other eartips.

The bass of the Bravery is midbass focused, it is north of neutral but far from true basshead levels. Subbass extension is lacking, movement of air and bass decay are not that natural sounding though, as per most BA bass sets (even though this is a vented BA bass).

The bass has rather good quality though, texturing is decent, and the bass is fast and tight. So the Bravery goes for quality over quantity in terms of the bass, although the BA bass may be a dealbreaker for some.

Mids on the Bravery are pretty well balanced, in keeping with the good tonality of this set. The provided Xelastec tips however, may give vocals a nasal tinge, and also cause a lack of note weight in voices. Layering and imaging in the midrange is good though, and is a standout on this set.

The upper mids on the Bravery are rather subdued, it doesn’t have the usual shouty banshee upper mids that plague a lot of CHIFI, so this set is rather non fatiguing.

Treble extension on the Bravery is okay, but not the best considering it is a pure BA setup. Sibilance is mild, so this is a good set for our treble sensitive brethren. Those that want more sparkle and air and micro-details and clarity might need to consider alternatives though.

In technicalities, the Bravery have below average soundstage for a close to $300 USD set (in height, depth and width), especially when the stock Xelastec eartips are used. Imaging and layering are good, though clarity, instrument separation and micro-details are not class-leading at this price range. Dynamics sound a bit subdued on this set, even with amping, so that’s one area that can be improved on.

COMPARISONS

Well if anime and weeb packaging matter to you, then only the See Audio Bravery has the anime girl packaging, among the competitors below. (This may be a dealbreaker for some!!!)

Single DD types were left out of the comparisons as they have different pros and cons among the different transducer types. Most of the comparisons were with pure BA IEMs, only the LZ A7 (tribid) is the exception, but it is in a similar price bracket to the Bravery.

Audiosense T800 ($298 USD)

The Audiosense T800 is an 8 Knowles BA setup. The T800 is more V shaped. The T800 has much better isolation and fit.

The T800 is brighter (some may find it fatiguing) but it has better air and treble extension. Subbass extension on the T800 is also better, and even though both sets have vented BA bass, the T800’s bass sounds quite close to a DD bass in terms of decay and movement of air.

In terms of timbral accuracy, the Bravery is better, but the T800 has better technicalities and soundstage. The T800 is more in your face with the music, whereas the Bravery is more laid back and subdued.

The T800 is more fussy when it comes to sources, as the very low impedance of 9ish ohms requires a source with output impedance < 1 ohm, otherwise this may skew the sound signature. Whereas, the Bravery is more source agnostic.

LZ A7 ($338 USD)

The LZ A7 has 10 tuning options in view of various tuning switches and nozzles, and it is more versatile as such. It can be tuned to be V shaped to U shaped to neutralish.

The LZ A7 has better accessories, better isolation and better fit. The LZ A7 also has better technicalities though it looks uglier (there’s some fairy tale story emblazzoned on the shell haha). The LZ A7 has more more air and faster transients in view of it incorporating a piezo driver for the high frequencies.

QDC Anole VX (from $2556 USD, depends on custom versus universal shell)

The QDC Anole VX is a summitFI 10 BA set which, like the above LZ A7, is more versatile in view of it having 3 switches; this offers 8 different potential sound signatures.

Well it may not be a fair comparison due to their different selling prices, some folks mention that the Bravery and Anole VX graph similarly (on some switch settings for the Anole VX). Well, graphs only tell half the story at best, and the Anole VX is one of the most technical sets I’ve ever heard.

It is seriously no contest: the Anole VX eats the Bravery in technicalities for breakfast, lunch, dinner and supper on A/B testing, though of course diminishing returns are par for the course, when one dabbles in summitFI TOTL pricing.

Audiosense DT200 ($149 USD)

The DT200 is a 2 knowles BA warm neutral set that has better timbral accuracy than the Bravery. Bass quality and technicalities are better on the Bravery, but the Bravery is around 2x the price of the DT200. The DT200 sounds more smooth and laid back compared to the Bravery.

Isolation and comfort is better on the DT200.

CONCLUSIONS

The See Audio Bravery is a 4 BA IEM that features a relatively non fatiguing U shaped tonality. While the tonality and timbre (for a pure BA setup) is good, the technicalities are not class-leading. The Bravery is easy to drive, but as per most other pure BA setups, this set is likewise limited by BA bass extension and naturalness. Comfort is also hit or miss, but this is a YMMV situation as we have different ear anatomies.

See Audio definitely didn’t skimp on the accessories, and the provided accessories are quite premium – Azla Xelastec eartips and a Hakugei cable. Unfortunately, the Xelastec eartips may not have the best synergy with the Bravery, as it causes a narrower soundstage and nasal vocals. These Xelastec tips are also a dirt and lint magnet.

The See Audio Bravery are decent in my book, but at this price range, the competition against other big boys is huge and there are admittedly other competitors with better technical performance.

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You find an INDEX of all our earphone reviews HERE.

DISCLAIMER

This unit is part of a HIFIGO review tour. This unit will be passed on to another audiophile in Singapore for the tour, after this review.

The See Audio Bravery can be gotten here: https://hifigo.com/products/seeaudio-bravery.

Our generic standard disclaimer.

The post See Audio Bravery Review (2) – A Brave Front appeared first on Music For The Masses.

Nice build and good comfort. Beautiful shells.
Organic timbre.
Pleasant tonality.
Big bass yet with good quality and speed.
2 pin connector, better lifespan than MMCX in general.
Adequate accessories at this price bracket.
Easy to drive.

Cons

Below average isolation.
Shells may be a fingerprint or scratch magnet.
Not the best microdetails.
Not the most extended treble.

EXECUTIVE SUMMARY

The KBEAR Aurora is a lush harmanish single DD set. It features a beautiful shell, organic timbre and great tonality. This set generally scores good marks across most departments, only perhaps lacking in treble extension and microdetails.

SPECIFICATIONS

• Driver configuration: 10mm Nano Titanium Plated Diaphragm
• Frequency response: 20 Hz – 20kHz
• Impedance: 18 Ω
• Sensitivity: 105 dB/mW
• Cable: 2 Pin (0.78mm), OFC Silver plated cable
• Tested at $169 USD

ACCESSORIES

The Aurora comes in a nice packaging featuring an Aurora Borealis motif.

Included are:
1) SPC blue cable (ties in nicely with the Aurora snowfield motif) – The cable is well braided, no microphonics, very thicc and substantial. The blue colour may be a bit too showy for some though.
2) Silicone tips of various sizes. Do tip roll to see what suits you sonically and for fit/isolation.
3) Carry case – faux leather, similar to the case seen in other KBEAR products
4) Cleaning cloth
5) Cleaning brush

The accessories provided are par for the course for a $100 USD range set.

I liked that KBEAR is using a cable with a 2 pin connector, I had my fair share of mishaps with MMCX type connectors after switching cables once too often, they ended up like spinning windvanes.

For the purposes of this review, the stock tips and stock cables were used, so as not to change the sound signature with aftermarket gear.

BUILD/COMFORT

Build wise, the Aurora has a shiny mirror like finish, akin to the HZSound Heart Mirror or Moondrop KXXS. The Aurora is quite light and smooth, it is well built with no funny edges to poke the ear. Comfort is very good. But due to the mirror like finish, this set may be finger print or scratch magnet, so do be careful with em.

The shells are quite a looker, while using them on the subway for isolation tests, a few curious commuters kept looking at the Aurora earpieces.

I didn’t have driver flex on my set, but this is partially related to ear anatomy an types of tips used, so YMMV.

ISOLATION

Unfortunately, the Aurora’s isolation is below average. I lost quite a lot of the bass frequencies when using them on a subway (bass is generally the first frequency lost in a noisy place). This skewed the sound to be a bit shouty in the upper mids/treble. So personally, I think the Aurora’s ideal sound is to be gotten when using them at home or in a quiet area.

DRIVABILITY

I tested the KBEAR Aurora with a Khadas Tone Board -> Schiit Asgard 3 amp, Khadas Tone Board -> Topping L30 amp, Sony NW A-55 DAP (Walkman One Plus v2 Mr Walkman Mod), smartphone, Shanling Q1 DAP, Tempotec Sonata HD Pro, E1DA 9038D, and a Khadas Tone Board -> Fiio A3 Amp.

The Aurora are relatively easy to drive, but scale well when amped, in the areas of bass tightness, soundstage, dynamics etc. They are definitely easier to drive than their older sibling the KBEAR BElieve.

SOUND & TECHNICALITIES

The KBEAR Aurora is a harmanish warm set. The Aurora Borealis icy motif may give an impression that this is an ice cold set in terms of tuning, but far from it be. The Aurora is actually warm and lush and leans towards analoguish, rather than a sterile frosty wintery wonderland.

The bass of the KBEAR Aurora is midbass focused, it is north of neutral but not at true basshead levels. Subbass extends well, you will get your rumble for the subbass frequencies.

Despite the copious bass, the bass speed is quite agile, note weight is on the thicker side, yet with very minimal midbass bleed. Listening to some of the faster bass movements on songs such as Sting’s “Englishman In New York” (interlude portion), some slower DD drivers can make the bass notes sound like a nebulous haze, but the Aurora passes this test.

Bass is not as fast as BA bass though, but not many sets manage to get a good mix of bass quantity/note weight and bass quality (speed, without bleed). Timbre and texture in the bass is quite good, in keeping with its DD roots.

The KBEAR Aurora’s lower mids are slightly depressed (not overly so). There is a boost in the upper mids, but they have an upper mids that is a few dB lesser than a traditional harman IEM. So generally, they manage to thread a fine line of having a forward upper mids without going too much into shouty territory. Perhaps there is some upper mids glare if one uses them outdoors (poor isolation kills the bass and overly emphasizes the upper mids/treble), or on some poorly recorded tracks or at louder volumes (Fletcher Munson curve).

But by and large, this set doesn’t have the usual banshee upper mids seen in CHIFI tuning, the pinna gain here is around 10 – 11 db. Vocals are forward compared to instruments, and timbral accuracy for vocals is rather organic. I would describe the mids in the Aurora to be on the lusher and thicker side, but it may not have the best transparency or clarity. Think of an analoguish signature like the BLON BL-03 but with better technical performance.

The KBEAR Aurora has moderate treble extension, though it may not be as airy as some multi BA types. So sparkle is a bit tamed, cymbal and high hat hits are a bit muted with the tuning, but consequently, I don’t find the Aurora fatiguing. Some slight microdetails are lost as such. Sibilance is very mild.

In technicalities, the KBEAR Aurora have above average soundstage (in height, depth and width). Imaging and instrument separation are also above average at this price bracket (for a single DD set), though clarity and microdetails are not the best. Those multi driver/hybrid types at the $100ish bracket might be better at technicalities, but some of them have timbre or coherency issues. So different strokes for different folks, pick your poison.

Timbre on the KBEAR Aurora is very good. In fact, I’d say the Aurora have better timbral accuracy than the KBEAR BElieve and some other similarly priced single DD sets. Acoustic instruments like brass, woodwind and stringed instruments all sounded organic. Considering the KBEAR Aurora use a titanium driver, I was pleasantly surprised by the timbre (my past experiences with titanium drivers IEMs wasn’t the best when it came to timbre, eg DUNU DM480, Audiosense AQ7).

COMPARISONS

I have compared the KBEAR Aurora with a few single DD at the upper budget-midfi segment. Hybrids and pure BA types were left out of the comparisons as they have different pros and cons among the different transducer types.

KBEAR BElieve ($159 USD)

Compared to the older KBEAR BElieve, the Aurora is much easier to drive, and it has more subbass extension than the BElieve. The BElieve has more upper mids and treble, and also has better technicalities and resolution. The Aurora has better bass speed, especially at the midbass, whereas the BElieve’s midbass could be quite nebulous, especially when underpowered.

Timbral accuracy is better on the KBEAR Aurora, and it isn’t as hot in the upper mids either.

The KBEAR Aurora and the BElieve are kind of sidegrades, each have their pros and cons as such.

The KBEAR BElieve is no longer in production, but word on the street is that the Vento Conductor T-500 Pro is very similar to the BElieve, or might be an OEM of sorts. So if you are still looking for the BElieve, perhaps consider getting the T-500 Pro.

Tanchjim Oxygen ($269 USD)

The Tanchjim Oxygen is one of the benchmark single DD sets in midfi CHIFIdom. The Oxygen has a more extended treble and air and it also has all round better timbre, better technicalities and a better bass quality (better timbre, texture and speed). The Oxygen has a slightly thinner note weight though, when compared to the more analoguish sounding Aurora.

Definitely the Oxygen is the superior set, but it is $100 USD more expensive.

TForce Yuan Li ($119 USD)

The TForce Yuan Li is a bit less V shaped than the Aurora. The Aurora has bigger bass quantities and more subbass extension. Timbre is better on the Aurora, with the Aurora also having a not so hot upper mids region. Technicalities are also better on the Aurora.

Both sets have a very nice shell and accessories, but if you can top up the $50 USD or so, the Aurora is a marginal upgrade.

CONCLUSIONS

The KBEAR Aurora is a lush harmanish single DD set. It features a beautiful shell, organic timbre and great tonality. This set generally scores good marks across most departments, only perhaps lacking in treble extension and microdetails.

The “Aurora borealis” naming convention here is quite a good choice, as this set melds good looks and sound in a nice little package, like the northern lights.

Definitely the Aurora is a set that single DD lovers and timbre lovers should consider!

Contact us!

You find an INDEX of all our earphone reviews HERE.

DISCLAIMER

I would like to thank KBEAR for providing this review unit. It can be gotten at https://www.aliexpress.com/item/1005003109134536.html

Our generic standard disclaimer.

You find an INDEX of our most relevant technical articles HERE.

The post KBEAR Aurora Review (1) – Aurora Borealis appeared first on Music For The Masses.

We pursue a different approach and have “built” this “Wall of Excellence” brick by brick to list portable audio gear of all types that has been doing a great job for us. And “us” means eight authors. Reconciling such a large number of informed opinions means rigorous and effective filtering. Our selections are therefore relatively safe. We do not compare on our WoE and therefore do not rank. If is’s on it’s on.

This is not a shopping list either and we will not accept requests for additions from third parties. Our wall is strictly personal. Info on all contributors is appended below.

It should be noted that we cannot know every product and therefore our list has holes. But we always strive to keep these as small as possible.

Please bookmark our dynamic Wall of Excellence and keep checking back as it will always be work in progress. You find it easily in the top toolbar.

Now it is time to dip in. Please enjoy yourself.

And don’t forget: If it ain’t here, WE don’t want it :). Check out your eight “bricklayers” below.

Until next time…keep on listening!

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Nice build and good comfort.
Above average isolation.
Good timbre for a BA containing hybrid.
Non fatiguing tuning, good for treble sensitive folk.
2 pin connector, better lifespan than MMCX in general.
Adequate accessories at this price bracket.
Easy to drive.

Cons

Midbass bleed.
Limited upper treble extension with lack of air
Not the best in technicalities.
Recessed vocals.

EXECUTIVE SUMMARY

The KBEAR Robin is a smooth and non fatiguing set. It doesn’t have the best technicalities, and it is not tuned to be an analytical set, but it is very suited for chilling back and enjoying the music for what it is. Treble sensitive folk will be quite at home with the tuning.

SPECIFICATIONS

• Driver configuration: 10mm dual-magnetic circuit DD + 4 customised balanced armature (BA) drivers
• Frequency response: 20 Hz – 20kHz
• Impedance: 18 Ω
• Sensitivity: 110 dB/mW
• Cable: 2 Pin (0.78mm), 4N oxygen-free copper cable.
• Tested at $54 USD

ACCESSORIES

Other than the IEM, the KBEAR Robin packaging comes with:

• Silicone tips – One set of eartips are wide bore, the other set are narrower bore.
• Cable – The cable provided is quite well braided and is a 4N oxygen free copper cable. It has minimal microphonics and is very usable. 
• Semi rigid case

The accessories provided and the packaging are very similar to the older KBEAR Lark. I find it very adequate at this price range, no complaints on my part, as I’ve definitely seen similar priced competitors with worse accessories.

YMMV, as we have different ear anatomies, but regarding the eartips, the narrow bore ones boost the bass, whereas the wider bore ones boost the higher frequencies. It is a nice touch that KBEAR provided 2 different sets of eartips so that one can tiproll to see what suits your sonic preferences.

I liked that the KBEAR Robin’s cable featured a 2 pin connector, I had my fair share of mishaps with MMCX type connectors after switching cables once too often, they ended up like spinning windvanes.

For the purposes of this review, the stock tips and stock cables were used, so as not to change the sound signature with aftermarket gear.

BUILD/COMFORT

The KBEAR Robin’s shell appears externally similar in shape to the KBEAR Lark, but the Robin is heavier and sturdier. Comfort is good, I have used the Robin for hours at a time with no discomfort. I received the blue coloured version and it has a quite unique hue that stands out from the usual silvery/blackish shelled CHIFI IEMs.

I didn’t have driver flex with the KBEAR Robin, but this is a YMMV situation, as driver flex is partially related to the eartips we use and our ear anatomy.

ISOLATION

Isolation is above average, and is quite acceptable considering it is a vented set, it can be used outdoors for sure.

DRIVABILITY

I tested the KBEAR Robin with a Khadas Tone Board -> Topping L30 amp, Sony NW A-55 DAP (Midnight v2 Plus v2 Mr Walkman Mod), smartphone, Shanling Q1 DAP, Tempotec Sonata HD Pro, E1DA 9038D, and a Khadas Tone Board -> Fiio A3 Amp.

At a sensitivity of 110 dB/mW, the KBEAR Robin is easily drivable from a lower powered source, amping is not really compulsory.

SOUND & TECHNICALITIES

The KBEAR Robin is a warm and bassy V shaped set. Tuning is towards laid back and non fatiguing. It kinda reminds me of the CCZ Plume and BGVP DMG in terms of tuning, if you have heard them before. The KBEAR Robin keep the same midbass focused tonality as these 2 sets, but have weaker technicalities than them.

Bass on the KBEAR Robin is midbass focused. The subbass extends quite well for a DD bass, with good rumble, but the midbass is still the predominant frequency. The midbass quantity is quite north of neutral, but it isn’t a true basshead set per se. The midbass speed is on the slower side, texturing is below average, and the midbass does bleed a bit, and encroaches into the lower mids.

For non bassheads or those who want a fast and tight bass, the bass amounts can be tamed to some extent with wider bore ear tips or tightened slightly with amping, but even so, the midbass is still on the boomy side even when amped.

The KBEAR Robin’s lower mids are thickened and warmed by the aforementioned midbass bleed. This may cause some loss of transparency and clarity in the lower mids, and give a bit of a veil. It adds to some lushness in the lower mids, but I understand it is a love it or hate it kind of issue as such.

Upper mids on this set are tamed, nothing shouty like a classic V shaped CHIFI set, so it isn’t fatiguing. Though as a consequence, vocals may not cut thru sometimes, and may sound recessed. Mid lovers will need to look elsewhere for their vocal fix.

The lower treble on the KBEAR Robin continues on from the safe upper mids, it is very relaxed and smooth. Treble borders on dark, sibiliance is minimal and upper treble doesn’t extend that well, and hence there is some loss of sparkle and microdetails. Honestly trebleheads will not be pleased with the resolution of this set, but this is a set that will make treble sensitive folk feel at home.

Technicalities are below average at the $50ish USD price range. Instrument separation, imaging, microdetails and clarity are hazy as mentioned, contributed in part by the midbass bleed encroaching into the mids. Soundstage is also not the best at this price bracket and music could sound congested in complex tracks.

Timbre is actually quite good for a hybrid containing BA drivers, there’s a very slight hint of BA timbre for acoustic instruments for the higher frequencies, but nothing deal breaking in my book. In fact, timbral accuracy is better than quite a lot of similar priced hybrids.

COMPARISONS

I have compared the KBEAR Robin with a few other hybrids. Single DD types were left out of the comparisons as they have different pros and cons among the different transducer types.

KZ ZS10 Pro

The venerable KZ ZS10 Pro has a deeper V shaped tuning, and has a thinner note weight, with slightly better technicalities than the KBEAR Robin. The ZS10 pro is much more aggressive and in your face, compared to the laid back and smoother KBEAR Robin.

The ZS10 Pro can be more fatiguing in the upper mids and lower treble and also has a more artificial timbre for acoustic instruments.

KBEAR Lark

Accessories, build, comfort and even looks are similar between the 2 sets. Even though both sets are named after birds, I wouldn’t call the KBEAR Robin a successor to the older KBEAR Lark, as they are tuned to be very different beasts.

The KBEAR Lark is a neutralish bright set with better technicalities and resolution. Clarity and micro details are better in the Lark, though the Lark has a thinner note weight and can be fatiguing for treble sensitive folk in view of the more pronounced treble quantities. The Lark also has more sibilance than the laid back KBEAR Robin.

The KBEAR Robin on the other hand is a bassier and warmer V shaped set with a smoother and less fatiguing upper mids/treble, with less air and a thicker note weight than the KBEAR Lark.

BGVP DMG

The BGVP DMG has a similar tuning (midbass focused V shaped) as the KBEAR Robin, but it has better technicalities and soundstage than the Robin. I had a poorer fit and less isolation with the BGVP DMG.

The BGVP DMG has some tuning nozzles to change the sound signature , but they are bordering on gimmicky, as the changes are very subtle. Think of the KBEAR Robin as being a baby BGVP DMG.

CONCLUSIONS

The KBEAR Robin is a smooth and non fatiguing set. Build and comfort are good, and the timbral accuracy on this set is quite authentic for a BA containing hybrid. The Robin doesn’t have the best technicalities, and it is not tuned to be an analytical set. It is very suited for chilling back and enjoying the music for what it is.

Trebleheads and midlovers might need to consider alternative options, but treble sensitive folk will like this set. I would have preferred less midbass amounts (so as to give less bleed and a tighter bass), but the KBEAR Robin is a decent set with a unique tuning at this price bracket, in the sea of CHIFI with hyper boosted upper frequencies. In fact, the Robin is sort of a baby BGVP DMG, without the tuning filters.

Contact us!

You find an INDEX of all our earphone reviews HERE.

DISCLAIMER

I would like to thank KBEAR for providing this review unit. It can be gotten at https://www.aliexpress.com/item/1005002995847825.html

Our generic standard disclaimer.

You find an INDEX of our most relevant technical articles HERE.

The post KBEAR Robin Review – Round Robin appeared first on Music For The Masses.

Premium accessories. Has option for 2.5mm/3.5mm/4.5mm connectors.
Above average isolation.
Good build.
Non fatiguing tuning.
Huge soundstage.
2 pin connector, better lifespan than MMCX in general.

Cons

Shells are on large side (with a concha protrusion).
Midbass bleed, incoherency in bass.
Limited upper treble extension with some loss of micro details and technical performance.
Slight BA timbre.

EXECUTIVE SUMMARY

The CCZ Plume features a warm and non fatiguing V shaped bassy tuning. It has a big soundstage and a very premium set of accessories. There is however, some incoherency in the bass due to the midbass bleed and bass speed, especially when underpowered, and technicalities are not classleading.

SPECIFICATIONS

• Driver configuration: 1 dual magnetic DD + 2 BA (CCZ-IF-A for mid-high frequency)+ 2 BA (CCZ-HI-A for high frequency)
• Frequency response: 20 Hz – 20kHz
• Impedance: 16Ω
• Sensitivity: 1110 dB/mW
• Cable: 2 Pin (0.78mm), has adapters for 2.5mm/3.5mm/4.4mm connectors
• Tested at $239 USD

ACCESSORIES

Other than the IEM, the CCZ Plume packaging comes with:

• Wide array of tips
• Faux leather carry case
• 6N single crystal cable – well braided, non tangly. Minimal microphonics, but perfectly usable sonic wise. Very thicc and sturdy. It is by default a 2.5 mm cable, but there are adapters provided for 3.5 mm and 4.5 mm cable connectors
• Cleaning brush
• Cleaning cloth

The CCZ Plume comes with an extremely premium set of accessories, there’s adapters for balanced/unbalanced connectors, a cleaning brush, a cleaning cloth, a faux leather case and a nice thicc cable with a vast array of eartips.

The stock cable is a 2.5 mm cable, but the 3.5 mm and 4.5 mm adapters provided are very welcome, as it increases the permutation of sources that can be paired with the CCZ Plume.

I liked that the CCZ Plume’s cable featured a 2 pin connector, I had my fair share of mishaps with MMCX type connectors after switching cables once too often, they ended up like spinning windvanes.

For the purposes of this review, the stock tips and stock cables were used, so as not to change the sound signature with aftermarket gear.

BUILD/COMFORT

The CCZ Plume’s shell is very bling to say the least, it might not be safe to wear them in dodgy areas actually, one might get mugged! They are also a potential fingerprint and scratch magnet.

The shells are lighter than they look, but they are on the large side, with a huge concha protrusion. This may give fit or comfort issues for those with smaller ears.

Personally, I didn’t have driver flex with the CCZ Plume, but this is a YMMV situation, as driver flex is partially related to the eartips we use and our ear anatomy.

ISOLATION

Isolation on the CCZ Plume is above average, it has vents for the DD, hence it is not as good as some unvented pure BA setups. But nevertheless it is good enough to block out external noise (if one is daring enough to wear it outside!)

DRIVABILITY

I tested the CCZ Plume with a Khadas Tone Board -> Topping L30 amp, Sony NW A-55 DAP (DMP-A50 FEv2 Classic Mr Walkman Mod), smartphone, Shanling Q1 DAP, Tempotec Sonata HD Pro, E1DA 9038D, and a Khadas Tone Board -> Fiio A3 Amp.

The CCZ Plume can be driven from a lower powered source, but amping lets it scale better. Amping increases soundstage, microdetails and dynamics, and also tightens the somewhat flabby bass. In fact, with a lower powered source, the midbass can be quite overwhelming and rather incoherent, so amping is advisable.

SOUND & TECHNICALITIES

The CCZ Plume is a warm and bassy V shaped set. Tuning is towards laid back and non fatiguing.

For the bass aspect, the CCZ Plume is a midbass focused, the midbass hits with a big thump and is perhaps a level shy of basshead levels. Subbass extends quite well and rumble is as per a DD bass, but the copious midbass amounts does cause midbass bleed and is a bit on the slow side. The bass, especially when on an underpowered source, encroaches into the lower mids, this gives some added warmth, but may be a pro or con depending on your tastes.

With an underpowered source, the DD bass in the CCZ Plume is rather flabby and has incoherency – it may sound slower than the mids and treble (handled by the BA drivers), so amping is suggested to tighten this area. For non bassheads or those who want a fast and tight bass, the bass amounts can be tamed with wider bore ear tips (there are a variety of eartips provided) or tightened with amping. But even on the provided widest bore eartips, the bass is still quite north of neutral, so those that are averse to bass should take note.

The CCZ Plume’s lower mids are thickened and warmed by the midbass bleed. Upper mids on this set are quite tamed, nothing shouty like a classic V shaped CHIFI set, so it isn’t fatiguing thankfully. The recessed mids actually contributes to the big perceived soundstage, which we will talk about below.

The mids are a bit hazy due to the aforementioned midbass bleed, so this obscures instrument separation and edge definition between instruments and vocals, so it is not the most transparent midrange at this price range.

The lower treble on the CCZ Plume continues on from the safe upper mids, it is very relaxed and smooth, this is a safe set for treble sensitive folks. Upper treble doesn’t extend that well, and hence there is some loss of sparkle and microdetails.

Technicalities are about average on this set at the $200ish USD price range. Instrument separation, microdetails and clarity are hazy as mentioned. Imaging and layering is quite good though. I liked that the soundstage of the CCZ Plume is big in all 3 directions, a very spacious soundstage with no compression of music even on busy tracks.

Timbre is okay for a hybrid containing BA drivers, there’s a hint of BA timbre for acoustic instruments for the higher frequencies, but it will still do okay for classical or jazz.

COMPARISONS

As the CCZ Plume is considered borderline midfi in pricing, here are comparisons with some other midfi sets:

Audiosense T800 ($298 USD)

The Audiosense T800 is an 8 Knowles BA set that is mildly V shaped. Even though it has a pure BA driver handling the bass, the BA bass subwoofer is vented and the Audiosense T800 hence sounds like a DD bass in terms of bass decay and subbass extension and movement of air.

On A/B comparisons, the Audiosense T800 has better clarity, microdetails, imaging and instrument separation. Bass is also tighter and faster than on the Audiosense T800. The Audiosense T800 has much better treble extension too, but it is much brighter than the CCZ Plume, and may be fatiguing for treblesensitive folk.

The Audiosense T800 has better fit and isolation (almost 30 dB passive isolation). The Audiosense T800 doesn’t require amping and is easier to drive in terms of power requirements. However, the Audiosense T800 has a very low 9ish ohm impedance, and is hence very source picky (it pairs best with sources with output impedance of 1 ohm or lower due to the 1/8th rule), whereas the CCZ Plume isn’t so picky with sources.

Tanchjim Oxygen ($270 USD)

The Tanchjim Oxygen is a somewhat harmanish single DD set. It has better tonality and timbral accuracy than the CCZ Plume. Bass is faster and tighter than on the Tanchjim Oxygen, but the Tanchjim Oxygen has a thinner note weight. The CCZ Plume has bigger bass quantities, and hence may fair better than the Tanchjim Oxygen in bass forward music genres like hip hop or EDM.

The CCZ Plume has a better soundstage than the Tanchjim Oxygen, but the CCZ Plume has a slightly worse instrument separation, microdetails and imaging.

LZ A7 ($338 USD)

The LZ A7 has 10 tuning options via switches and nozzles, so it can be tuned to be V shaped to U shaped to neutralish. Hence, it can be more versatile than the CCZ Plume in terms of sound signatures.

The LZ A7 has a thinner note weight and is less bassy than the CCZ Plume, even on the bassiest tuning config. The LZ A7 has better isolation and fit. The LZ A7 has better clarity, imaging, instrument separation and microdetails and a tighter and faster bass than the CCZ Plume.

CONCLUSIONS

The CCZ Plume features a warm and non fatiguing V shaped bassy tuning. It has a big soundstage and a very premium set of accessories.

There is however, some incoherency in the bass due to the midbass bleed and bass speed, especially when underpowered, and technicalities are not classleading. The midbass can be tamed with aftermarket eartips eg wider bore ones, and the bass can be tightened with amping.

Bassheads and those that like a warm and big bassy signature will appreciate this tuning, but bass averse folks may have to look elsewhere. Having said that, this is a good effort for a first release into the midfi segment, and I hope CCZ can continue refinement of their future releases and I look forward to this company’s forays into CHIFIdom.

Contact us!

You find an INDEX of all our earphone reviews HERE.

DISCLAIMER

I would like to thank Ann from KeepHIFI for providing this review unit. It can be gotten here: https://keephifi.com/products/ccz-plume-1dd-4ba-full-metal-in-ear-headphone

Our generic standard disclaimer.

You find an INDEX of our most relevant technical articles HERE.

The post CCZ Plume Review 1 – Is All That Glitters Gold? appeared first on Music For The Masses.

Comfortable, light, good build.
Neutralish sound – doesn’t colour frequencies, and potrays the connected IEM as it is.
Excellent sound quality.
Good battery life.
Modular system to allow MMCX and 2 pin options for IEMs.
Strong and easy BT connectivity and range. No dropouts for BT.
Has a mic to take calls.
Volume controller.

Cons:

No LDAC or aptX LL/HD
No charging case.
Hisses with highly sensitive IEMs.
No water proofing.

EXECUTIVE SUMMARY

The NiceHCK HB2 is a bluetooth wireless adapter that has a modular MMCX/2 pin connector, this increases pairing options for detachable IEMs. It has great sound quality, good battery life and excellent connectivity.

SPECIFICATIONS

• Bluetooth version: Bluetooth 5.2 (Qualcomm QCC3040)
• Bluetooth coding: SBC, AAC, aptX
• Wireless range: 10 meters
• SNR: 59 dB
• Playtime: 13 hours
• Charging time: 1.5 hours
• Tested at $79 USD

ACCESSORIES

In addition to the BT adapter, it comes with:

1) Modular MMCX, 0.78mm 2 Pin and NX7 2 Pin types.

• This is the selling point of the NiceHCK HB2! It comes with a unique 3 types of detachable modules, where one can disconnect the module from the BT adapter, so one can use various IEM connector type housing with it – MMCX, 0.78mm 2 Pin and NX7 2 Pin types.
• The modular design is also good in that usually the connector area is the first point to fail after repeated wear and tear, so no biggie buying the detachable modules, rather than replacing the entire device.

2) USB-C charging cable

BUILD/COMFORT

The NiceHCK HB2 is very comfortable, light and ergonomic. I’ve even used it for 10 hour sessions and forgot it’s in use. The wire guides are flexible and they don’t impinge on the ears, even with a mask and spectacles on. The build quality is rather sturdy too.

The NiceHCK HB2 has no waterproofing mentioned in the specs unfortunately. But FWIW, I’ve used it in some slightly rainy conditions and even with gym and exercise for the past 3 weeks and there are no issues thus far, fingers crossed.

FUNCTION/CONNECTIVITY

Holding a long press on the back of the device turns it on. The left and right sides pair up automatically when turned on, and I had no issues with pairing it with multiple BT devices, all devices recognized the NiceHCK HB2 on the spot. Pressing the power button for 5 seconds conversely turns it off.

The buttons for the NiceHCK HB2 work as advertised:

Interestingly, only one side of the NiceHCK HB2 can be used independently without the need to turn on the other side. This can be an option for some who only want one side in the ear for calls, or say if the other side is being charged. One thing to nitpick is that the buttons are quite sensitive, and are located at the rear of the device, so they can be accidentally touched sometimes.

The NiceHCK HB2 has a mic and can take calls, with good sound quality for calls. I’ve tried it on a few online meetings with no complaints from the others in the conferences with regards to voice quality.

I also liked the volume controller on the NiceHCK HB2. In contrast, some BT adapters like the iBasso CF01 have no volume control on it, so if say one is far away from the BT device used to pair with it, one has to physically go over to the device to change the volume, unlike the NiceHCK HB2, which just requires a tap on the housing.

Connectivity is excellent on the NiceHCK HB2, I have not a single drop out whatsoever in the past 3 weeks that I’ve been using them. The BT range is about 10 meters or so, assuming no walls/obstructions are in the path.

The NiceHCK HB2 doesn’t come with a charging case unfortunately, but it takes around 1.5 hours to reach a full charge. Battery life is advertised at 13 hours, I think it is thereabouts ballpark from my testing, but as per most BT/wireless devices, that is expected to go down with repeated charging cycles, and it also depends on the volume one listens at and perhaps the file type (lossless versus lossy).

TECHNICAL ASPECTS

The NiceHCK HB2 uses the Qualcomm QCC3040 TWS chipset. It has BT 5.2 with support for aptX, SBC and AAC, but unfortunately doesn’t support LDAC or aptX LL/HD.

For the purposes of this review, I paired the NiceHCK HB2 with a range of 15 IEMs. From more power hungry sets like the TRI I3 (contains planars) and the KBEAR BElieve (low sensitivity beryllium driver), to some fussier low impedance/high sensitivity multi driver sets like the Audiosense T800 and TRI Starsea.

Pairings:

• Audiosense T800
• BLON BL-03
• BLON Cardinal
• iBasso CF01
• KBEAR BElieve
• Kinera BD005 Pro
• LZ A7
• Oriveti New Primacy
• Tanchjim Oxygen
• TFZ Tequila
• TRI I3
• TRI Starsea
• Westone 3 (MMCX modded)
• Westone W30
• Whizzer HE01

This device packs quite a lot of juice, and it could power the KBEAR BElieve and TRI I3 with headroom to spare. One thing I would have to nitpick, is that there is some hiss noted with high sensitivity type multi BA IEMs like those mentioned above.

One can mitigate the hiss to some extent by lowering the volume on the NiceHCK HB2, and just jacking up the volume from the BT device you are connected to. Generally the hiss also is not perceived when one is outdoors or when music starts playing anyway.

Dynamics are good on the NiceHCK HB2, there isn’t much loss of the subbass, which is a common occurance in TWS/BT sets. There is some loss of the higher treble, but when one uses BT and wireless stuff on the go and outside,

I think it is quite hard to really notice this. I really liked that the NiceHCK HB2 doesn’t colour the sound much, it just faithfully transmits the sound signature of the attached IEM. So far of the IEMs I’ve paired with it, they all sound the same in terms of general FR as the wired version of these IEMs, though of course wired gear in general tends to have better dynamics, microdetails and technical performance.

COMPARISONS

Even among wireless gear, I generally prefer BT adapters (like the TRN BT20S and TRN BT20), rather than TWS stuff, as I’d like to use my favourite detachable IEMs (with famililar sound signatures) on the go, and hence these BT adapters allow me to reuse the IEM. Plus I think that TWS buds are limited sooner or later by the BT tech or battery life (with repeat charges), so at least the IEM can be kept even if the TWS bud dies/gets outdated.

I’ve the TRN BT20 and TRN BT20S and the iBasso CF01 for these BT adapters. The NiceHCK HB2 sound better than these 3 in terms of sound quality/dynamics and also in terms of connectivity. The iBasso CF01 is more expensive, but comes with a charging case.

I’ve had a few drop outs with the iBasso CF01s and there is a shorter connection distance than the NiceHCK HB2. The iBasso CF01 also only features a MMCX non detachable connector, so that limits the IEM types that can be used with it. The iBasso CF01 has no volume controller as mentioned prior.

CONCLUSIONS

The NiceHCK HB2 is a bluetooth wireless adapter that has a modular MMCX/2 pin connector, this increases pairing options for detachable IEMs. It has great sound quality, good battery life and excellent connectivity.

If a charging case was added, this BT adapter would have been perfect, but as it is, I would recommend this set for those that want the convenience of a wireless connection on the go!

Contact us!

You find an INDEX of all our earphone reviews HERE.

DISCLAIMER

I bought the NiceHCK HB2 with a discount from the NiceHCK Aliexpress shop: https://www.aliexpress.com/item/1005002848089532.html.

Our generic standard disclaimer.

You find an INDEX of our most relevant technical articles HERE.

The post NiceHCK HB2 Review – Nice, As Per Namesake! appeared first on Music For The Masses.

Unique midcentric tuning (rare in budget CHIFI).
Good accessories.
Excellent isolation.
Good timbre for a pure BA set.
Laid back, non fatiguing tuning.
Fast and clean midbass.
Good technicalities.
Easy to drive.
Will make an affordable budget stage monitor.
2 pin connector, better lifespan than MMCX in general.

Cons

Subbass and higher treble roll off.
Insertion depth affects the sound and comfort a lot -> varying impressions as such.
2D soundstage (wide soundstage but sounstage depth/height below average).
Lack of edge definition/bite – may be pro or con depending on personal preference.

EXECUTIVE SUMMARY

The KBEAR Neon is a unique midcentric set, featuring good timbre, isolation and technicalities. It does have a subbass and higher treble roll off as per most single BA sets, but otherwise is a recommendation for vocal and mid lovers. There’s not many single BA or midcentric sets at the budget CHIFI segment, so this is a refreshing tuning for vocal and acoustic genres.

SPECIFICATIONS

• Driver configuration: Knowles 29689 full frequency Balanced Armature driver
• Frequency response: 20 Hz – 20kHz
• Impedance: 14Ω
• Sensitivity: 105dB
• Cable: 2 pin
• Tested at $49.99 USD

ACCESSORIES

Other than the IEM, the KBEAR Neon packaging comes with:

• Foam tips – 1 pair
• Silicone ear tips – 3 pairs (S/M/L)
• Carry case
• 4 core 4N copper silver plated cable – well braided, non tangly. Slight microphonics, but perfectly usable sonic wise.

Accessories wise, quite good for the price, I’ve seen worse in pricier IEMs, cough cough TRN VX. Everything is rather usable OOTB here, so no need to mess with getting aftermarket tips or cables, which can add to costs (looking at you BLON BL-03).

For the purposes of this review, the stock tips and stock cables were used, so as not to change the sound signature with aftermarket gear.

BUILD/COMFORT

The KBEAR Neon is a bullet shaped IEM following the legacy of the Etymotics housing, and is meant to be worn cable down. The housing is light and each earpiece weighs in at an amazing 2.3 grams.

Do note that insertion depth of the KBEAR Neon makes a humongous difference in the perceived sound, and also for comfort. This may also account for the different impressions that various consumers/reviewers will find with this set. With a shallower insertion, the KBEAR Neon’s bass is rather anemic, vocals are in the background and the soundstage becomes wider. With a deeper insertion of the KBEAR neon, the bass and upper treble are boosted and the sound seems better for me, things don’t sound so hollow or distant. One might need to try smaller sized eartips (either stock or aftermarket) to get a deeper fit, so it is not a case of using the usual sized tips you are familiar with on other IEMs.

Of course this is a YMMV situation as we have different ear anatomies and comfort levels for deep insertion IEMs. Though even with a deeper insertion on the KBEAR Neon, I find the comfort is acceptable for me, it isn’t as “violating” or deep fitting as the Etymotics series IEMs. For comparisons, I couldn’t use the Etys for more than a few minutes due to ear discomfort and ear abrasions (though granted the Etys had one of the best passive isolation in a non custom IEM and they did sound good). I’ve managed to use the KBEAR Neon for a few hours with the deep insertion method, without much issues.

As per most cable down IEMs, there are some microphonics, but this can be mitigated to some extent by using a shirt clip. Another tip I learnt in this journey, is that some folks use cable down IEMs as over the ear IEMs to minimize microphonics, it does look weird but it gets the job done, though it might wear out the cable at the bent point over the ear, but detachable cables can be replaced anyways, so no biggie. 

I liked that the KBEAR Neon featured a 2 pin connector, I had my fair share of mishaps with MMCX type connectors after switching cables once too often.

The only issue about the 2 pin connector of the KBEAR Neon, is that one may inadvertently connect it in a reversed polarity, causing out of phase issues. The KBEAR Neon housing can be rotated, there’s a dot on the IEM to signify the orientation of the IEM housing, so just make sure both dots are facing up or both are facing down. As per convention, the red dot is meant for the right earpiece, left dot is meant for the left earpiece. I didn’t hear any difference when both dots were facing up versus both dots facing down, but according to KBEAR, the dots are officially meant to be both facing down:

Anyways, if the music is out of phase, it is pretty obvious, music seems to be coming from behind the head and sounds weird. Alternatively, just use some free online links to check if your IEM is in phase, eg https://www.youtube.com/watch?v=kUT6ZhFdLkA

If music is out of phase, just reverse one side’s housing and you should be back in phase.

ISOLATION

Isolation on the KBEAR Neon is excellent as per an unvented BA set. One of the better passive isolating IEMs I’ve tried so far.

DRIVABILITY

I tested the KBEAR Neon with a Khadas Tone Board -> Topping L30 amp, Sony NW A-55 DAP (DMP-A50 FEv2 Classic Mr Walkman Mod), smartphone, Shanling Q1 DAP, Tempotec Sonata HD Pro, ESS ES9280C PRO DAC/AMP, and a Khadas Tone Board -> Fiio A3 Amp.

The KBEAR Neon is easy to drive, no amping or heavy powered gear required. The Neon runs off practically any weak source. Though as usual amping can increase soundstage, microdetails and dynamics a tinge.

SOUND & TECHNICALITIES

The KBEAR Neon is a midcentric set. Tuning is towards laid back, especially when shallow insertion is used. As per most single BA (balanced armature) IEMs, there is a subbass and higher treble roll off, resulting in limitations in extension of the FR at both extreme ends. Thus, bassheads best look elsewhere for your subbass rumble, and trebleheads best look elsewhere for your sparkle and air. But the Neon’s midcentric tuning is very well done, there’s really no harshness or peaks in the tuning, it’s a very agreeable and smooth midcentric set.

Having said that, one must be aware that midcentric tunings are very niche, they shines in vocals and acoustics genres, but they are not the best for bass forward music genres, eg EDM. Nevertheless, there aren’t many single BA types or midcentric tuned sets in the budget CHIFI arena, so the KBEAR Neon is pretty unique in this aspect.

The KBEAR Neon’s midbass is neutral and the subbass rolls off very early, as per the single BA physics. What the Neon cedes in bass quantity, it aces in quality. The midbass is very fast and tight and textured. It is the literal definition of “Fast and Clean” bass, with no midbass bleed. Mids are the star here, being boosted, but not harsh or shouty. It is a very transparent mids that lets all the vocals and instruments shine through, midlovers and acoustic/vocal lovers will have a field day. There isn’t the harsh 2 – 4 kHz area that plagues a lot of budget CHIFI tuning, this is a non fatiguing set. Treble wise, there’s slight sibilance, but it is still considered a safe treble for me, yet retaining good microdetails, though it isn’t the most airy treble, as per the higher treble roll off in most single BA sets.

Note weight on the Neon is on the thinner side, but that allows the single BA to move quite fast without any dulled transients. Timbre is surprisingly good for a BA set, it won’t beat a well tuned single DD in the timbral accuracy department, but it is one of the better sets for timbral accuracy for a pure BA setup that I’ve tried. Timbral accuracy on the KBEAR neon definitely trumps the garden variety KZ in timbre for sure. Acoustic instruments and vocals sounded quite natural in timbre, with maybe only a slight “plastic” quality in stringed instruments.

On one side of the KBEAR Neon housing, one can see the Knowles 29689 BA serial number, so this set does use Knowles drivers. But of course driver brand and even driver count is secondary to tuning and implementation, as we can see that some TOTL sets (cough cough Campfire Solaris) use Bellsing BA drivers, and some purported Knowles sets don’t sound anything special. But the Knowles house signature does shine thru in the KBEAR Neon, featuring a well rounded note with good technicalities, without needing to boost the upper frequencies to cheat and get the details in. As per some Knowles BA sets, there is a slightly blunted edge definition/bite in notes, this may be a pro or con depending on your personnel preference.

On to technicalities. As this set is a deep insertion type IEM, as per some Etymotics, soundstage is kinda 2D. Soundstage width is good, but height and depth are below average. But what the Neon cedes in soundstage, it makes up for in good left/right imaging. I’d take a set with precise imaging and more intimate soundstage, over a set with big soundstage but fuzzy and nebulous imaging. Details and instrument separation are good for this price range, the KBEAR Neon doesn’t use the typical overly boosted upper mids/treble cheatcode that a lot of budget CHIFI use to boost clarity and give fake details. The Neon manages to get the details in without going to shouty territory, and yet being quite a chill laid back tuning that one can use for hours without fatigue. Think of a monitoring type sound signature with good details, in fact I think the KBEAR Neon can be a good entry level stage monitor due to its isolation, good fit and good technicalities.

COMPARISONS

Here are some comparisons with single BA types. As hybrids/multi BA and single DD IEMs have their own strengths and weaknesses compared to single BA types, they were left out of the comparisons. I apologize as I don’t have any Etymotics IEMs with me now to do A/B comparisons, I returned them some time ago as I couldn’t tolerate the deep “violating” fit, but suffice to say the KBEAR Neon is much more comfortable for me than the Etys series.

Westone UM1 (1BA) ($99 USD)

The Westone UM1 is a 1 BA set that is tuned warm neutralish (but with a treble roll off). The Westone UM1 comes in a conventional bean shaped design, that is worn over ears instead of cable down like the KBEAR Neon. The Westone UM1 has worse isolation.

The Westone UM1 has worse details, imaging, instrument separation and clarity and has a more compressed soundstage width. The Westone UM1 has worse timbral accuracy. Both sets have a subbass roll off as per most single BA types, but the Westone UM1’s bass has a slight midbass bleed and is not as tight/textured/speedy.

Acoustic Effect TRY-01 (1BA) ($130 USD)

The Acoustic Effect TRY-01 is a 1 BA bullet shaped Japanese set that is also worn cable down. It has a non detachable cable (this may be a dealbreaker for some) and also has poorer isolation. The Acoustic Effect TRY-01 has slightly better technicalities and soundstage depth/height, but is more than double the price. Subbass extension is slightly better on the Acoustic Effect TRY-01, though the KBEAR Neon comes with better accessories.

CONCLUSIONS

The KBEAR Neon is a unique midcentric set, featuring good timbre, isolation and technicalities. It does have a subbass and higher treble roll off as per most single BA sets, though there’s not many single BA or midcentric sets at the budget CHIFI segment, so this is a refreshing tuning for vocal and acoustic genres. The KBEAR Neon’s sound is also quite drastically affected by insertion depth, but even with deeper insertion, I don’t find it as ill fitting as the traditional Etymotics types.

I have an admission to make, I’m not a single BA fan. I’m a single DD (dynamic driver) guy for general music listening, as they tend to give better timbral accuracy and tonality/coherency at the budget/midfi CHIFI segment, when compared to BA sets. BA bass that isn’t vented (in general), tends to move less air and have less decay, thus resulting in a less natural bass sound than traditional DD bass. In addition to the higher treble and subbass roll off, single BA types may be weaker in technicalities, when compared to multi BA/hybrids, as expected of a single BA physics limitation. Even if I do use unvented pure BA type IEMs, I use them for stage monitoring exclusively, due to their better isolation (generally unvented) and better technicalities than DD types.

However, despite my biasedness against single BA sets, the KBEAR Neon is a set I think is a keeper, as it shines in vocals and acoustic genres and can also perhaps be a budget stage monitor for stage use. Anyways most of us in this hobby have a few pairs of IEMs lying about, to suit different sonic signatures and music genres, and I think for those who don’t have a midcentric set in your Pokemon collection, the KBEAR Neon is a worthwhile set to consider. Just be aware that midcentric tunings aren’t all rounder, but they will really shine at vocals and acoustic genres.

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You find an INDEX of all our earphone reviews HERE.

DISCLAIMER

I would like to thank KBEAR for providing this review unit. It can be gotten here: https://www.aliexpress.com/item/1005002637520309.html

Our generic standard disclaimer.

You find an INDEX of our most relevant technical articles HERE.

The post KBEAR Neon Review (1) – Rarefied Neon Gas appeared first on Music For The Masses.

Excellent fit and good build.
Natural and organic timbre with great tonality.
Smooth and non fatiguing.
Above average technicalities (other than microdetails). Layering is a highlight.
Excellent price to performance ratio.

Cons

Non detachable cable.
Hard to drive, needs amping to scale better.
Not the most detailed set, not for analytical listening.
Below average isolation.

EXECUTIVE SUMMARY

The Tanchjim Tanya is a warm and lush harmanish set with great timbre and tonality. It is smoothness personified, admittedly it does needs some power to shine, but I can see this set as being one of the standout budget sets for 2021, with excellent price to performance ratio. I’d even stick out my neck and say that this may be the new BLON BL-03 for this year!

SPECIFICATIONS

• Driver configuration: Dynamic Driver
• Frequency response: 20Hz – 42000Hz
• Impedance: 16Ω
• Sensitivity: 112dB/Vrms
• Cable: non detachable , but made of 4N oxygen free copper + Kevlar shaft core and litz structure
• Tested at $21.99 USD

ACCESSORIES

Other than the IEM, the Tanchjim Tanya packaging comes with:

• Spare filters
• Silicone ear tips of 2 types – the narrower bore ones boost the bass whereas the wider bore ones boost the higher frequencies.
• Velvet carry bag

Accessories wise, nothing to be sniffed at for $20ish USD. I’ve seen worse in pricier IEMs, cough cough TRN BA8. Everything is rather usable OOTB here, so no need to mess with getting aftermarket tips, which can add to costs (looking at you BLON BL-03).

Do note that the stock narrower bore eartips boost the bass, whereas the wider bore ones boost the higher frequencies. The Tanchjim Tanya is already quite warm and thick in sound, with a kind of veiled sound signature. So for those that want a bit more clarity and openness, I would recommend the wider bore stock tips, or you can try some wider bore aftermarket tips.

For the purposes of this review, the stock tips were used, so as not to change the sound signature with aftermarket gear.

BUILD/COMFORT

The Tanchjim Tanya is a bullet shaped IEM and is meant to be worn cable down. It is very light and well fitting, comfort is excellent. In fact, I’ve used it for many hours continuously with no discomfort whatsoever.

I didn’t find any driver flex for myself on the Tanchjim Tanya (but YMMV, as this is somewhat dependent on ear anatomy and types of ear tips used).

Sadly, the cables are non detachable, this area may be a dealbreaker for some, as this may be a point of failure down the line, or perhaps some might wanna use aftermarket balanced cables or even bluetooth adapters with it. But the cables in the Tanchjim Tanya are quite supple and not tangly, and there’s a strain relief.

This is not the noodle thin, non strain relief reinforced type of cable that makes your heart drop (looking at you Final E3000!), I think it looks and feels quite durable.

Personally, I would have preferred if it was MMCX as least, but I won’t beat this area with a stick, since it is a $20ish USD set, and some of the pricier Tanchjim products do not have detachable cables too -> also looking at you, Tanchjim Cora!!

As per most cable down, non detachable design IEMs, there’s some microphonics unfortunately, but it is not that bad, compared to the Sony MH755 or Final Audio E3000 in this area. The cable is also quite long, unlike the Sony MH755 where the too short fixed cable mandates that you can’t move too far from the source.

Strangely, the Tanya didn’t come with any L/R markings to let us know which side is which, but there’s a small dot on the strain relief insertion area (into the IEM) to denote that this is the left earpiece. This dot thing seems to be some relic design that I’ve encountered in some old school Japanese IEMs!

ISOLATION

As for isolation, the Tanchjim Tanya is below average in this area, as per the open backed design, but this design does aid in soundstage, which we will discuss below, so it is a double edged sword.

DRIVABILITY

I tested the Tanchjim Tanya with a Khadas Tone Board -> Topping L30 amp, Sony NW A-55 DAP (DMP-A50 FEv2 Classic Mr Walkman Mod), smartphone, Shanling Q1 DAP, Tempotec Sonata HD Pro, ESS ES9280C PRO DAC/AMP, and a Khadas Tone Board -> Fiio A3 Amp.

The Tanya is rather difficult to drive. In fact, it sounds meh from a lower powered smartphone, and scales nicely when amped. I mean, you can get sound from lower powered source, but it can’t sing. Ie soundstage, dynamics, microdetails are lost when it isn’t amped.

When underpowered, the midbass bleeds quite a fair bit and music sounds congested. I tried the Tanchjim Tanya originally with the Shanling Q1 DAP and the Tempotec Sonata HD Pro at 2V power (with a 3.5 mm adapter), it sounded a bit mushy and overly thick.

On amping this set with the Topping L30 amp, then the veil kind of lifted and I’m glad to report that this set can scale with power, and the bass can be cleaner when amped. Of course that brings us to the question of whether one should pair a $20 USD IEM with a more expensive amp, is that putting the cart before the horse?

As discussed, since the Tanchjim Tanya features a warmish veiled tuning, it does synergize better with brighter or at least neutral sources, rather than a warmer source which makes the mix too mushy and overly syrupy thick.

SOUND & TECHNICALITIES

The Tanchjim Tanya features a warm harmanish tuning. Tuning is towards laid back and analoguish. The keyword to describe this set is “lush” and “smooth”. In a nutshell, the Tanchjim Tanya is a non analytical set, and is a set suited to chill back and enjoy music.

Tonality is very good, there’s a slight upper mids peak around the 3 kHz region, but it is far from shouty or hot and is very smooth and non fatiguing. In contrast, I couldn’t use the Moondrop SSR (which also has a 3 kHz peak) for more than 5 minutes due to the icepeak 3 kHz spike on it.

On to tonality. The Tanya is midbass focused. There’s a subbass rolloff, but there’s a tickle of rumble called for when the deepest bass registers are played. As discussed, when underpowered, the midbass smears and bleeds, but on amping the bass tightens quite a fair bit. The Tanya doesn’t have the most textured bass unfortunately, but that’s something I can close one eye for, considering the price.

Mids are thick and lush and this gives quite a lot of body to music. This may overly too thick for some, so it can be a pro or con, but those that like the analoguish sound will like it. The lower mids are slightly depressed until it rises and peaks at the 3ish kHz region. There’s no sibilance on this set, so it is a rather treble safe set, treble rolls off around 8 kHz or so.

Vocals are a tinge forward in this set due to the peak at the upper mids, but even on some shouty tracks, I did not find that the Tanya is fatiguing or shouty for me, it is a very safe and non fatiguing tuning. Due to the borderline darkish treble, some cymbal and percussion hits may be a bit too subdued and this isn’t the most detailed treble, but it for sure can be used for hours upon hours due to the non fatiguing tuning.

For those that find the tuning overly thick and veiled, as discussed, using a brighter source or wider bore ear tips may help.

On to technicalities, soundstage is above average in all 3 directions, as per the open backed design. Probably some multi BA/hybrid sets at this price bracket will trump it in technicalities, but the Tanchjim Tanya’s layering is very good for this price bracket, haven’t heard this in most $20ish IEM.

Imaging and instrument separation are above average, I felt it can cope with busy passages of music when amped. However, details are not the best, notes lack bite and edge definition as per the analoguish signature, so as discussed, it isn’t a set for analytical listening, but just to chill and appreciate music.

Timbral accuracy on the Tanchjim Tanya is truly excellent, I would term it as organic and natural. Indeed, this is a very good IEM for vocals and acoustic instrument lovers. In fact, I think it has one of the best timbral accuracy I’ve heard in a $20ish USD set, it even edges the fabled BLON BL-03 in the timbre department.

COMPARISONS

Here are some comparisons with some well regarded budget single DD types. As hybrids/multi BA have their own strengths and weaknesses compared to single DD types, they were left out of the comparisons.

BLON BL-03 ($25 USD)

The legendary BLON BL-03 is a harmanish set with a midbass bump, boasting superb tonality and timbre at the sub $30 USD region. Both sets sound a tinge analoguish and scale with amping, though the Tanchjim Tanya is harder to drive. Both sets also have subpar isolation and share a similar tonality and timbre. Perhaps the BLON BL-03’s midbass is a tinge more bloated.

I think the Tanchjim Tanya edges it in the timbral accuracy and technicalities department. The BLON BL-03, even though it has detachable cables, has a notoriously bad fit due to the too short nozzles. Hence, most people need to do spacer mods or use aftermarket eartips/cables to secure a better fit.

Thus, the BLON BL-03 may be closer to $40 – 50 USD if aftermarket tips/cables are factored in, whereas the Tanchjim Tanya is ready to go OOTB, no need to mess around or spend more on aftermarket gear for it. As such, I see the Tanchjim Tanya as a marginal upgrade and a better set in terms of investment. I daresay the Tanchjim Tanya may even be the BLON BL-03 of 2021!

BLON MINI ($29.99 USD)

The BLON MINI is much easier to drive, though the Tanchjim Tanya has better timbral accuracy, better technicalities and layering and imaging.

The Tanya has better accessories, though it has weaker isolation. The Tanchjim Tanya is more noticeably laid back in tuning, whereas the BLON MINI is more dynamic and in your face.

HZSound Heart Mirror ($49 USD)

The HZSound Heart Mirror is a neutralish bright set, with a more linear and neutral bass than the Tanchjim Tanya.

The HZSound Heart Mirror comes in a nicer shell (mirror like as per its namesake), with non detachable cables and a very nice packaging. Both sets scale superbly with amping, timbre are excellent on both sets.

In terms of technicalities, the HZSound Heart Mirror whips the Tanchjim Tanya, the former has much better transients, clarity, microdetails, imaging and instrument separation. Note weight is thinner on the HZSound Heart Mirror and it has less subbass and midbass quantities too, though the bass is faster and cleaner. The HZSound Heart Mirror is a much more technical and analytical set, compared to the chiller and more laid back Tanchjim Tanya.

Sony MH755 ($7 USD)

The fabled Sony MH755 is also another harmanish set with a bullet shaped design. The Sony MH755 really has quite good timbre and tonality, but I think the Tanchjim Tanya beats it in these departments. The Sony MH755 can be shouty at higher volumes (Fletcher Munson curve) at the upper mids. Isolation and technicalities are also better on the Tanchjim Tanya.

Both sets have non detachable cables, but the Sony MH755’s cable is very short and J shaped, with markedly bad microphonics. One can’t go too far away from the source due to the short length (without using a cable extender), unlike the longer cable on the Tanchjim Tanya.

The Sony MH755 is also very hard to find in the wild nowadays, with a lot of shops selling counterfeit sets, so getting your paws on a legit Sony MH755 is an arduous task now.

So, I see the Tanchjim Tanya as an upgrade over the Sony MH755, although it is more expensive.

Moondrop SSR ($39.99 USD)

The Moondrop SSR comes with a waifu anime otaku packaging. That in itself makes it the clear winner, enough said. Please move on to the next section.

Ok ok jokes aside, the Moondrop SSR is tuned somewhat diffuse-field neutral with an upper mids boost. Both sets are quite tough to drive and have subpar isolation, but the Moondrop SSR is technically superior and has better transients than the Tanchjim Tanya.

The Moondrop SSR falls apart tonally though, it is akin to shouting at the moon at the 3 kHz area, especially at louder volumes (Fletcher Munson curve), and this is a dealbreaker for me. Both sets have a boosted 3 kHz area, but the Moondrop SSR more so, it can even be quite icepick like on some recordings at this area. The caveat is that we have different hearing health, different sources, different eartips, different ear anatomy (affecting pinna gain) and we play our music at different volumes, so YMMV and Moondrop fanboys, don’t crucify me!

Anyways, timbre is also less natural and the note weight is rather thin on the Moondrop SSR, so it is a much more analytical and technical set than the laid back and chill Tanchjim Tanya.

Final Audio E3000 ($50 USD)

The Final Audio E3000 is rather L shaped, featuring a big nebulous midbass and a rolled off treble. The Final Audio E3000 is harder to drive than the Tanchjim Tanya.

The Final Audio E3000 has better technicalities when amped, in the area of soundstage, imaging and instrument separation/layering, though it has a poorer timbral accuracy than the Tanchjim Tanya.

Both sets are bullet shaped and have non detachable cables, but the Final Audio E3000’s cable is worryingly noodle thin, with more microphonics and no strain relief! Isolation is also poorer on the Final Audio E3000.

CONCLUSIONS

The Tanchjim Tanya is a warm, smooth and lush harmanish set with great timbre and tonality. It needs some power to shine, but with adequate juice, the sound is really good for the $20 USD asked, with this set presenting excellent price to performance ratio. I’ve no regrets skipping a Macdonald’s meal or two for the Tanchjim Tanya TBH.

One area to nitpick, is that the cables are non detachable, as this may be a point of failure down the line, or perhaps some might wanna use aftermarket balanced cables or even BT adapters with it. This non detachable aspect may be a dealbreaker for some even, but otherwise, I’ve really no complaints about the build.

The non fatiguing and smooth and lush tuning can really make the Tanchjim Tanya a set to just sit back and enjoy the music for what it is, and not to listen to the gear. I can see this set as being one of the standout budget sets for 2021, maybe one can even label it as the BLON BL-03 for this year?

Contact us!

You find an INDEX of all our earphone reviews HERE.

DISCLAIMER

I bought this set at my own expense, with a slight discount from the Yaotiger Aliexpress shop: https://www.aliexpress.com/item/1005002568046521.html

Our generic standard disclaimer.

You find an INDEX of our most relevant technical articles HERE.

The post Tanchjim Tanya Review (1) – The BLON BL-03 For This Year? appeared first on Music For The Masses.

Excellent fit and good built. Unique housing that works!
Good isolation.
Above average technicalities.
2 pin connector – better lifespan than MMCX in general.
Easy to drive.

Cons

Overly boomy/nebulous bass with midbass bleed.
7 kHz area can be hot with some sibilance.
Timbral accuracy issues.

EXECUTIVE SUMMARY

The BLON MINI is a V shaped budget set with above average technicalities, but has some slight issues in timbre and tonality. It thankfully fixes the fit issues of previous BLON iterations. The BLON MINI looks weird, but actually has a very good fit and isolation to boot.

SPECIFICATIONS

• Driver configuration: 6 mm Dynamic Driver
• Frequency response: 20Hz – 20000Hz
• Impedance: 16Ω
• Sensitivity: 115 dB
• Cable: 2 pin
• Tested at $29.99 USD

ACCESSORIES

Other than the IEM, the BLON MINI packaging comes with:

• Silver plated cable- on the thin side, but very usable OOTB sonic wise. No microphonics.
• Silicone ear tips of various sizes.
• Sackcloth pouch – similar to previous BLON iterations!

Accessories wise, nothing groundbreaking and pretty similar to the usual BLON iterations of the past. Everything is rather usable OOTB, so no need to mess with getting aftermarket tips and cables, which can add to costs (looking at you BLON BL-03).

I know some others would prefer aftermarket cables and eartips. But for the purposes of this review, the stock cable and tips were used, so as not to change the sound signature with aftermarket gear.

BUILD/COMFORT

The BLON MINI’s shell is super unconventional to say the least, so let’s discuss about this big elephant in the room. The BLON MINI is affectionately called the BLON macaroni in some audio forums. Some would even call the shell shape weird and dare I say, obscene, but to my surprise, the BLON MINI’s fit is actually very ergonomic and comfortable, so don’t judge a macaroni by its housing book by its cover. The BLON MINI is light and I’ve had not had any discomfort despite using it for a few hours at a time. It definitely has a better fit than the BLON BL-01 and BLON BL-03 for me. I think of the BLON siblings I have, only the BLON Cardinal (which features a shell that is similar to the BGVP DM6 and looks like a semi custom resin type shell) has better fit.

Thus far, the reputation for BLON IEM housings/fit in audio forums isn’t the best, there’s even memes about the fit, just see the number of complaints and hoops that people have to go through, just to secure a good fit with the legendary BLON BL-03. I’m glad to report here, that despite (or perhaps in spite of the weird housing shape), BLON has finally gotten a good fitting IEM without needing to mess around with aftermarket tips, so whatever R&D they are doing for fitting purposes and ergonomics has hit a home run.

I didn’t find any driver flex for myself for the BLON MINI (but YMMV, as this is somewhat dependent on ear anatomy and types of ear tips used).

I liked that the BLON MINI uses 2 pin connectors, as I’m not a fan of MMCX connectors in general, as they tend to have shorter longevity especially if cables are swapped too much.

ISOLATION

The BLON MINI has good isolation, and is indeed, one of the better isolating single DD sets. This came as a pleasant surprise, and coupled with its easy drivability (see next section), this set can be easily used outdoors or on the train.

DRIVABILITY

I tested the BLON MINI with a Khadas Tone Board -> Topping L30 amp, Sony NW A-55 DAP (DMP-A50 FEv2 Classic Mr Walkman Mod), smartphone, Shanling Q1 DAP, Tempotec Sonata HD Pro, ESS ES9280C PRO DAC/AMP, and a Khadas Tone Board -> Fiio A3 Amp.

The BLON MINI is easy to drive, it can run off almost any weak source. It scales just slightly better with amping. Amping can increase dynamics, soundstage and perhaps microdetails, and also tightens the bass a tinge, but no biggie if you just have a non LGV smartphone as a source, as the returns for amping is not really that big.

SOUND & TECHNICALITIES

The BLON MINI has a classical CHIFI V shaped tuning.

For the bass department, the BLON MINI is just a level shy of true basshead quantities. The bass is definitely north of neutral with a great punch in the midbass. Subbass is more pronounced in quantity and decay than the midbass, this set can extend very well in subbass extension, and should please most bassheads. Bass quality wise, unfortunately due to the copious amounts of bass, there is midbass bleed, and the bass isn’t the most textured. The subbass rumble also decays quite slowly and can leave a hanging tail in subbass heavy tracks, this may impinge upon the mids and treble in some tracks. Of course subbass perception is to an extent dependent on eartips used, and how well the IEM seals, so YMMV as usual.

Lower mids on the BLON MINI are recessed, but this area contains some warmth from the aforementioned midbass bleed. Upper mids are smooth and not shouty, but I find the upper mids lack a bit of heft, so this isn’t a set for vocal or mid lovers, and is probably a consequence of the V shaped tuning. Nevertheless, the mids are rather transparent.

Treble is not the most extended, the lower treble/upper mids area is smooth, though there’s instances of sibilance, with some splashiness and harshness at the 7ish kHz region on some tracks.

Overall, technicalities in the BLON MINI are above average for a budget single DD, soundstage is good in width, though it is about average in depth and height. Music could at times sound a bit congested on the BLON MINI during very fast tracks or when there were complex instrumentation ongoing. Clarity and imaging are above average, while instrument separation and details are around average at this price range.

Timbral accuracy wise, vocals and acoustic instruments have a bit of an artificial sheen to them, but this perhaps may depend on the usual music genres you listen to. Don’t get me wrong, the timbre on the BLON MINI isn’t as artificial as the garden variety multi BA types in budget CHIFI, but when A/B comparisons are done against some other single DD sets, then the timbre issues do rear its head. This is an area of disappointment for me, as I appreciate that single DD types (in general) give better timbral accuracy than multi BA types, and so far of the other BLON drivers I’ve tried, all of them score high marks in timbre usually.

COMPARISONS

Here are some comparisons with some well regarded $20 – 30 USD single DD types. As hybrids/multi BA have their own strengths and weaknesses compared to single DD types, they were left out of the comparisons.

BLON BL-03 ($25 USD)

The legendary BLON BL-03 is a harmanish set with a midbass bump, boasting superb tonality and timbre at the sub $30 USD region. Compared to the BLON MINI, the BLON BL-03 is less V shaped and has a thicker note weight.

In terms of timbre and soundstage and technicalities, the BLON BL-03 is better, but the BLON MINI beats the BLON BL-03 in fit and isolation. The BLON BL-03 is also more difficult to drive.

Having said that, the BLON BL-03 may be closer to $40 – 50 USD if aftermarket tips/cables are factored in to secure a better fit for the BLON BL-03’s atrocious fit with the stock accessories, whereas the BLON MINI is ready to go OOTB, no need to mess around with aftermarket gear for it.

Tanchjim Tanya ($22 USD)

The Tanchjim Tanya is a new release, featuring a harmanish tuning. The Tanchjim Tanya is worn bullet shape (cable down) and its non detachable cable has some slight microphonics. This non detachable housing may be a deal breaker for some, so YMMV.

The Tanchjim Tanya is much more difficult to drive, though the Tanya has better timbre, better technicalities and layering and imaging. The Tanya has better accessories, though it has weaker isolation. The Tanchjim Tanya is more noticeably laid back in tuning, whereas the BLON MINI is more dynamic.

KBEAR KS1 ($20 USD)

The KBEAR KS1 is another V shaped set, and like the BLON MINI, it has boosted bass that bleeds. The lower mids are recessed in both sets, so they ain’t an ideal set for mid/vocal lovers, though the KBEAR KS1 has a slightly more forward upper mids region than the BLON MINI. Accessories are similar, technicalities are close, though the KBEAR KS1 has poorer isolation. Timbre is a tinge better on the KBEAR KS1.

CONCLUSIONS

The BLON MINI is a V shaped budget set with above average technicalities, but has some slight issues in timbre and tonality. It thankfully fixes the fit issues of previous BLON iterations. The BLON MINI looks weird, but actually has a very good fit and isolation to boot.

The BLON MINI is by itself a decent set, with good price to performance ratio. But the issue here, is that there is very heavy competition at this price bracket. CHIFI gear is being released on a weekly basis, a new hypetrain is hyped in forums almost daily, or maybe that hypetrain is already in transit to your house, even as I am typing this! So, the BLON MINI still needs that special something to stand out from the cut throat competition, some pizzaz that for example the BLON BL-03 had (in having superb tonality and timbre). Perhaps this special thing that the BLON MINI has, is the extremely unconventional design, and this design does work very well, I’m pleased to say, as it aces fit and isolation and comfort. I do commend BLON for finally fixing the fit issues of their previous sets (looking at you, BLON BL-01 and BLON BL-03!), and I do look forward to their next release, which hopefully aces timbre, tonality, technicalities and fit (is this too demanding to ask for hahaha?).

Contact us!

You find an INDEX of all our earphone reviews HERE.

DISCLAIMER

I would like to thank Ann from KeepHIFI for providing this review unit. It can be gotten here: https://keephifi.com/products/blon-bl-mini-6mm-dynamic-driver-in-ear-earphone-iem-dj-running-headphones-earbuds-2pin-connector-blon-mini-blmini-bl-03-bl-01

Our generic standard disclaimer.

You find an INDEX of our most relevant technical articles HERE.

The post BLON MINI Review – Holy Macaroni!!! appeared first on Music For The Masses.

Well fitting, light, comfortable. Beautiful looks.
Above average isolation.
Great organic timbre and tonality.
Good soundstage and technicalities. Fast transients.
Easy to drive.
Nice accessories.

Cons

Not the most textured bass.
Rare instances of hot upper mids.
Not all aftermarket 2 pin cables can fit this set, due to the round protruding housing design.

EXECUTIVE SUMMARY

The Whizzer HE01 features a warm mild V shaped tuning, and is an all rounder single DD set that scores good marks in tonality, timbre and technicalities. Transients are a particular standout on this set. Accessories and haptics are nice and I would say it is one of the standout sub $100 CHIFI single DDs of 2021.

SPECIFICATIONS

• Driver configuration: metal composite moving coil unit with high magnetic circuit
• Frequency response: 15 hz – 40 kHz
• Impedance: 18 Ohms
• Sensitivity: 112 dB SPL / MW
• Cable: 2 pin
• Tested at $79.99 USD
• Purchase link: https://www.aliexpress.com/item/1005001731358565.html

ACCESSORIES

Other than the IEM, the Whizzer HE01 packaging comes with:

• 5N OFC oxygen free copper cable – well braided, very usable OOTB sonic wise. No microphonics. Only thing to note though is that the 2 pin connector here is round and protruding for the housing. So it may not fit all aftermarket cables.
• Silicone ear tips –  I find the narrow bore eartips tend to boost bass, the wider bore ones tend to boost the upper mids/treble, YMMV as we have different ear anatomies.
• Round metal hard case
• Cleaning tool

Accessories wise, this is rather generous for a budget single DD, I’ve definitely seen worse in some more expensive CHIFI “flagships” (cough cough TRN). Everything is rather usable OOTB, so no need to mess with getting aftermarket tips and cables (which can add to costs).

For the purposes of this review, the stock cable and tips were used, so as not to change the sound signature with aftermarket gear. In particular, the narrow bore eartips were used for this review.

BUILD/COMFORT

The Whizzer H01 shell is made of plastic and is very light and well fitting. Comfort is top notch, I’ve used this set for marathon listening sessions without an ounce of discomfort.

I didn’t find any driver flex for myself (but YMMV once more as this is somewhat dependent on ear anatomy and types of ear tips used).

I liked that the Whizzer HE01 uses 2 pin connectors, as I’m not a fan of MMCX connectors in general, as they tend to have shorter longevity especially if cables are swapped too much. Only thing to note though is that the 2 pin connector here is round and protruding for the housing. So it may not fit all aftermarket cables, so just a point to note.

The Whizzer HE01’s shell is also quite beautiful looking, my wife would usually glare at me or nag when a new IEM comes in the mail. But this time, she took a look and was quiet for a few seconds. Then she grudgingly said she “wouldn’t mind trying it” LOL. But of course for us in this hobby, most of us value the sound over the looks, so let’s dive into that below.

ISOLATION

The Whizzer HE01 has above average isolation. Not too bad considering it is vented, though some pure BA type IEMs without vents will beat it in the isolation department.

DRIVABILITY

I tested the Whizzer He01 with a Khadas Tone Board -> Topping L30 amp, Sony NW A-55 DAP (DMP-A50 FEv2 Classic Mr Walkman Mod), smartphone, Shanling Q1 DAP, Tempotec Sonata HD Pro, ESS ES9280C PRO DAC/AMP, and a Khadas Tone Board -> Fiio A3 Amp.

At a sensitivity of 112dB/mW, the Whizzer HE01 is easy to drive, but like most other single DD types, it scales with amping. Amping can increase dynamics, soundstage and perhaps microdetails, but no biggie if you do not have an amp on hand with the Whizzer HE01.

SOUND & TECHNICALITIES

In a nutshell, the Whizzer HE01 features a warm mild V shaped tuning, and is an all rounder single DD set that scores good marks in tonality, timbre and technicalities.

For the bass department, the Whizzer HE01 is not a basshead set in terms of quantity, but bass is definitely north of neutral with a great punch in the midbass. Midbass is more pronounced than the subbass, but this set can still extend quite well in subbass extension. Bass quality wise, while there isn’t marked midbass bleed, the bass isn’t the most textured and can be one noted at time, but that’s something I can close one eye considering the rest of the tonality is quite good.

Lower mids are midly recessed, not overly so. Upper mids are at the borderline of spiciness for me for some songs, but otherwise, it doesn’t really get into very banshee shouty territory (cough cough Moondrop SSR) unless one jacks up the volume a lot (Fletcher Munson curve), or on some poorly recorded materials. Mids are very clean and transparent.

Treble is well extended, though there’s mild instances of sibilance. Microdetails are well captured and cymbals ain’t splashy or unnatural.

Technicalities are very good for a budget single DD, soundstage is definitely above average to good in height, depth and width. Clarity, imaging, instrument separation and details are really quite good considering it is a single DD set. One thing that stands out immediately are the very fast transients. Music never sounded congested on the Whizzer HE01 even with complex pieces.

Timbral accuracy is good as per its single DD roots, no complains for this department, it would do well with acoustic instruments and vocals in terms of timbre.

COMPARISONS

Here are some comparisons with some well regarded single DD types below. As hybrids/multi BA have their own strengths and weaknesses compared to single DD types, they were left out of the comparisons.

BLON BL-03 ($25 USD)

The legendary BLON BL-03 is a harmanish set with a midbass bump, boasting superb tonality and timbre at the sub $30 USD region. Compared to the Whizzer HE01, the BLON BL-03 is more analoguish with a thicker note weight and a more nebulous and boomy midbass.

In terms of timbre, the BLON BL-03 shades it a bit, but the Whizzer HE01 beats the BLON BL-03 in accessories, fit, isolation, soundstage, transients, imaging, instrument separation, clarity and details. Basically the Whizzer HE01 is a few levels above the BLON BL-03.

I know they are at different price brackets, but the BLON BL-03 is sort of a milestone CHIFI single DD which many folks have, and I’m sure some would ask for A/B comparisons. But actually, the BLON BL-03 may be closer to $40 – 50 USD if aftermarket tips/cables are factored in to secure a better fit for the BLON BL-03’s atrocious fit with the stock accessories, whereas the Whizzer HE01 is ready to go OOTB, no need to mess around with aftermarket gear for it.

BLON BL-05S ($39 USD)

The BLON BL-05S is a U shaped set. Unfortunately, it comes in a gaudy green colour, which may be a dealbreaker for some (in fact, I got stared at when I tried using it on the subway, so it stays at home nowadays). I’ve had some audiophile friends who refused to buy it, cause of the colour, and also cause they were burnt by the not so stellar BLON BL-05 (non S), which was quite shouty in the upper mids.

Comparing the 2 sets, the BLON BL-05s has worse accessories. The BLON BL-05S is slightly shoutier in the upper mids than the Whizzer HE01. In terms of technical performance the Whizzer HE01 is slightly better, in terms of soundstage, clarity, details, imaging and instrument separation. Once again, they are at different price brackets, and the law of diminishing return kicks in, so the Whizzer HE01 is not 2 times better as the price would suggest, but it is still a slight upgrade over the BLON BL-05S.

iBasso IT00 ($60 USD)

Like the Whizzer HE01, the iBasso IT00 comes with nice accessories, and features a mild V shaped tuning. The iBasso IT00 has very bad driver flex though, so that’s one thing to note as it can be a dealbreaker for some. In terms of tonality, the iBasso IT00 has more subbass rumble/quantity but lesser higher treble extension.

In terms of technical performance, the Whizzer HE01 is better, featuring better clarity, detials, imaging and instrument separation. Transients are also faster on the Whizzer HE01.

HZSound Heart Mirror ($49 USD)

The HZSound Heart Mirror is a neutralish bright set, and has a more compressed soundstage than the Whizzer HE01. The HZSound Heart Mirror is also more difficult to drive and has a more neutral bass compared to the iBasso IT00. The HZSound Heart Mirror has a thinner note weight too. Accessories wise, they are both very good.

In terms of timbral accuracy, the HZSound Heart Mirror is a tinge better. In terms of technicalities, they are very close.

Though if one does not have an amp, I would suggest to look elsewhere from the HZSound Heart Mirror, as it sounds meh with a low powered source, with a compressed soundstage, thin note weight and lack of dynamics. The Whizzer HE01 on the other hand, sounds good even from lower powered gear.

I would see these 2 sets as sidegrades, both sets have good transients and technicalities. The HZSound Heart Mirror is more suited for those wanting a neutralish technical and analytical tuning, while the Whizzer HE01 is for those that want a more fun V shaped sound. The Whizzer HE01 by virtue of having more bass quantity, may be more suited for bass forward music genres too, but both are good sets to get, depending on your sonic preferences and usual music genres you listen to.

CONCLUSIONS

The Whizzer HE01 features a warm mild V shaped tuning, and is an all rounder single DD set that scores good marks in tonality, timbre and technicalities. Transients are a particular standout on this set. Accessories and haptics are nice and I would say it is one of the standout sub $100 CHIFI single DDs of 2021.

Definitely recommended for those who are wanting to dive deeper into the rabbithole from the sub $30 USD single DD segment!

Contact us!

You find an INDEX of all our earphone reviews HERE.

DISCLAIMER

I would like to thank Whizzer for providing this review unit. It can be gotten here: https://www.aliexpress.com/item/1005001731358565.html

Our generic standard disclaimer.

You find an INDEX of our most relevant technical articles HERE.

The post Whizzer HE01 Review (2) – Whizz Kid appeared first on Music For The Masses.

Well fitting, light, comfortable.
Above average isolation.
Good organic and analoguish timbre.
Laid back tuning, smooth and non offensive.
No sibilance, safe treble.
Easy to drive.

Cons

Bass bleeds, not the most textured bass.
Intended V shaped tuning, not for mid or vocal lovers.
Technicalities below average.

EXECUTIVE SUMMARY

The KBEAR KS1 is a well done bassy V shaped set, featuring good timbre and tonality. It features a warm and analoguish non fatiguing tuning. It is bottlenecked at the technicalities aspect, but would otherwise make a fine addition for those who are new to this hobby or those who want a laid back tuning that is different from the usual budget CHIFI fare.

SPECIFICATIONS

• Driver configuration: Dual Magnectic Circuit Single Dynamic Driver
• Frequency response: 20 Hz – 20000Hz
• Impedance: 16 Ohms
• Sensitivity: 109 dB/mW
• Cable: 2 pin 0.78 mm
• Tested at $18 USD
• Purchase link: https://www.aliexpress.com/item/1005002184896879.html

ACCESSORIES

Other than the IEM, the KBEAR KS1 packaging comes with:

• 4 core 4N pure copper cable – A bit too thin for my preference, but very usable sonically.
• Silicone ear tips (3 sizes)

Accessories wise, nothing much to complain for the price, this is par for the course for a sub $20 USD set. I do think the accessories here are rather usable OOTB, but of course experienced CHIFI users will straight away throw the stock stuff into a drawer (or dustbin) and whip out their own tips and cables. TBH, I’ve actually seen some CHIFI retailing for much more that provide exactly the same accessories (cough cough a CHIFI company that has 3 alphabets starting with T).

For the purposes of this review, the stock cable and tips were used, so as not to change the sound signature with aftermarket gear.

BUILD/COMFORT

The KBEAR KS1 shell is made of plastic. I got the white version, which really looks like some Stormtrooper armour. It is very light and comfortable and well fitting. No complaints from me on this aspect.

I didn’t find any driver flex for myself (but YMMV once more as this is somewhat dependent on ear anatomy and types of ear tips used).

I liked that the KBEAR KS1 uses 2 pin connectors, as I’m not a fan of MMCX connectors in general, as they tend to have shorter longevity especially if cables are swapped too much.

ISOLATION

The KBEAR KS1 has above average isolation. Not too bad considering it is dual vented, though some pure BA type IEMs without vents will probably beat it in the isolation department.

DRIVABILITY

I tested the KBEAR KS1 with a Khadas Tone Board -> Topping L30 amp, Sony NW A-55 DAP (DMP-A50 FEv2 Classic Mr Walkman Mod), smartphone, Shanling Q1 DAP, Tempotec Sonata HD Pro, ESS ES9280C PRO DAC/AMP, and a Khadas Tone Board -> Fiio A3 Amp. The KBEAR KS1 is quite easy to drive, and amping is not really required. Though like other single DD types, amping can increase dynamics, soundstage and perhaps microdetails a tinge.

The KBEAR KS1 is a bassy and warm set, so in general, I found it paired better with perhaps neutral or brighter sources. Warmer sources may make the sound too thick, veiled and bassy, but YMMV.

SOUND & TECHNICALITIES

In a nutshell, the KBEAR KS1 is a well done bassy V shaped set, featuring good timbre and tonality. It doesn’t suffer from the usual sibilant hyperboosted treble/upper mids that plague a lot of budget CHIFI sets. In fact, the KBEAR KS1 is warm and analoguish and the tuning is pretty non offensive and non fatiguing. Some might even find the KBEAR KS1 too safe in tuning actually. As this is an intended V shaped tuning, mid and vocal lovers best look elsewhere, as vocals and the mids are in the background, and at times may be a bit hollow.

Bass on the KBEAR KS1 is midbass focused with some subbass roll off. In terms of quantity, I would classify it at a level shy of true basshead levels. Quality wise, unfortunately, the midbass bleeds into the mids and isn’t too textured. Bass is also at times boomy and one noted.

Mids are recessed as per the V shaped tuning. The lower mids are obscured not only due to the V shaped tuning but because of the midbass bleed from the copious bass. Some may like the added warmth, but some may not, so kind of a YMMV situation. Upper mids are mildly boosted but are very smooth and not shouty. As discussed, mid and vocal lovers best consider alternative IEMs as this is a deliberately tuned V shaped set. Female vocals are more forward than male vocals, but the vocals (especially male ones) do take a backseat in this tuning, but consequently, this is a very safe upper mids tuned set, with not an ounce of fatigue with longer listening sessions. This set is a far cry from the usual hyper boosted upper mids section we frequently encounter at the budget CHIFI segment.

Treble in the KBEAR KS1 is a safe and very non fatiguing treble, so this is not a very airy set. Sibilance is not present. Notes are rounded and smooth, and may at times lack bite. This can be a pro or con depending on whether you want more edge definition/bite in the notes.

Soundstage width and height are about average, but soundstage depth is below average. The tuning is rather analoguish, technicalities like clarity, imaging details, instrument separation are below average at this price bracket, music can occasionally be congested especially with faster/complex instrumentation or competing riffs. So this is not a technical set for critical listening or analytical listening, but more for sitting back to chill and enjoy the music.

In terms of timbral accuracy, the KBEAR KS1 is very natural and organic for acoustic instruments, as per its single DD roots. It may be a bit too bassy and V shaped for classical and jazz genres per se, but if your music incorporates acoustic instruments, no worries about any instrument sounding artificial or fake as per some budget hybrids/multi BA sets.

COMPARISONS

As hybrids/multi BA have their own strengths and weaknesses, I have left out the KBEAR KS2 (hybrid) from comparisons here below, but have incorporated some other “hyped” $20ish budget single DD sets below.

BLON BL-03

The KBEAR KS1 and BLON BL-03 are both V shaped, but the KBEAR KS1 is overall brighter.

The KBEAR KS1 has a slightly more accurate timbral accuracy for acoustic instruments than the BLON BL-03, which also has excellent timbre, though I find the BLON BL-03’s timbre is quite coloured and a bit tubish. I would say both are analoguish sounding, the BLON BL-03 more so.

In terms of technicalities, both are below average compared to other similarly priced CHIFI. These 2 sets are very close in technicalities, I think the KBEAR KS1 is just a bit better in the instrument separation and details departments. Soundstage and imaging is a bit better on the BLON BL-03.

The Kbear KS1 is easier to drive and has a much better fit. As CHIFI collectors know, the BLON BL-03’s fit is very famous (or rather infamous) due to the too short nozzle, requiring most folks to use aftermarket longer nozzles or spacer mods. The BLON BL-03’s stock cable also had a very stiff cablehook which tends to yank the IEM out of the ears, so most users have to resort to buying aftermarket tips/cables and this adds to the cost, so the BLON BL-03 is not $20 – 30 USD but rather closer to the $40 – 50 USD mark.

So essentially, both sets feature a warm bassy tonality with an analoguish feel, but the KBEAR KS1 is much easier to fit OOTB without the need to spend on aftermarket mods.

BLON BL-01

The tonality of the KBEAR KS1 is quite similar to the BLON BL-01, perhaps the KBEAR KS1 is a tinge more V shaped (slightly more midbass and slightly more treble).

Like the BLON BL-03, in terms of technicalities, both of these sets are below average in this department. I think the BLON BL-01 just nudges ahead a tinge in the imaging, instrument separation, details and soundstage departments. Timbre is slightly better on the KBEAR KS1.

The KBEAR KS1 is much easier to drive and has a much better fit. The BLON BL-01 also has quite a bad fit, though probably not as bad as the aforementioned BL-03. However, the BLON BL-01 sounds very meh from a low powered source, and really needs amping to shine. No offence though, I’ve seen some audiophiles on audio forums recommending $200 USD amps just to get the BLON BL-01 to sound good, which IMHO, is a bit of an overkill for a $20 USD IEM. It is kind of putting the cart before the horse to get a source costing 10 times more than a budget IEM, especially since the clientele purchasing at the budget segment are probably not that interested in delving into expensive sources and amps when they are first dipping their toes into CHIFI waters. If we were talking about more hardcore CHIFI connoisseurs who purchase midfi to TOTL gear, then yes, they have different priorities and perhaps an amp will unlock the sound for audio nirvana and future proof this hobby, but I honestly won’t recommend beginners to invest so much into sources when they are getting a budget CHIFI set.

Between the 2 sets, the BLON BL-01 is probably a tinge better in sound (if amped), but the fitting issues and the need for a higher powered source would mean I would give my recommendation to the KBEAR KS1, unless you have a good amp on hand.

CONCLUSIONS

The KBEAR KS1 is a well done bassy V shaped set, featuring good timbre and tonality. It features a warm and analoguish non fatiguing tuning. It is bottlenecked at the technicalities aspect and in the bass quality area, but I feel it would otherwise make a fine addition for those who are new to this hobby or those who want a laid back tuning that is different from the usual budget CHIFI fare. It is a set well suited to sitting back and chilling and enjoying the music for what it is, not the gear.

Indeed, the KBEAR KS1 will also make a good alternative to the hypetrain BLON BL-03 and BLON BL-01, especially since there is no need to worry about fixing the fit with aftermarket tips/cables and there is also no need to source for a powerful source (no pun intended), just to get the IEM to sing. Perhaps hardcore CHIFI addicts who have amassed a drawer full of CHIFI trinklets would have owned and heard something better, but for the price of sub $20 USD, it is far from bad and I would easily skip the price of a restaurant meal just to get my paws on this one.

Once again, enjoy the music!

Contact us!

You find an INDEX of all our earphone reviews HERE.

DISCLAIMER

I would like to thank KBEAR for providing this review unit. It can be gotten here: https://www.aliexpress.com/item/1005002184896879.html

Our generic standard disclaimer.

You find an INDEX of our most relevant technical articles HERE.

The post KBEAR KS1 Review – UnBEARably Safe appeared first on Music For The Masses.

Above average technicalities for a sub $100 hybrid.
Textured and delicious bass.
Good accessories.
Above average timbre for a hybrid.
Easy to drive, but benefits from amping.

Cons:

May have an awkward fit.
Isolation is below average.
May be occasionally congested in soundstage.
Intended V shaped tuning, so not for mid lovers.

EXECUTIVE SUMMARY

In case you were not aware, Tingker is the sister company of Audiosense. Their newest release, the Tingker TK300, is a warm V shaped set that is an unashamed basshead IEM. The midbass and subbass is well textured and delicious, and is truly the star here. Those who are bass averse or want thick mids (a non V shaped set) best look for alternative options, but this set will be a basshead’s delight.

SPECIFICATIONS

• Driver configuration: 1 DD + 2 BA (9.7 mm titanium plated diaphragm + dual Knowles BA)
• Frequency response: 20 Hz – 22000Hz
• Impedance: 18 Ohms
• Sensitivity: 121dB/mW
• Cable: MMCX
• Tested at $99 USD
• Purchase link: Tingker Official Store

ACCESSORIES

Other than the IEM, the Tingker TK300 packaging comes with:

• SPC Cable – very well braided and usable. The earhooks are stiff though, and have a tendency to yank the cable out of the ear. I preferred an aftermarket cable with this set as such.
• Array of silicone and foam ear tips
• Faux leather pouch – you can mistake it for a campfire audio pouch from far away haha. The inside is lined with some furry lining to give a premium feel.

For the purposes of this review, the stock cable and tips were used.

BUILD/COMFORT

The Tingker TK300 has a very nice build and is made of metal. It is very light, though I did find it uncomfortable for longer listening sessions with the stock cables as they had too stiff earhooks. This tended to yank the IEM out of the ears. Though this is a YMMV situation, as we have different ear anatomies.

I didn’t find any driver flex for myself (but YMMV once more as this is somewhat dependent on ear anatomy and types of ear tips used).

The Tingker TK300 incorporates MMCX connectors, and frankly I’m not a fan of MMCX due to their longevity issues, especially with frequent cable changes, but the MMCX connector here seem to be of high quality, not the cheapish MMCX I’ve seen in some budget CHIFI, that spin too loosely like a windvane, or are so tight that u need a pliers to remove the cable. The MMCX clicks satisfyingly and doesn’t spin. FWIW, i’ve bought 5 other Audiosense IEMs (sister company of Tingker), and while they all use MMCX, their MMCX tends to be of better quality than most other CHIFI, I’ve not had any MMCX issues with this brand so far.

ISOLATION

Unfortunately, the Tingker TK300 has below average isolation. I wouldn’t recommend bringing it outdoors for subway/bus rides due to this, as hearing health may be affected if one tries to boost the volume to overcome a noisy environment.

DRIVABILITY

I tested the Tingker TK300 with a Khadas Tone Board -> Topping L30 amp, Sony NW A-55 DAP (DMP-A50 FEv2 Classic Mr Walkman Mod), smartphone, Shanling Q1 DAP, Tempotec Sonata HD Pro, ESS ES9280C PRO DAC/AMP, and a Khadas Tone Board -> Fiio A3 Amp. The Tingker TK300 is easy to drive, and amping is not generally required. Though amping can increase dynamics, soundstage and perhaps microdetails a tinge.

SOUND & TECHNICALITIES

The Tingker TK300 is a basshead, warm V shaped set. Make no mistake about it, for those who prefer a neutralish bass or are bass averse, please look for an alternative set. Mid lovers also best look elsewhere, due to the intended V shaped tuning.

Bass on the Tinkger TK300 descends rather linearly from midbass to subbass. The subbass extension is good, but I’ve heard a couple of other basshead sets that extend even deeper and have greater bass quantities. Bass on the TK300 is very textured with minimal bass bleed, this is not a one note boomy bass type that is common in budget CHIFI tuning. Timbre of bass is great. So bass lovers will really like this set.

Mids are recessed at the lower mids as per the V shaped tuning. Upper mids are boosted and are not overtly shouty, but it can be jarring or fatiguing with poorly recorded material or when used at louder volumes (Fletcher Munson curve). One thing to note too, is that the upper mids area is emphasized more when one is outdoors (due to the below average isolation on this set causing bass frequencies to be lost in a noisy environment), so the FR may vary depending on whether u use the Tingker TK300 at home or outdoors. As discussed, midlovers also best consider alternative IEMs as this is a deliberately tuned V shaped set, so there are some elements in the mids that may be obscured due to the tuning.

Treble in the lower treble continues from the boosted upper mids, but the upper treble is somewhat safe, so this is not a very airy set. Sibilance is mild. Highhats and cymbals do sound very natural, not the splashy types we see in some CHIFI.

Soundstage is wide, but depth and height are below average. Other technicalities like clarity, imaging details, instrument separation are above average for a sub $100 USD hybrid, but music can occasionally be congested due to the smaller soundstage depth/height.

In terms of timbral accuracy, the Tingker TK300 is above average for vocals and acoustic instruments, considering it has BA drivers inside. Thus it won’t beat some pure DD types in instrumental timbre per se, but it definitely beats the average KZ and TRN types in this area. The Tingker TK300 also has the typical Knowles BA timbre where notes are rounded and smoother, and ain’t as edgier as the typical Bellsing BA driver. This can be a pro or con depending on whether you want more edge definition/bite in the notes.

COMPARISONS

TRI Starsea (2 BA + 1 DD; $129 USD)

The TRI Starsea has 4 tuning switches to be anything from neutralish to U shaped to more V shaped. So when comparing here, I used the most V shaped (basshead switch) tuning to compare with the Tingker TK300. The TRI Starsea is more versatile as it has 3 other tuning options, but it isn’t as basshead as the Tingker TK300, even on the most bassy switch.

The TRI Starsea has better fit and isolation. The TRI Starsea also has better treble extension and is more airy. In terms of technicalities like soundstage, clarity, imaging, instrument separation, details, the TRI Starsea is better. The TRI Starsea has worse sibilance and also has lesser bass/subbass quantities even on the most bassy switch. The Tingker TK300 has a more textured and well defined bass. Timbre for acoustic instruments is also better on the Tinkger TK300.

The TRI Starsea has a very low impedance of around 9ish ohms, and as per the 1/8th impedance matching rule, it fairs better with sources with as lowest output impedance as possible, so it is more source picky than the Tingker TK300. Using higher output impedance sources may skew the frequency response of the TRI Starsea.

TRI I3 (1 DD + 1 planar + 1 BA; $169 USD)

The TRI I3 is more U shaped (less V shaped than the Tinkger TK300). The TRI I3 is heavier and bigger in shell size, and fitting may be an issue for some (in fact the TRI I3 is nicknamed the “ear potato” on Headfi). The TRI I3 is much harder to drive, in view of the planars inside, but once amped appropriately, the TRI I3 has a better 3D soundstage and a thicker more lucious mids than the V shaped Tingker TK300.

In terms of technicalities, they are about on par (other than soundstage, which the TRI I3 has one of the best soundstages at the $100ish USD price bracket when amped). Timbre is slightly better on the Tinkger TK300.

TFZ No. 3 (single DD; $109 USD)

I generally don’t like to compare hybrids (like the Tinkger TK300) versus single DD types like the TFZ No. 3, but since they are both V shaped basshead sets, and selling around the same price bracket, I thought I’d do a small comparison here. I was actually looking for a replacement basshead set for my TFZ No. 3 as while it had very nice bass quantities, the upper mids were too jarring for me at louder volumes, as per the Fletcher Munson curve. So I bought the Tingker TK300 on a blind buy at the last Aliexpress sale, and well, it has replaced the TFZ No. 3 as my go to basshead set!

The TFZ No. 3 is more V shaped and has bigger bass quantities and subbass extension. Though the midbass bleeds and isn’t as tight as on the Tingker TK300. The TFZ No. 3 also has a smaller soundstage and poorer technicalities. Timbre for acoustic instruments is worse on the TFZ No. 3. The TFZ No. 3 gets very hot in the upper mids with louder volumes (Flectcher Munson curve) as described above, and this area was a dealbreaker for me. The TFZ No. 3 has since been sold away.

CONCLUSIONS

The Tingker TK300 is a warm V shaped set that is an unashamed basshead IEM. The midbass and subbass is well textured and delicious, and is the star here. Those who are bass averse or mid lovers best look for alternative options, but this set will be a basshead’s delight. Technicalities and instrumental timbre are above average to good, though I had a bit of discomfort fit wise, when the stock cables were used, but this is a YMMV situation as we all have different ear anatomies. Soundstage is also not the biggest on the Tingker TK300, but it would be a good rec for those who are looking for a basshead V shaped tuning.

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You find an INDEX of all our earphone reviews HERE.

DISCLAIMER

I bought the Tingker TK300 at my own expense during the January Aliexpress sale, with an early bird discount. It can be gotten here: https://www.aliexpress.com/item/1005002004192135.html

Our generic standard disclaimer.

You find an INDEX of our most relevant technical articles HERE.

The post Tingker TK300 Review – The Basshead Tinkerman Cometh appeared first on Music For The Masses.

Excellent tonality, timbre, technicalities.
Good accessories.
Good fit – can be won cable up/down. Also is MMCX detachable; most TOTL earbuds still come with fixed connection.
Nothing harsh in tuning.
Easy to drive.
Excellent timbre.
Big soundstage, good imaging, not congested even in complex pieces.

Cons:

Fit not the most secure.
Lacks subbass as per most earbuds.
TOTL earbud sound comes at TOTL pricing.

EXECUTIVE SUMMARY

The NiceHCK EBX21 is truly a TOTL summitFI earbud. It boasts a neutralish tuning with minimal harshness throughout the frequency response. The NiceHCK EBX21 also has excellent technicalities and timbre, and can truly be endgame for earbud aficionados.

SPECIFICATIONS

• Driver configuration: 14.2 mm LCP diaphragm
• Frequency response: 20 – 32000Hz
• Impedance: 32Ω
• Sensitivity: 121dB/mW
• Cable: MMCX (comes in 2.5 mm, 3.5 mm or 4.4 mm termination options)
• Tested at $219 USD

ACCESSORIES

Other than the earbud, the NiceHCK EBX21 packaging comes with:

• Silver plated copper tinsel + silver plated OCC cable – During ordering, you can choose whether to get a choice of 2.5 mm or 3.5 mm or 4.4 mm termination. The cable itself is selling for 100 bucks or thereabouts online and I know some folks would have preferred if they can just get the earbud without the cable for half the selling price. FWIW, the cable is very impressively braided and supple, one of the best cables I’ve used in a haptic sense. It comes with a chin cinch, and the MMCX locks quite satisfyingly with a click. The surface of the cable is apparently woven with PP yarn, and this is advertised to give better durability.
• Array of covers (full foams, donut foams, silicone rings).
• Magnetic clasp for cable.
• Carrying case – very spacious and well built.
• Tested at: $219
• Purchase Link: hifigo

For the purposes of this review, the stock cable and full foam covers were used.

BUILD/COMFORT

The NiceHCK EBX21 has a very good build, it is made of metal with a matte finish. It is comfortable and very light. It can be worn cable up or down, depending on your ear anatomy and preferences. Thankfully, this is one TOTL earbud that has a detachable cable, unlike some of its TOTL brethen that are still stuck in 2021 (no pun intended) in non detachable formats, which may be a potential source of failure down the line. 

Fit wise, YMMV as we have different ear anatomy. But for myself at least, the cable is on the heavier side, and does tend to drag the earbud out of the ears due to the weight. I managed to counter this by using the earbud over the ear, or by thickening the fit by ending 2 layers of foams (be it donut or full foams or silicone rings) so as to give it more density to sit in the ear.

ISOLATION

Well isolation and earbuds are an oxymoron. Earbuds are very niche and are actually closer to open backed headphones than IEMs per se. The earbuds generally have much better soundstage than IEMs in general, but they also tend to have poor subbass response due to the lack of isolation (as they are sitting out of the ear canal), and are hence best used in an environment which is quiet.

DRIVABILITY

I tested the NiceHCK EBX21 with a Khadas Tone Board -> Topping L30 amp, Sony NW A-55 DAP (DMP-A50 FEv2 Classic Mr Walkman Mod), smartphone, Shanling Q1 DAP, Tempotec Sonata HD Pro, ESS ES9280C PRO DAC/AMP, and a Khadas Tone Board -> Fiio A3 Amp. The NiceHCK EBX21 is very easy to drive, and amping is not generally required. Though amping can increase dynamics, soundstage and perhaps microdetails a tinge.

I was actually expecting it to hiss like a snake due to the high sensitivity stated in the specs, but surprisingly there wasn’t much hiss.

SOUND & TECHNICALITIES

The NiceHCK EBX21 features a quite neutralish tuning. It is very smooth with minimal peaks/troughs in the tuning, yet managing to maintain lots of microdetails. Quite a few CHIFI earbuds and IEMs “cheat” by boosting the upper mids and lower treble to get more clarity and a sense of perceived details, but here, you can really tell the NiceHCK EBX21 manages to get the details in without cranking it.

Imaging, clarity, soundstage and instrument separation are really top notch, definitely the best earbud I’ve heard in terms of technicalities. Soundstage is wide, deep and tall. The NiceHCK EBX21 can keep up with fast portions or complex portions of music with no congestion or issues. I daresay when fitted well, it has resolution approaching some IEMs, no easy feat for a earbud.

In terms of the bass, this set is midbass focused. Midbass is neutral, subbass is unfortunately rolled off like most other earbuds, both in terms of quantity and extension. Among earbuds, the SMABAT series earbuds will still beat this set in terms of absolute subbass amounts/extension. Bass on the EBX21 is very textured though, and of high quality, with no midbass bleed. Bass accuracy and speed are good.

Mids are transparent and very detailed, with no harshness at the upper mids. Vocals are very clear yet not shouty. I really liked that this set can portray forward vocals without veering to shoutiness, which is a very tough line to balance.

Treble extends moderately well, and is pretty good for a earbud. Though most IEMs will probably still beat earbuds in treble and subbass extension as mentioned. Sibilance is very mild, and cymbals and highhats sound very natural with no splashiness. This is a very well rendered treble, it is not fatiguing yet it still manages to give a good amount of microdetails and treble extension.

In terms of timbral accuracy, the NiceHCK EBX21 is really excellent. Vocal lovers will like this set. Instrumental timbre freaks who are OCD about timbre will also have nothing to complain about. Note weight is moderate.

COMPARISONS

SMABAT ST10S Black Gold ($124 USD)

The SMABAT ST10S Black Gold (not to be mistaken for the Black Silver variant which has a lower impedance and is tuned differently), is a neutralish set with a subbass and 3 kHz area boost. The SMABAT ST10S Black Gold is much much harder to drive as per the higher impedance. Both sets can be worn over ear or cable down, but I get a better fit with the SMABAT ST10S Black Gold.

The SMABAT ST10S Black Gold has a deeper subbass extension/bass quantity and is the bassiest of my earbuds. However, the SMABAT ST10S Black Gold does have a 3 kHz area spike that can be apparent with poorly recorded material or at louder volumes (Fletcher Munson curve).

In terms of instrumental timbral accuracy, the NiceHCK EBX21 wins. Also in terms of technicalities such as details, imaging, instrument separation and soundstage, the NiceHCK EBX21 trumps the SMABAT ST10S Black Gold.

SMABAT ST10 ($75 USD)

The regular SMABAT ST10 is another earbud with good subbass extension/quantity. It has a thinner and colder mids with poorer instrumental timbre than the NiceHCK EBX21. Like the SMABAT ST10S Black Gold, this SMABAT fits similarly and can be worn over ear or cable down, and I get a better fit with the SMABAT ST10 than the NiceHCK EBX21.

The SMABAT ST10 has better subbass extension and bass quantity as discussed. In terms of technicalities such as details, imaging, instrument separation and soundstage, the NiceHCK EBX21 beats the SMABAT ST10.

Earbuds Anonymous ($50 USD)

The Earbuds Anonymous is quite hyped on certain audio forums. For me, it lives up to its name of being a very anonymous earbud. It is L shaped with a non detachable cable. The bass is copious but has a midbass bleed. The treble is missing on the Earbuds Anonymous too and I would describe the sound of this set as muddy (and that is being generous). One of my worse earbud purchases in recent times.

In the areas of technicalities, tonality and timbre, the Earbuds Anonymous is a few levels behind the NiceHCK EBX21, and the Earbuds Anonymous sounds quite low res in comparison.

CONCLUSIONS

The NiceHCK EBX21 is truly a TOTL summitFI earbud. It boasts a neutralish tuning with minimal harshness throughout the frequency response.

In terms of the 3 Ts of timbre, tonality and technicalities, this earbud is excellent across these departments and scores near full marks for these areas, and indeed, the NiceHCK EBX21 is truly one of the best earbuds I’ve heard. If only it had a bit more subbass extension (like the SMABAT series earbuds), then I think the tuning would be perfect.

The cost of the NiceHCK EBX21 is unfortunately quite high for a earbud, and as usual, diminishing returns do exist in this hobby. As per going deeper down the audio rabbithole (not only for earbuds but for most audio gear in general), we might need to pay 10 times more to obtain a slight improvement from the budget/midfi segment, though I would say the NiceHCK EBX21 can probably be endgame for earbud aficionados. It might behoove you (once you know the sound signature you like) to just invest in one good TOTL set and call it a day, as buying multiple budget sidegrades does add up to a midfi/TOTL set soon enough. But of course, this is easier said than done, and FOMO is real, and multiple hypetrains come out on a weekly basis. Though if you follow my advise to just buy one TOTL set and go minimalistic and kick out all the budget sidegrades, my boss Jurgen will be not be happy as there will be less viewership for his blog and youtube channel!

Contact us!

You find an INDEX of all our earphone reviews HERE.

DISCLAIMER

I would like to thank HIFIGO for supplying this review unit. It can be gotten here: https://hifigo.com/products/nicehck-ebx21-flagship-flat-in-ear-earphones

Our generic standard disclaimer.

You find an INDEX of our most relevant technical articles HERE.

The post NiceHCK EBX21 Review – EB Stands For Endgame Bud appeared first on Music For The Masses.

Beautiful shells, light in weight yet well built.
2 tuning configurations via tuning switch – L shaped basshead tuning and a midcentric tuning.
Midcentric tuning is great for vocals/acoustic type genres.
Natural instrumental timbre.
Good technicalities for a budget pure DD setup (in the midcentric config).
2 pin connector – generally better lifespan than MMCX.

Cons:

Average isolation and soundstage.
No tool to flip switches provided.
In basshead tuning, midbass bleeds and sound is quite muddy/veiled.
Can be difficult to drive in the midcentric tuning config.
May possibly have sharp edges for some users in terms of fit.

EXECUTIVE SUMMARY

Right off the bat (no pun intended), the unique part about the SMABAT X1 are the tuning switches that allow it to change from an L shaped basshead set to a midcentric set, thus giving it versatility to suit different music genres and sonic preferences. There are not many budget sets that have tuning switches, and furthermore, there are also not many budget sets that are tuned midcentric, (most are either harmanish/V shaped or neutralish to suit consumer preferences), so the SMABAT X1 does stand out in this area. In addition, the SMABAT X1 also comes with natural timbre and has good technicalities for a budget pure DD set.

SPECIFICATIONS

• Driver configuration: Dual Dynamic Driver (6 mm titanium plated diaphragm + 10 mm composite diaphragm)
• Frequency response: 10 Hz – 24000Hz
• Impedance: 32 Ohms
• Sensitivity: 110dB/mW
• Cable: 0.78 mm 2 pin
• Purchase links: https://www.smabat.com/products/smabat-x1; https://www.aliexpress.com/item/1005001945966511.html
• Tested at $49 USD

ACCESSORIES

Other than the IEM, the SMABAT X1 packaging comes with:

• SPC Cable – very well braided and usable.
• Array of silicone ear tips.
• Complimentary USB type C adapter – I got my unit from the official SMABAT shop, so they included a USB type C adapter with each SMABAT X1. Not sure if 3rd party sellers will provide this same adapter, as the adapter came in a separate package from the SMABAT X1 packaging. Please check with your seller regarding the provision of this USB type C adapter. In terms of usability and quality of this USB type C adapter, nothing to write home about, it is pretty generic and I think something like the Tempotec Sonata HD Pro sounds better.

For the purposes of this review, the stock cable and tips were used.

BUILD/COMFORT

The SMABAT X1 is made of a very nice aluminium alloy, the build quality is good and it is very light. It is kind of similar in shape to the Moondrop SSR (maybe it is a tinge larger than the SSR).

Though, I have some friends that tried the SMABAT X1 and complained of sharp edges on the back of the shell of SMABAT X1, and coupled with the stock tips that are shorter, they report that the sharp edges may press on the ear and cause some discomfort. My friends managed to fix this issue by using longer nozzle eartips, so as to “lift” the back of the shell off the ear. FWIW, for myself, using the stock tips and stock cables, I had a comfortable fit and didn’t find any discomfort despite using it for hours (but YMMV as this is somewhat dependent on ear anatomy and types of ear tips used).

I didn’t find any driver flex on this set. I liked that the SMABAT X1 came with a 2 pin connector as they generally have better life span than MMCX types, for those who do frequent cable rolling.

ISOLATION

The SMABAT X1’s isolation is bang average.

DRIVABILITY

I tested the SMABAT X1 with a Khadas Tone Board -> Topping L30 amp, Sony NW A-55 DAP (DMP-A50 FEv2 Classic Mr Walkman Mod), smartphone, Shanling Q1 DAP, Tempotec Sonata HD Pro, ESS ES9280C PRO DAC/AMP, and a Khadas Tone Board -> Fiio A3 Amp.

Interestingly, the SMABAT X1 has different amping requirements depending on whether it is in the switch down or switch up mode. In the default basshead L shaped mode (switch up), it is rather easy to drive from a lower powered smartphone. But when the switch is down (midcentric mode), then the sensitivity of the IEM decreases, and it is markedly more difficult to drive. Smartphones can probably still drive the SMABAT X1 at a higher volume in the midcentric mode, but amping will increase dynamics, soundstage and perhaps microdetails.

SOUND & TECHNICALITIES

SMABAT is generally better known for their earbuds than IEMs, and I’m a big fan of their earbuds, having purchased 3 of their midtier earbuds in the past. I think they previously were under the SVARA brand, and SMABAT has quite good reviews for their recent foray into the IEM world, with releases like the SMABAT NCO and SMABAT Black Bat. The SMABAT X1 described here is their next release in their IEM stable.

Right off the bat, the selling point of the SMABAT X1 is of course the 2 tuning options, which is uncommon for a budget CHIFI set. Strangely, the packaging didn’t come with a card pin to flip the switches on the SMABAT X1. But I guess u can use a toothpick or any sim card pin. If one has dextrous fingers or long nails I think you can flip it too without a tool, but I had to dig up a toothpick for this purpose.

When the tuning switch is flipped up (default signature), this gives the SMABAT X1 an L shaped basshead signature. With the switch flipped down, this gives a midcentric tuning, which is very rare for a budget set. (I define midcentric as a tuning that boosts the lower mids/upper mids more than the treble/bass.) Most budget CHIFI seem to be tuned V shaped/harmanish or neutralish to suit consumer preferences, and midcentric tunings are not too common at this price bracket. In fact, the SMABAT X1 is probably one of the cheapest midcentric sets I’ve encountered, my next cheapest midcentric set is the $78 USD 5 knowles BA Hisenior B5+.

In the L shaped switch up config, there’s copious midbass in spades that will please most bassheads in terms of quantity and subbass extension. Subbass isn’t as boosted as midbass. Unfortunately for bass lovers, the midbass bleeds and isn’t the most textured/controlled, it does impinge into the mids and causes a veiled sound. Lower mids are very thick and warm from the midbass bleed, upper mids are very well behaved and actually tame. Due to the not overly boosted upper mids, maybe there is a lack of bite and edge definition for guitars and vocals in this config. Treble is actually dark and nebulous, there’s no sibilance or shoutiness or fatigue, but trebleheads will be displeased with the treble extension and sparkle. Note weight is on the thicker side than in the midcentric switch down config. I’m a basshead and I actually didn’t like this basshead tuning config. I preferred the other midcentric switch down config as I find this basshead config has the quantity of the bass right for bassheads, but the bass is too boomy and bloated (so bass quality isn’t that great). Thus, perhaps only diehard bassheads that want quantity over quality will like this. Those that want a clean and fast bass without bass bloat best look at the alternative tuning switch option. The good news however, is that one can EQ the midbass frequencies down a bit and this does let the rest of the frequency spectrum breathe a bit, though I know purists who will never touch the EQ button, so YMMV. Alternatively, maybe trying an aftermarket wide bore silicone tip may help decrease the bass too.

Moving on to the switch down (midcentric config), it brings a very rare midcentric tuning to the budget CHIFI table. So as per the “midcentric” definition, in this config, the subbass is not very present here, midbass is neutral, mids are comparatively boosted, and treble is only moderately extended. The mids appear much more transparent and detailed in this midcentric config than the basshead config. This is probably cause the midbass doesn’t bleed in this config and this allows the mids to shine here. Vocals, acoustic instruments and guitars are the stars in this config, with vocal being quite resolving and in the centrestage. Despite the boost in the mids, the upper mids are quite safe still, with not too prominent pinna gain noted. With amping, I didn’t find it shouty or fatiguing and I’m quite sensitive to this area (this is with stock tips/cable). Noteweight is moderate in this tuning switch. Treble in this config is moderately extended, there’s mild sibilance, but it is not a very airy or sparkly treble.

As discussed above, midcentric tunings are rare for a budget set and since CHIFI has become very affordable in the past few years, we can probably have a pokemon collection of different budget IEMs with different tunings (eg V shaped, neutralish, basshead, bright, and this midcentric type tuning) to suit different moods, music genres and sonic preferences. Though, I’ve to warn you that midcentric tunings are very very niche, some folks that listen to bass forward music eg EDM may not like it, it isn’t the most versatile tuning, but those that are vocal and acoustic and mid lovers will love this tuning. Though once again, if you find this midcentric tuning too bass lite, EQ can also be used to boost the bass frequencies a tinge, and this does give a bit more warmth and meat to the lower frequencies if you want your bass kick (no pun intended).

Technically, in the midcentric config, the SMABAT X1 has good details and imaging for a pure DD setup, though most multi driver types (multi BA/hybrids) at this price bracket will probably still beat it in technicalities. Clarity and instrument separation/layering are also good (in the switch down midcentric tuning). In the L shaped switch up (basshead) config, the bass does smear into the other frequencies, and it does affect the resolution. Due to the lesser pinna gain in the tuning, especially in the basshead config, notes do have a lack of edge definition/bite, so this might be a pro or con depending on personal preference. It results in a smoother and less fatiguing presentation in the treble frequencies, but those that want some crunch/bite in vocals and guitars might need to look elsewhere. Soundstage is about average in all 3 dimensions and not classleading in this respect, though amping helps increase it a tinge.

In terms of timbral accuracy, the SMABAT X1 is natural for vocals and acoustic instruments, as per its single DD roots. So coupled with the midcentric config, this set will be a great pairing for classical, acoustic, jazz and vocal genres.

COMPARISONS

There are not many budget sets that have tuning switches, and furthermore, there are also not many budget sets that are tuned midcentric, (as discussed, most are either harmanish/V shaped or neutralish to suit consumer preferences), so the SMABAT X1 does stand out in this area compared to similarly priced competitors. As per comparing oranges to oranges, I compared the SMABAT X1 against other DD type IEMs. I’ve left out hybrids/multi BA IEMs as they have different pros and cons among the transducer types:

DUNU DM-480 (2 DD; $69 USD)

The DUNU DM-480 is another set with a dual DD. The DUNU DM-480 is a V shaped set, the resin shells here provide a more ergonomic fit and much stronger passive isolation than the SMABAT X1 and accessories are just as good. When compared to the midcentric (switch down) tuning in the SMABAT X1, the DUNU DM-480 has much better subbass extension and quantity, but it can get shoutier and more fatiguing in the lower treble/upper mids, with more sibilance in the DUNU DM-480.

Soundstage is slightly bigger on the DUNU DM-480, and technicalities are quite close. The SMABAT X1 beats the DUNU DM-480 in the timbre department by quite a bit, and of course, there is no tuning switch option in the DUNU DM-480. The lower mids are more depressed in the DUNU DM-480 and mid lovers and timbre lovers will probably opt for the SMABAT X1 (in midcentric config) over the DUNU DM-480.

HZSound Heart Mirror (1 DD; $49 USD)

The HZSound Heart Mirror is a neutralish bright set which also has very nice accessories and build. On the HZSound Heart mirror, bass is linear and extends deeper. Treble extends more on the HZSound Heart Mirror too. In terms of instrumental timbre and vocal timbre, the HZSound Heart Mirror is better. Technicalities like clarity, imaging, instrument separation and details are better on the HZSound Heart Mirror (when amped). The HZSound Heart Mirror has a smaller soundstage, but has a faster driver in terms of transients.

It has to be mentioned that the HZSound Heart Mirror sounds meh when powered from a lower powered source, but scales tremendously with amping. The switch down (midcentric) tuning on the SMABAT X1, as discussed, increases the amping requirements, and it may actually be more power hungry than the HZSound Heart Mirror in this midcentric config.

Moondrop SSR (1 DD, $39.99 USD)

The Moondrop SSR is tuned somewhat diffuse-field neutral with an upper mids boost. It is infamous for having a 3 kHz area spike, that is more obvious at louder volumes (Fletcher Munson curve). Thankfully, this spike is not present in the SMABAT X1. I couldn’t really tolerate the Moondrop SSR due to the 3 kHz icepick, so I do prefer the SMABAT X1 in terms of tuning. As per the midcentric moniker, the SMABAT X1 has lesser bass quantities, lesser subbass extension and lesser treble extension, but the SMABAT X1 has more detailed and transparent mids than the Moondrop SSR.

In terms of note weight, the Moondrop SSR is thinner. Timbre, imaging, instrument separation and details are about on par (when amped). The Moondrop SSR has greater clarity in view of the more boosted upper mids/lower treble.

CONCLUSIONS

Right off the bat (no pun intended), the unique part about the SMABAT X1 are the tuning switches that allow it to change from an L shaped basshead set to a midcentric set, thus giving it versatility to suit different music genres and sonic preferences. There are not many budget sets that have tuning switches, and furthermore, there are also not many budget sets that are tuned midcentric, (most are either harmanish/V shaped or neutralish to suit consumer preferences), so the SMABAT X1 does stand out in this area. The SMABAT X1 also has natural timbre and good technicalities for a pure DD set.

As for the tuning options, I’m a basshead but I didn’t really like the basshead L shaped config switch. The quantity of bass would suit diehard bassheads, but the bass quality wasn’t that great, I found it too boomy and bloated, and it caused a veil in the music. EQing the bass down and possibly a tip change can salvage this tuning however.

Happily, the other midcentric tuning switch saves the day, and is my preferred tuning in the SMABAT X1. I really liked this config, and would recommend this set for vocal and mid lovers. Vocals and the mids are the star here, the mids are very nuanced and well rendered in this config, with good timbral accuracy. Though as discussed, midcentric tunings are very niche, it may not suit every music genre, but for us in this CHIFI rabbithole, I feel a midcentric set would be a unique addition to the budget pokemon CHIFI collection, especially for those who like vocal and acoustic pieces.

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DISCLAIMER

I would like to thank the Aliexpress SMABAT store for providing this review set. The SMABAT X1 can be gotten here: https://www.smabat.com/products/smabat-x1; https://www.aliexpress.com/item/1005001945966511.html

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The post SMABAT X1 Review I – Right Off The Bat appeared first on Music For The Masses.

Comfortable, light, good build. Well fitting.
Excellent tonality, smooth and non fatiguing.
IPX5 water proof rating.
Volume controller.
Supports wireless charging, charging case (with battery indicator).
Bluetooth 5.2, supports APT-X/AAC/SBC codecs.
Strong and easy BT connectivity and range.
Well implemented touch controls.

Cons:

Average isolation, let’s in wind noise.
Average battery life.
Bass not the most textured.

EXECUTIVE SUMMARY

The TRN T300 is quite the complete package for a TWS set, sporting a coherent well tuned U shaped signature, coupled with good BT connectivity/support, a good fit, and some nice aspects like IP45 waterproofing, volume controls, wireless charging and a charging case.

SPECIFICATIONS

• Driver type: 1DD + 2 BA (8 mm dual magnet DD, 2 custom 30019 BA)
• Bluetooth: 5.2 Bluetooth, QCC 3046 Chip /AAC
• Qualcomm cVc 8.0 Noise Cancellation for calls
• Volume control: yes
• IPX5 Water Proofing: Can resist a sustained, low-pressure water jet spray.
• Bluetooth codecs: APT-X/AAC/SBC
• Tested at $74.55 USD

ACCESSORIES

In addition to the TWS IEM, it comes with:

1)Silicone ear tips (3 pairs in total)

2) USB C charging cable

3) Charging case

• The charging case is on the small side size wise, and can fit in a pocket or bag easily.
• It can charge the earpieces fully 5 times.
• There’s an inner magnet so the earphones won’t drop out when the charging case is held upside down, very innovative!
• The charging case supports USB type C charging and wireless charging.
• The charging case has a battery indicator, so very useful to have a rough gauge of the remaining battery life.

BUILD/COMFORT

The TRN T300 is on the larger size shell wise, so the set does protrude noticably from the ears. Though, it is very comfortable, light and ergonomic, no issues using it for hours, you can even forget sometimes it’s in use. I didn’t find any driver flex on my set.

The Tronsmart Apollo Bold has a IP45 waterproof rating (i.e. sweat, light rain and splash proof), so it can be used for gym/exercising too, but probably not for heavy rain or water sports.

Isolation is about average for a TWS, there’s no ANC, but the passive isolation should be good for most outdoor use. I’ve tried running around with it, there is a vent and unfortunately wind noise can get inside the TRN T300.

FUNCTION/CONNECTIVITY

The TRN T300 powers on when taking it out of the charging case. Putting them back into the charging case powers them off. I had no issues with pairing it with a few BT devices, they recognized the TRN T300 on the spot.

Function for the TRN T300 is as per this picture:

The controls work as advertised above, and the touch controls are well implemented and are not overly sensitive.

BT connectivity on the TRN T300 is very good, it can go about 10 – 15 meters with no obstacles, and maybe 5 – 7 meters with obstacles. I haven’t had any drop outs for the past month I’ve been testing it, though perhaps in very crowded areas there was some slight lag or signal breakup.

The TRN T300 boasts a TrueWireless Mirroring Technology, where both earpieces transfer and receive the bluetooth signal simultaneously, instead of the conventional route, where the primary earpiece gets the signal first before transferring it to the “slave” second earpiece. What TRN says this does, is in theory, both earpieces turn off automatically when there is no connection to the device, so this prolongs battery life in a way.

TECHNICAL ASPECTS

The TRN T300 supports APT-X, AAC and SBC bluetooth codecs.

Battery life wise, the TRN T300 is marketed as having the following specs:

I do get 3.5 – 4 hours of battery life with a single charge, so it is thereabouts for the advertised battery life and charging specs, but this would also depend on the volume levels one listens at. Also, battery life would be expected to go down with repeated charging, so in the big scheme of things, I would consider the battery life to be about average.

I didn’t detect much latency with videos and music, unlike some other TWS sets. I don’t usually do gaming, but I think the latency speed is excellent for this set for non gaming purposes.

SOUND

Soundwise, the TRN T300 is a very coherent U shaped set. It is quite atypically tuned from the usual wired TRNs which have harsh upper frequencies and sibilance in spades. If you have heard the BLON BL-05S (not the non S version), the TRN T300 is actually very similar in tonality to it. So tonally, I would describe the TRN T300 as having a smooth U shaped tuning, that is non fatiguing but still being able to bring forward vocals and instrumentation in the mix. There’s perhaps a higher treble and subbass roll off, but this is also common in some other wireless gear. Dynamics are surprisingly good.

The bass on the TRN T300 is north of netural, and is punchy but this is not a basshead set in terms of quantity. Subbass isn’t the most extended, and bass quality isn’t the most textured, but otherwise, the bass acts as a nice counterpoint to the upper frequencies. Bass has occasional midbass bleed but by and large it doesn’t encroach into the mids. Timbre of bass is quite natural.

The lower mids are a tinge recessed compared to upper mids. Some warmth is added from the midbass bleed, and thereafter, there’s a slight upper mids boost at the 2 kHz area, but this area isn’t shouty at all. The upper mids are very safe and non fatiguing, and I was rather surprised on hearing this, as TRN’s house tuning usually boosts this area to the moon.

Treble is quite well extended on the TRN T300 (other than a 6 kHz dip), with a good amount of details, but without sibilance/harshness. I’m treble sensitive and this treble actually falls on the safer side tuning wise, maybe trebleheads and those wanting a bit more sparkle in their music might find the treble too tame actually, but on the flip side, this is a very non fatiguing and smooth set, and is highly suited for long listening sessions as such.

To be honest, I’ve wasn’t too impressed with the wired TRN releases for 2020 (for tonality), especially the higher end models like the TRN VX and TRN BA8 (let’s ignore the $15000 golden ears TRN), but I really like the tuning of the TRN T300 here. There’s no harsh upper mids/treble/sibilance fest here, and if they used this tuning in one of their wired releases, I’m sure it will sell very well.

Technicalities wise, clarity, details, imaging and instrument separation are above average for TWS standards. Soundstage is above average in all 3 dimensions, though music can get congested in very complex pieces or with competing riffs. In general, wired gear will still beat most TWS at the same price bracket, so don’t be expecting a technical tour de force for this set (when compared to traditional wired hybrids), but it is still quite good overall for a TWS set.

Timbre is quite good for acoustic instruments, this set can be a good pairing for most music genres.

COMPARISONS

Tronsmart Apollo Bold ($99 USD)

The Tronsmart Apollo Bold is a more basshead, L shaped set, and the bass can really rattle the jaw, especially on ANC mode. In contrast, the TRN T300 doesn’t have ANC mode and is much less bassy. So in addition to the Tronsmart Apollo Bold having an ambient and ANC mode, the Tronsmart Apollo Bold has an app to do some EQ settings and it has a much longer battery life. The Tronsmart Apollo Bold doesn’t support wireless charging, and the charging case has no battery indicator.

Connectivity is poorer on the Tronsmart Apollo Bold, it suffers from occasional drop outs and pairing issues and has a lesser BT range than the TRN T300.

In terms of note weight, the Tronsmart Apollo Bold is thinner, but it has better technicalities in the area of clarity, imaging, soundstage, instrument separation, details. A few folks in the TWS threads on audio forums didn’t like the too boomy bass of the Tronsmart Apollo Bold (though the app has EQ functions to give a less bassy profile), so in a way the TRN T300’s tuning is more versatile and should be more consumer friendly, with the U shaped tuning.

TFZ B.V2 ($49 USD)

The TRN T300 beats the TFZ B.V2 in most areas, including battery life, technicalities, fit, BT connectivity/range. The TFZ B.V2 also doesn’t support wireless charging and the charging case has no battery indicator.

CONCLUSIONS

The TRN T300 is quite the complete package for a TWS set. I do recommend this set to those who are looking for a well tuned TWS set, it sports a coherent U shaped signature that is very atypical from the usual harsh and overly bright TRN tuning.

In addition to the great tuning, the TRN T300 boasts good BT connectivity/support, a good fit, and some nice aspects like IP45 waterproofing, volume controls, wireless charging and a charging case and well implemented touch controls. Perhaps small nitpicks would be the average battery life and average isolation.

IMHO, TRN didn’t have the best 2020 with its more expensive wired releases, but I think TRN has started this year with a very good set (though it isn’t a wired set). If they do use this same tuning in some of their wired releases for this year, I think they will be on to a winner!

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You find an INDEX of all our earphone reviews HERE.

DISCLAIMER

I would like to thank the TRN official store for providing this review unit. The TRN T300 can be gotten here: https://www.aliexpress.com/item/1005001313332794.html

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You find an INDEX of our most relevant technical articles HERE.

The post TRN T300 Review (1) – Blue In The Tooth appeared first on Music For The Masses.

Excellent timbre and tonality, well balanced.
Smooth and rich mids.
Excellent technicalities for a single DD, perhaps comparable with some multi driver types.
Good dynamics/transients.
Modular system for cable to allow various balanced and unbalanced connectors.
Nice accessories.

Cons:

Below average isolation.
Subbass roll off. Higher treble roll off.
MMCX -> generally shorter shelf life than 2 pin.
TOTL sound comes at TOTL price!

EXECUTIVE SUMMARY

The DUNU LUNA is lunatically good sounding (no pun intended). I’d say it is the best single DD set I’ve heard, in terms of melding technicalities, timbre and tonality. Well, I can’t afford it in this lifetime, but too bad the ears can’t unhear it now and I can’t look at other single DDs in the same (moon)light.

SPECIFICATIONS

• Driver Type: 10 mm Acoustic-Grade Pure Beryllium Rolled Foil with Polyurethane Suspension
• Frequency Response: 5 Hz – 40 kHz
• Impedance: 16 ohm@ 1KHz
• Sensitivity: 110 dB at 1 kHz
• Cable: Patented Catch-Hold MMCX Connector with patented DUNU Quick-Switch Modular Plug System
• Tested at $1699 USD

ACCESSORIES

My set was a loaner tour sample, it is different from the actual retail package (which has more goodies like a type-C DAC dongle with a USB-A to USB-C adapter and an additional carrying case). FWIW, included in this loaner tour sample was the following (in addition to the IEM):

1) Lunatically large amount of different silicone tips of various bore and nozzle lengths/diameters (including spinfits) – do tip roll to see what suits your preference.

2) Leather carrying case – has pockets with zips and is of excellent build.

3) Cable – very well built. It is a mixed strand of furukawa electric ohno continuous cast (OCC) Copper & DHC silver, with silver-plated OCC copper shield surround. This cable comes with a modular system at the distal end for various adapters (3.5 mm single-ended, 3.5 mm balanced, and 2.5mm and 4.4mm balanced). This is an innovative idea that allows one to swap modules out at the distal end of the cable, so as to cater to whatever source you have. Do be careful that the 3.5 mm balanced adapter can be mistaken for the 3.5 mm single-ended one, and this may fry your source. The only difference is in the number of lines on the connector!

BUILD/COMFORT

The DUNU LUNA is made of metal and is very well built and comfortable for me. I have used it for long sessions without discomfort. No driver flex was noted for my set.

I was a bit disappointed that the DUNU LUNA came in an MMCX connector. I’m not a fan of MMCX connectors in general, due to their generally shorter life expectancy compared to 2 pin sets, but I guess the modular system at the distal end of the cable theoretically means that one doesn’t need to swap the cable out at the MMCX area to get access to various sources.

ISOLATION

Isolation is below average. Hence, I wouldn’t recommend the DUNU LUNA to be brought on the subway/bus due to this (to protect hearing health). But then again, I wouldn’t dare to wear a $1700 USD set outside. It’s not just a matter of perhaps getting robbed or the DUNU LUNA getting stolen (though I’m not sure if other than hardcore audiophiles, would the laymen robbers know what is a DUNU LUNA, perhaps they are more familiar with Beats and Apple stuff haha), but I would be fearful of scratching it or snagging the cable against something while outdoors! It’s so precious!

DRIVABILITY

I tested the DUNU LUNA with a Khadas Tone Board DAC -> Topping L30, Shanling Q1 DAP, Ziku HD X9 DAP -> Fiio A3 amp, android smart phone, Sabre HIFI DAC (ESS ES9280C PRO) and a Tempotec Sonata HD Pro. The DUNU LUNA does scale with higher powered sources but is drivable from lower powered gear.

SOUND & TECHNICALITIES

The DUNU LUNA I would say, is a W shaped set (see graphs below under “comparisons”). I would say it is the best single DD set I’ve heard, in terms of melding technicalities, timbre and tonality. It is a musical set, yet preserving very good technicalities. The selling point of the DUNU LUNA, would be that is has pure beryllium drivers, which theoretically would give fast transients and excellent dynamics. And I have to say, indeed, the DUNU LUNA manages to get smoothness with speed, excellent technicalities with authentic timbre, fast transients with good note weight all spot on.

Sound is rich and nuanced. Timbre for acoustic instruments is very good in keeping with its single DD roots. Technicalities on the DUNU LUNA like clarity, details, imaging, instrument separation and soundstage can easily hang with multi BA/hybrids, which is amazing for a single DD set. The usual adage that single DD types are superior in timbre/tonality, but weaker in technicalities than multi BA/hybrids is a common refrain in the audiophile world, but hearing a TOTL single DD like the DUNU LUNA will really shake this adage upside down. Soundstage is very deep and high. Soundstage width is on the wider side (though probably not classleading in width per se). I didn’t find any instances of muddiness or congestion, even in complex music, or fast movements.

Bass:

Bass on the DUNU LUNA is almost neutral, it is quite punchy in the midbass, but the bass quantity will not be for bassheads. It is a midbass focused IEM and the subbass unfortunately also has a roll off, that’s one area of weakness on this set. Quality wise, in terms of transient speed, dynamics and timbre, the bass is excellent. Texturing is very good. There’s no midbass bleed and decay is on the faster side. So the DUNU LUNA goes for a quality bass over overt bass quantities, I think everyone other than diehard bassheads will appreciate this.

Mids:

Mids are my favourite aspect on this set, the term that comes to mind on hearing the mids are “romantic”. Lower mids on the DUNU LUNA are very sweet and lush. Mids are very layered and transparent and detailed and mid lovers will like this set. The upper mids area around 3 – 4 kHz is boosted, relative to the lower mids, but I didn’t find it that harsh/shouty, compared to a lot of CHIFI that boost this area. At high volumes (Fletcher Munson curve) or with poorly recorded material, one might find this 3 – 4 kHz area to be hot and jarring at times, or perhaps leaning to fatiguing with longer listening sessions, but by and large, I found the mids rather smooth. The added boost to the upper mids does make guitars and vocals have a bit more prominence and bite. Female vocals are more forward than male vocals in general.

Treble:

Treble extension on the DUNU LUNA is average. The treble preserves excellent microdetailing and clarity, without going into fatiguing territory. Cymbals sounded very natural and not splashy. However, the treble does roll off early for the higher treble frequencies. I’m treble sensitive and it is quite a safe and non fatiguing treble IMO, and I didn’t find any sibilance on it. The converse is that the DUNU LUNA does not have a top end sparkle that will cater to trebleheads, so YMMV.

COMPARISONS

Final Audio A8000 ($2000 USD)

The DUNU LUNA is usually discussed in the same breath as the other full beryllium single DD summitFI set, the Final Audio A8000. Between these 2 beryllium behemoths, I do think the Final Audio A8000 has better technical performance, though I found the Final Audio A8000 too bright/fatiguing for me due to the wealth of resolution and details and there’s a harsh peak somewhere at the 5 – 6 kHz region, so it isn’t my cup of tea.

TBH, I would say the Final Audio A8000 has the best resolution, transparency, transients and technicalities I’ve ever heard in a single DD set, though it needs amping as is quite difficult to drive compared to the DUNU LUNA. Other than the Final Audio A8000 besting the DUNU LUNA in the above technical areas, soundstage is also wider on the Final Audio A8000. The Final Audio A8000 bass doesn’t rolloff at the subbass as much as the DUNU LUNA, and has more subbass quantity than the DUNU LUNA. Mids are thinner and more “clinical” in Final Audio A8000, and treble is more extended and boosted on the Final Audio A8000. Vocals can instruments can sound a bit dry and thin on the more analytical Final Audio A8000.

Hence, the Final Audio A8000 goes for a brighter, thinner and crisper tonality compared to the warmer and smoother and fuller DUNU LUNA, so different strokes for different folks. For sure the Final Audio A8000 is the more technical and analytical IEM, but it is more fatiguing at the higher frequencies than the DUNU LUNA, so treble sensitive folks better be warned about it.

KBEAR BElieve ($159 USD)

I know it is kind of lunatical (no pun intended) to compare the KBEAR BElieve ($159 USD) to the $1700 USD DUNU LUNA, but since they are both advertised to have full beryllium DDs, here we go:

The KBEAR BElieve has poorer timbre and a thinner note weight. The KBEAR BElieve is less refined, has slower transients and has poorer technicalities/dynamics, but it costs 10 times less, so that’s kinda expected.The DUNU LUNA is much easier to drive, but has worse isolation. I wouldn’t recommend the KBEAR BElieve if you don’t have a suitably powerful source, as it can sound muddy and congested when underpowered. If I were to give a ballpark figure, I think the KBEAR BElieve can hit around 70% of the DUNU LUNA’s technical performance (when amped).

So between the 2, it depends if you wanna chase the last 30% sound for huge diminishing returns, or are happy with hitting 70% performance for 10% of the cost, but the only problem is I can’t unhear what I have heard (the 30% improvement) in the DUNU LUNA hahaha.

CONCLUSIONS

The DUNU LUNA is lunatically good sounding (no pun intended). I’d say it is the best single DD set I’ve heard, in terms of melding technicalities, timbre and tonality. The romantic and lush mids of the DUNU LUNA are the star of the show. The beryllium drivers really do provide great transients and excellent dynamics.

The usual adage that single DD types are superior in timbre/tonality, but weaker in technicalities than multi BA/hybrids is a common refrain in the audiophile world, but hearing a TOTL single DD like the DUNU LUNA will really shake this adage upside down. The DUNU LUNA keeps the excellent tonality and timbre of its single DD roots, but adds the resolution of a multi BA/hybrid set into the mix, amalgamating the best of both worlds.

If there are some nitpicks I have to make, they are that the DUNU LUNA has below average isolation, its skyhigh price (I can’t afford it this lifetime!), and perhaps the subbass and higher treble roll off.

It was an extremely enjoyable listen throughout my week of having the DUNU LUNA for a loaner tour. Too bad the ears can’t unhear it now and I can’t look at other single DDs in the same (moon)light. I was really quite sad to pass it on to the next tour member. Honestly, price is probably going to be the biggest stumbling block for more folks to own or hear the DUNU LUNA, so I really look forward to checking out the upcoming DUNU ZEN, hopefully DUNU manages to come up with a TOTL tuning at a comparatively cheaper price for a single DD!

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DISCLAIMER

I would like to thank Tom from DUNU for having me on the DUNU LUNA review tour. The DUNU LUNA was passed on to another tour member after a week or so of assessment.

Our generic standard disclaimer.

You find an INDEX of our most relevant technical articles HERE.

The post DUNU LUNA Review (2) – Lunatically Good Sounding appeared first on Music For The Masses.

Beautiful shells, light and well fitting.
Good isolation.
Safe non fatiguing tuning, coherent V shape set.
Easy to drive.
2 pin connector – generally better lifespan than MMCX.

Cons:

Notes may have a lack of bite/edge definition (may be pro or con depending on personal taste).
Technicalities not class leading.
Roll off at higher treble may not appeal to trebleheads, but this is not that fatiguing as such.

EXECUTIVE SUMMARY

The Kinera BD005 Pro is a beautiful jack of all trades, sporting a rather coherent warmish V shaped tuning that is safe for the upper frequencies (compared to the usual CHIFI tuning). Other than looks, it scores above average points in most areas, but doesn’t have a particular department that it truly excels at to stand out in the ultra cut throat budget CHIFI market segment.

SPECIFICATIONS

• Driver configuration: 1 DD (9.2 mm) + 1 BA
• Frequency response: 20Hz – 20kHz
• Impedance: 16 Ohms
• Sensitivity: 108 ± 2 dB
• Cable: 2 pin 0.78 mm
• Purchase link: https://www.aliexpress.com/item/1005001870377067.html
• Tested at $49 USD

ACCESSORIES

Other than the IEM, the Kinera BD005 packaging comes with:

• 4 core 4 N High purity oxygen free copper cable (in built mic) – seems there isn’t a choice for a non mic cable. I generally don’t really like mics in the cable as they may be a potential source of failure down the line, not to mention sometimes they may add resistance, but I appreciate that some may like the mic for calls and meetings. The cable doesn’t have a chin cinch though, but is quite usable sonically, and is leagues better than the usual TRN or KZ stock cables.
• Eartips (S/M/L) – the stock silicone eartips come in a short nozzle config, so you might wanna tip roll to aftermarket tips depending on fit.
• Semi rigid carrying case.

For the purposes of this review, the stock cable and tips were used.

BUILD/COMFORT

Kinera gear are generally well known for having beautiful shells/designs and nice packaging, and the Kinera BD005 Pro is no exception. The resin shells are indeed very beautiful. In terms of ergonomics, they are very light, comfortable and well fitting. They actually look and feel like semi customs. The shells are on the larger side in terms of size, but I have used them for hours with no discomfort.

I didn’t find any driver flex for myself (but YMMV as this is somewhat dependent on ear anatomy and types of ear tips used). I liked that the Kinera BD005 Pro came with a 2 pin connector as they generally have better life span than MMCX types, for those who do frequent cable rolling.

ISOLATION

The Kinera BD005 Pro has good isolation, I quite like it as a transit IEM as such, though it won’t beat pure BA unvented types in this department.

DRIVABILITY

I tested the Kinera BD005 Pro with a Khadas Tone Board -> Topping L30 amp (thankfully the L30 didn’t blow up for this review LOL), smartphone, Shanling Q1 DAP, Tempotec Sonata HD Pro, ESS ES9280C PRO DAC/AMP, and a Khadas Tone Board -> Fiio A3 Amp. The Kinera BD 005 Pro is relatively easy to drive, and amping is not generally required. Though amping can increase dynamics, soundstage and perhaps microdetails a tinge.

SOUND & TECHNICALITIES

The Kinera BD005 Pro sports a rather balanced warmish V shaped tuning that is safe for the upper frequencies (compared to the usual CHIFI tuning). I’ve owned a few Kinera gear in the past and the general consensus in audio forums is that for the Kinera house sound, they are on the brighter (and more fatiguing) side, so this Kinera BD005 Pro’s tuning is rather atypical for a Kinera.

Technically, the Kinera BD005 Pro has above average details and imaging. Clarity and instrument separation are about average. Note weight is on the thicker side, and the notes do have a lack of edge definition/bite, so this might be a pro or con depending on personal preference. It results in a smoother and less fatiguing presentation, but those that want some crunch/bite in vocals and guitars might need to look elsewhere. Soundstage is above average in width/height, but not too deep, music can at times get congested with complex riffs or competing instrumentation. So to summarize, the technical performance of the Kinera BD005 Pro is above average at this price range, but not classleading in this aspect.

Timbre of acoustic instruments does have a slight BA timbre, so it won’t beat a well tuned pure DD setup in the timbre department for acoustic instrument realism. But I would say the Kinera BD005 Pro still has better instrumental timbre than most garden variety TRN and KZ hybrids, and it should be an all rounder for most genres of music.

Bass:

Midbass of the Kinera BD005 Pro is of more quantity than subbass, with midbass north of neutral, but not at basshead levels. Bass is a tinge on the slower side, with a mild midbass bleed and average texturing/details. The note weight is a bit thick and nebulous. Some folks may not like the midbass quality as such, but I liked that it added some warmth to the lower mids. The bass may smear in some fast bass movements and hence bass quality isn’t the tightest compared to comparatively priced competitors in the same price bracket. The subbass rumble is quite good like in well tuned DD sets, though subbass extension is not the absolute deepest, but will definitely not be absent from subbass focused tracks.

Mids:

Lower mids are mildly recessed, but are thick and coloured. As per the mid bass, some may not like the fuller lower mids, so YMMV. Mids details and texture are average but not class leading. Upper mids are boosted but are not as harsh as some CHIFI counterparts, so this is quite an atypical Kinera tuning per se. As per the Fletcher Munson curve, the upper mids can get hot if the volume is pumped up a lot, or on poorly recorded material, but by and large, it is a very safe upper mids. Notes have a lack of bite/edge definition in the mids, so this can be a love it or hate it kind of thing especially when it comes to guitar crunch and vocal bites.

Treble:

Lower treble is boosted as per the upper mids. There’s a dip around the 6 kHz area, and thereafter the upper treble extends once again (though upper treble extension is not the greatest). For me, this is a rather safe upper treble, but trebleheads will probably want a bit more air and sparkle. Sibilance is mild. Cymbals are not as splashy as some budget CHIFI. As per the mids, notes have a lack of bite/edge definition, and whether one likes this is down to your personal preference.

COMPARISONS

As per comparing oranges to oranges, I left out single DD types as they have different pros and cons among the transducer types:

KBEAR Lark (1BA + 1 DD; $29 USD)

The KBEAR Lark we will discuss here is the newer retuned version (not the 4 kHz boosted older version). The KBEAR Lark has a neutralish bright tuning and is not as warm as the Kinera BD005 Pro in terms of tuning. The upper treble on the KBEAR Lark extends more and is brighter and airier but can be more fatiguing and sibliant. Note weight is noticeably thinner on the KBEAR Lark and acoustic instrumental timbre is a tinge poorer on the KBEAR Lark.

Bass is tighter on the KBEAR Lark, and the KBEAR Lark has a bigger soundstage and better clarity.

The KBEAR Lark has poorer isolation.

I would consider these 2 sets to be complimentary sidegrades, it depends if you want a thicker and warmer sound (Kinera BD005 Pro), versus a more neutralish bright and thinner sound (KBEAR Lark). Both sets are very well accessorized and look beautiful externally, hence they will make good gifts for beginners to this hobby.

KZ ZS10 Pro (4 BA + 1 DD; $35 USD)

The venerable KZ ZS10 Pro is more V shaped, with hotter upper mids and more midbass thump (quantity). The KZ ZS10 Pro has poorer isolation, poorer accessories and poorer instrumental timbre.

In terms of technicalities, the KZ ZS10 Pro is slightly better in soundstage, details, instrument separation, clarity and details, but this hotter upper mids/lower treble area can make it more fatiguing for treble sensitive folks, compared to the smoother Kinera BD005 Pro.

TRN V90S (5 BA + 1 DD; $43 USD)

The TRN V90S is also V shaped, and has a tighter bass than the Kinera BD005 Pro. The upper mids on the TRN V90S are also smooth when compared to the Kinera BD005 Pro, however, the TRN V90S has greater treble extension and can be more sibilant and fatiguing in the higher treble. Note weight is thinner and tonality is more analytical on the TRN V90S.

The TRN V90S has poorer isolation, poorer accessories and poorer instrumental timbre. Technicalities are slightly better on the TRN V90S.

CONCLUSIONS

The Kinera BD005 Pro is a beautiful jack of all trades, sporting a rather balanced warmish V shaped tuning that is safe for the upper frequencies (compared to the usual CHIFI tuning). For a budget hybrid, other than looks, it scores above average points in most areas (eg timbre, technicalities, tonality), but doesn’t have a particular area that it truly excels at. And at this cut throat budget price bracket, that makes it quite hard to stand out from the extremely stiff competition (eg there are some sets that excel at timbre, though at the expense of technicalities, and vice versa).

Nevertheless, the Kinera BD005 Pro would be an all rounder for most genres, and the note weight is thick and tonality is generally quite good and non fatiguing. Coupled with the beautiful shells and packaging, it would make a good introductory set to those who are new to this hobby (though recalcitrant CHIFI addicts will probably have something better in their inventory).

Contact us!

You find an INDEX of all our earphone reviews HERE.

DISCLAIMER

I would like to thank the Yaotiger HIFI Audio Store for providing this review set at a discount. The Kinera BD005 Pro can be gotten here: https://www.aliexpress.com/item/1005001870377067.html

Our generic standard disclaimer.

You find an INDEX of our most relevant technical articles HERE.

The post Kinera BD005 Pro Review – Sleepy Beauty appeared first on Music For The Masses.