EarphonesMid PriceReview

KZ AS24 (Standard Version) Review – Steamy Flagship

The $112 KZ AS24 is a well executed 12-driver-a-side earphone that impresses by its cohesive, vivid presentation. Yes, finally a KZ that impresses.

PROS

  • Vivid, cohesive, reasonably natural presentation
  • Great imaging and staging
  • Minimalistic, environmentally friendly packaging

CONS

  • A tad bass heavy for some with slightly recessed mids
  • A bit safe in the treble
  • Poor eartips selection
  • No storage case
  • Same old visual and haptic concept

The KZ AS24 was sent to me unsolicited by the manufacturer for my analysis. I thank them for that, You can buy them from KZ Official Store.

Introduction

This is a review of the non-tunable version of the KZ AS24 earphone (a version if tuning switches is also available). I was a KZ buyer of (almost) the first hour…and started loading up back in 2017. You could get single-dynamic-driver models for $5-7 CAD packaged in plain blue boxes. At that time, the price of balanced-armature drivers fell dramatically so that KZ started experimenting with this technology as one of the first in the budget segment. The older ChiFi aficionados may remember the famous KZ ZS5 and ZS6, which sold for less than $30 USD.

KZ started releasing different models on an assembly line, and most if not all of these had the same characteristics, not well liked by the western ears: a strong V-shape with buried vocals and an elevated upper midrange, which many of us perceived as shouty. And the number of drivers appeared to increase from model to model.

For me, this driver craze ended with the ASX, which offered 10 BA per side…but very little music. It also made me quit silly YouTube videos and focus on the written word.

While KZ continue flooding the market with increasingly more models, their AS 24 (yes, this one) is finally a good earphone, offered at a decent price…which makes for great value. Good that I can still experience this in my lifetime. There are two versions available, one as is (for a lazy guy like me), and the other with 8 tuning switches, for the tinkerer.

Specifications KZ AS24 (Standard Version)


Drivers: 12 BA drivers per side
Impedance: 20 Ω [tunable version 20-50 Ω]
Sensitivity: 112 dB/mW ± 3dB (tunable version 109 dB/mW ± 5dB)
Frequency Range: 20-40,000 Hz
Cable/Connector: silver plated 120 ± 5 cm/2pin 0.75 mm
Tested at: $112 (tunable version is $10 more)
Product Page: KZ Audio
Purchase Link: KZ Official Store

Physical Things and Usability

The unboxing may be disappointing for some: despite being their flagship, KZ stick to their no-frills presentation of no storage case, a rather “simple” cable, their standard eartips (SM/L plus a pair of foams), and their paperwork.

KZ AS24
In the box…
KZ AS24
Crowded balanced-armature drivers in the AS24.
KZ AS24
Frontal view at the drivers of the AS24.

The large earpieces follow the same recipe as most previous KZ models with their standard translucent resin material. Although each shell hosts 12 drivers it is not bigger than, for example the Moondrop Blessing 2 or the TempoTec IM5. The cable, although not spectacular in appearance, works well in terms of pliability.

Comfort and fit are good for me, and so it isolation. But I have to use SpinFit CP145 eartips, as the stock ones are too small for me.

Tonality and Technicalities

Equipment used: MacBook Air + AudioQuest DragonFly Cobalt or Questyle M15 + SpinFit CP145 eartips.
KZ AS24

Don’t forget, I have the standard edition without switches, which is somewhat on the bassy side (with the SpinFits), at least when compared to the vocals in the lower midrange. Despite the many drivers, there is no issue with cohesion and the sound does not exhibit the usual BA timbre, but is reasonable natural.

Star is the bass: super deep digging, thumpy, driving, energetic, lively, well composed. If I had switch, I’d dial it back a tad. It conflicts a bit with the more recessed male/female voices of the lower midrange. Midrange resolution, transparency, and clarity are quite good.

Compared to earlier KZ models and also to the frequency response graph, the recession is actually acceptable and not a dealbreaker. It adds to the soundstage and imaging. Vocals are articulate and well placed in 3D space. There is no shoutiness whatsoever as the frequency starts dropping off at 3 kHz.

This leads to a safe, middle-of-the-road treble response. Cymbals and high notes are well resolving but a bit in the background. This combination leads to a soundstage of lower average width with very good depth, and to great spatial cues. The 12 drivers do an excellent job in terms of imaging, separation, and layering. That’s where your money is.

In comparison, the $150 Sennheiser IE 200 with their single dynamic driver have a flatter tuning with a wider stage lacking the AS24’s depth. While the AS24 are technically superior, the IE 200 are more fluid with a wider but shallower stage. Another big difference is the size of the earpieces…after all, 12 drivers need a lot of space.

The Tempotec IM05 with their 5 drivers have similarly bulky shells and feature a similar V-shaped tuning as the AS24, but with a peakier upper midrange. That’s where the AS24 gets the upper hand. Both have an elevated bass compared to neutral.

Also check out the tunable version of the KZ AS24.

Concluding Remarks

KZ have finally produced an iem that, in my opinion, can be considered as very good for its class. For your $112, you get an iem that had cost $200 a couple of years ago. The AS24’s dominant features are its deep digging, thumpy bass and its immersive, holographic stage with very good imaging, which contribute to its lively, dynamic sonic reproduction. Its shortcomings are maybe KZ’s continued recessed midrange, which is not a big deal in this case. But they have eliminated shoutiness and glare.

Yep, KZ are finally starting to rock…after so many tens of models. Congrats. If you want to try a KZ earphone, start with their flagship. Think Big!

Until next time…keep on listening!

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Author

  • Jürgen Kraus (Calgary, Canada)

    Head-Fier since 2016. He has been known as “Otto Motor” to Head-Fiers, as “Dr. Schweinsgruber” to audiobudget.com users and Youtubers, and as “Brause” to Super Best Audio Friends and the Headphone Community. - For the purpose of confusion, he decided to pose under his real name Jürgen Kraus (“JK”) from now on. - This is a hobby. In “real” life, Jürgen is a professional geologist operating his own petroleum-exploration consulting company Franconia Geoscience Ltd. based in Calgary, Canada. He holds German and Canadian passports. Jürgen had a classical music education from childhood through high school in Germany and he has been following popular music developments since the late 1970s. His understanding of arts and crafts was influenced by Bauhaus pragmatism: “less is more” and “form follows function”.

Jürgen Kraus (Calgary, Canada)

Head-Fier since 2016. He has been known as “Otto Motor” to Head-Fiers, as “Dr. Schweinsgruber” to audiobudget.com users and Youtubers, and as “Brause” to Super Best Audio Friends and the Headphone Community. - For the purpose of confusion, he decided to pose under his real name Jürgen Kraus (“JK”) from now on. - This is a hobby. In “real” life, Jürgen is a professional geologist operating his own petroleum-exploration consulting company Franconia Geoscience Ltd. based in Calgary, Canada. He holds German and Canadian passports. Jürgen had a classical music education from childhood through high school in Germany and he has been following popular music developments since the late 1970s. His understanding of arts and crafts was influenced by Bauhaus pragmatism: “less is more” and “form follows function”.

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