The Rhapsody is yet another assembly-line earphone from the KZ/CCA stable with a decent sounding Harmanish tuning that can be altered with a set of switches.

CCA is a sub-brand of Knowledge Zenith (“KZ”). Together both brands must have released 100 different models, each with an estimated shelf life of about three weeks. Almost all of them are positioned in the budget realm, therefore affordable to be bought in bulk, suited for stimulating the obsessive compulsive buying habits of some personalities. The numerous models are also rather repetitive in both sound and haptic. KZ and CCA are the earphone equivalent of fast fashion such as SHEIN, Primark and Co. Both stand for modern overconsumption.

Many buyers have been saturated with CCA/KZ models as you can read in the comments to my recent April Fool’s Day article:

We at audioreviews.org have certainly been saturated with budget models a long time ago and thankfully explicitly declined KZ’s request to review this one…but it ended up in my mailbox anyway. This is no arrogance from our side but self protection related our natural learning process: our ears have simply outgrown the budget segment. It is no fun anymore. Focusing on interesting and inspiring gear prevents burnout. Let the juniors take on these to earn their stripes, or the reviewers who make money from these with affiliate links and Google ads.

Since we do not rely on advertisement income based on the number of views (or none at all), we can, to some extent, take on gear that is interesting. And KZ/CCA earphones are largely not for us…except perhaps the current AS24 model.

The Rhapsody is yet another Harman-ish tuned iem with tons of B-grade drivers (2DD and 4BA). The shells’ resin and cable I have had in my hands at least 100 times before…good quality…but I wonder whether KZ/CCA’s earphone designers are dying of boredom. How often have we seen this combination before?

Whilst, the admittedly superbly designed product page hails the Rhapsody as the “New King of Hybrid IEM”, and “a new pinnacle of HIFI In-Ear Monitor, born for extraordinary auditory experience”, I wonder which of their “4-level tuning switches” should relate to that.

I give it to CCA that they make such claims without relying on the good/questionable names of YouTubers in so-called collabs.

In the end, I did it to me and tried the CCA out (with all switches off), and I had a perfectly average Harman-type experience. No need to even measure that. Nothing wrong with the sound, it is good middle of the road. Nothing piercing, nothing muddled, it may help me falling asleep at night.

What sets the sound the Rhapsody apart from more expensive iems is their lean reproduction, particularly in the vocals department. This has been a long-standing issue with KZ/KBEAR etc. earphones (I have never tested an CCA).

The Rhapsody fit well, are comfortable, and are relatively big owing to the large number of drivers. The fact that CCA can sell that $50 set for $36 on sale (without a loss) points to their profit margin.

Everything in the Rhapsody is just plain average. If you are not experienced in this hobby, they would be a good start, especially as you can play with the switches. But if you are earphone savvy, these are just repetitive…for the umptiest time.

If you want a decent CCA/KZ iem, get the AS24 model.

Until next time…keep on listening!

Specifications CCA Rhapsody

The post CCA Rhapsody Review – Fast Fashion appeared first on Music For The Masses.

KZ, or Knowledge Zenith, or Dongguan Yuanze Acoustic Technology Company Ltd., have been flooding the western markets with earphones since 2014 (and the domestic market probably much earlier).

We may remember the early ED1 and ED2 that came in plain blue boxes and cost $5, including shipping from China. These were actually quite decent iems. KZ briefly built on their early success with some more sophisticated dynamic-driver models like the popular ED9.

When balanced armature drivers became affordable at around 2017, KZ were one of the first players to catch on and cash in on a grand scale. I quickly purchased and/or reviewed 22 of their models but stopped when they started to overflow and jam the lowest drawer of my office desk. KZ exacerbated this effect by producing bigger and bigger models such as the ZS10 or the BA10.

Their first multi driver models had a V-shaped sound characterized by vocals buried behind the soundstage, like the ED16. But they were cheap, most of them sold for below $25. Their next generation was characterized by an exaggerated upper midrange that produced a sharp and shouty sound. Examples are the EDX and ZSN Pro X.

But KZ did not give up and, in collaboration with the Comical Research Interference Network (C.R.I.N.), they fabricated at least one model with mostly decorative drivers (which they may have taken over from Campfire Audio): only some in each model actually “fired”…which did not play a role as some professional YouTubers did not notice it, possibly owing to too much decorative makeup around their ears. Decorative drivers helped keeping the price down, and YouTubers are mainly decoration, too, albeit annoying ones (for adults).

KZ play the game and they play it well: cashing in on obsessive-compulsive buyers who need their weekly fix…or mail call, as they call it on Facebook. These are eternal sidegraders. Such buyers spend cumulatively way more money on their countless budget models than on a decent earphone such as the Sennheiser IE 600, which would stand the test of time.

KZ must have a sign in their conference room: Many a little makes a mickle!

Finally, the KZ AS24 is a good earphone. It is model 1199. Yes, there are slightly more KZ models than Bruce Lee karate movies, and way more than words spoken by Sylvester Stallone in his Rocky francise. Number 1200 will be released soon. Congratulations!

Until next time…keep on listening!

The post KZ To Release Their 1200th Earphone Model appeared first on Music For The Masses.

START HERE

KZ AS24 is the crown jewel for KZ with twelve BA’s jammed together like a game of Tetris into the the custom 3D printed acrylic bedazzled shell. The model sheet and past history of KZ models is long and confusing to keep up with. Some models have been incremental successes, others just a blip on the timeline.

I personally think they are more of a fast fashion company. I wouldn’t be surprised to see them popup as an MLM (multi-level marketing) scheme for stay at home bloggers and influencers to invite their friends over for some adult beverages, and a Charcuterie board. 

KZ as of late seems to draw either hate or praise, nothing in between. There were some “internet” scandals that are sort of meh in reference to other more serious issues happening in the world. Luckily for us here at Audioreviews we have no skin in the game, and do not need to take any sides.

DESIGN FEATURES

Drama aside, the KZ AS24 comes in the standard version without switches at $112 and the tunable version with 8 switches at $122 only $10 more. Some of the adjustments are only 1-2dB changes and in the bass region this is a resolution our hearing has trouble detecting 1db changes in low end, but in upper frequencies this is detectable. This is of course unless you goof and briefly set the bass switches opposite each other and spend a few minutes wondering why I was fighting a seal issue. 

So the main set of tuning switches on the KZ AS24 work to alter the bass frequencies, while the auxiliary switches impact the mid-high frequencies, the set provided to me had the switches arranged in different directions so pay attention to witch way is “on”. Overall the general tuning  curve follows the Harman.

I opted to pick the most tricked out tuning because I wanted to know how it sounds giving it all it has, we try hard around here afterall. If you check out the impedance graph below you can see how they add resistance in series with certain drivers to reduce output levels. Low powered smart phones and dongles might struggle when going for less bass and treble tuned modes.

The DLP printed shells of the KZ AS24 can reach a high level of precision allowing KZ to include sound tubes built into the shell. Bravo, as this is attention to detail we do not normally get from KZ let alone the vast majority smorgasbord of earphones. There is however one minor difference in soft sound tubes that can absorb standing waves, and hard tubes that create a tunnel and may exhibit ringing. 

Tapping into their fast fashion concept, the KZ AS24 is adorned with various geometric pyramids housed behind a ceiling of clear plastic. It takes on a broken glass, slash kryptonic cave crystal aesthetic.

The silver plated copper flat cable has low microphonic transmission and inserts cleanly and securely into the reliable 2 pin connection. You get the KZ’s starline eartips that have been a staple since near the beginning, the version included has the long stem and a firmer rebound stiffness. However there have been subtle changes to them and KZ tends to pair the variations to properly match the earphone.

Packed inside the KZ AS24 shell in the form of a cityscape is you guessed it – 12 drivers (24 total between both earpieces). Although, when these companies are boasting about driver count you have to realize they are doubling, tripling or even quadrupling up on certain drivers to reach desired output levels while bringing overall distortion levels down. Specifically on the KZ AS24 we have:

• 1 bass driver
• 2 mid/treble wideband drivers with a new trident reed vs the standard U reed design.
• 4 mid treble (consisting of a dual balanced armature)
• 1 tweeter driver

So with all these different drivers, the KZ AS24 allows the user to flip the switches and achieve different results. The descriptions of what each do are semi vague so it helped to makes changes and perform some measurements shown below. Here are some short descriptions of the effects.

• Main tuner switch 1 adds 2db across full range, I measure closer to 4-6db depending on frequency
• Main tuner switches 2/3/4 adds 1db per switch to bass
• Main Tuner switches 1+2+3+4 adds 10db to bass and 4-6db through rest of spectrum gradually decreasing up high
• Aux tuner switches 1/2 adds 1db per switch for the range mid-high 600Hz -6kHz
• Aux tuner switches 3/4 adds 1db per switch above 6.5khz

All the details of these features point to improved control and sound-shaping unlike most KZ recipes, but there is always room for improvement such as actual resistive filters and more costly/labor intensive flexible standing wave absorption sound tubes.

COMFORT / ISOLATION

The shell is stout and bulked up with a confident stance in my ears as if to make it point to feel so sturdy even given the plastic shell. They are large and in charge so small eared folks should look elsewhere. I attempted to give away some other KZ products this weekend only to realize even the smaller models may be too big for young ears. 

Most importantly, the deep nozzle of the KZ AS24 with the fairly sturdy starline eartips managed to take hold of my ear canal keeping them in place. Even with the fact they are floating above my Concha/ Antitragus ridges, they take root. Fitment is often overlooked, but I find this is a main driver to me adopting them in the listening rotation or getting shelved. If I cannot keep them in my ears, I get annoyed and no longer want to listen.

SOUND

Tested with LG G8, Colorfly CDA-M1P, and SMSL DO400.

KZ AS24 bass has what I consider the KZ house sound, snappy with some punch followed up with a modest sub bass filler. It lacks the tight rumble of the Kefine Klanar, so if over-pressurization is an annoyance, the AS24 will have your back. Sub-bass holds back, but is present in the group of friends, taking on the role of designated driver over its more boisterous and outgoing frequency band of brothers.

Midrange pinna boost does reach the forward level but clarity is quite good and this is where I can tell the focus was in creating such a monster. Voodoo Child by Kenny Wayne Shepherd is quite intense, and on overdrive through his guitar riffs. It is very overpowering especially given the soft tail ends of the spectrum reproduced only by one driver each.

Clarity is good however resolution is still not where I would like it. It feels slightly claustrophobic, not giving enough room to separate everything out individually. If it had more depth, the width might also feel wider.

Treble teeters in the fray and is allowed to speak with extra sheen. It’s not offensive at all, but feels muted and overdamped affecting timbre. I think KZ has overdone the treble output in the past, so they were rather careful here not to completely blow it out. Cymbals sound like they are being hit with spaghetti sticks rather than wood sticks. I could use some more shimmer. 

Bringing back in the Kefine Klanar to take on the equally priced KZ AS24 seems like a no brainer. It is easy to forget the plethora of good options in the $100 category where we are just dipping toes into the value mid-tier. Midbass is fuller and gives rock more grunt on the Klanar, the AS24 sounds thinner and more  sculpted. Midrange is not as forward on the Kefine and allows me to enjoy Tool’s Forty Six & 2 without a front row assault. Cymbals sound more realistic with good decay and quantity.

The Kefine Klanar sounds more wholesome while the KZ AS24 presents the music as individual parts glued together. There is more contrast in the AS24 presentation that can become tiring with the treble switches set to max. I had to turn all those off and it became slightly warmer in the presentation. This is the problem with trying to evaluate these more complicated tuning solutions. It is a bonus and a curse at times.

Where KZ AS24 does score over the Kefine Klanar is in fiitment. While bulkier, it clearly stays put and seals correctly. The Kefine Klanar is more finicky in this regard and requires delicate positioning and better than stock tips perhaps to reach fitment nirvana. They may be others who appreciate a less bulky earphone but the overshapes are still equivalent.

WRAPPING UP

I am impressed with the overall package and design of the KZ AS24, it seems they did more than slap as many drivers as they could fit in the shell and made a careful decision on how to tune it. The forward nature does wear on me, and as mentioned earlier I feel claustrophobic. Clarity is great however resolution is modest. Tuning is textbook Harman without any major deviations.

Switches can make an earphone feel more like a prototype than a feature, however it offers more than just acoustic tuning via easy to lose nozzle tuning filters. The AS24 without the switches is available for those who want certainty. The AS24 is one of KZ’s better accomplishments in a highly competitive value entrance to the mid-tier. I don’t hate it, it’s got a good pedigree and I forget at times I am listening to a KZ.

Disclaimer: I appreciate KZ Acoustics sending these by mistake to me instead of Jurgen and given my busy tail end of the year, the AS24 fittingly slip into the 2024 new year. Available for purchase from Aliexpress or other shops.

KZ AS24 SPECIFICATIONS

https://kz-audio.com/kz-as24.html

KZ AS24 Frequency 20-40000Hz
Sensitivity Standard Version 112±3dB
Tuning Version 109±5dB
Impedance Standard Version 20Ω
Tuning Version 20Ω~50Ω
Plug type 3.5mm
Pin type 0.75mm
Cable type Silver-plated cable
Cable length 120±5cm

KZ AS24 TUNABLE GRAPHS

• Left vs Right
• Main switch Tuning
• Auxiliary Switch Tuning
• Other Combinations
• Impedance

Contact us!

DISCLAIMER

Our generic standard disclaimer.

About my measurements.

The post KZ AS24 (Tunable Version) Review – Earphone Tetris A Winning Game? appeared first on Music For The Masses.

The $112 KZ AS24 is a well executed 12-driver-a-side earphone that impresses by its cohesive, vivid presentation. Yes, finally a KZ that impresses.

The KZ AS24 was sent to me unsolicited by the manufacturer for my analysis. I thank them for that, You can buy them from KZ Official Store.

Introduction

This is a review of the non-tunable version of the KZ AS24 earphone (a version if tuning switches is also available). I was a KZ buyer of (almost) the first hour…and started loading up back in 2017. You could get single-dynamic-driver models for $5-7 CAD packaged in plain blue boxes. At that time, the price of balanced-armature drivers fell dramatically so that KZ started experimenting with this technology as one of the first in the budget segment. The older ChiFi aficionados may remember the famous KZ ZS5 and ZS6, which sold for less than $30 USD.

KZ started releasing different models on an assembly line, and most if not all of these had the same characteristics, not well liked by the western ears: a strong V-shape with buried vocals and an elevated upper midrange, which many of us perceived as shouty. And the number of drivers appeared to increase from model to model.

For me, this driver craze ended with the ASX, which offered 10 BA per side…but very little music. It also made me quit silly YouTube videos and focus on the written word.

While KZ continue flooding the market with increasingly more models, their AS 24 (yes, this one) is finally a good earphone, offered at a decent price…which makes for great value. Good that I can still experience this in my lifetime. There are two versions available, one as is (for a lazy guy like me), and the other with 8 tuning switches, for the tinkerer.

Specifications KZ AS24 (Standard Version)

Physical Things and Usability

The unboxing may be disappointing for some: despite being their flagship, KZ stick to their no-frills presentation of no storage case, a rather “simple” cable, their standard eartips (SM/L plus a pair of foams), and their paperwork.

The large earpieces follow the same recipe as most previous KZ models with their standard translucent resin material. Although each shell hosts 12 drivers it is not bigger than, for example the Moondrop Blessing 2 or the TempoTec IM5. The cable, although not spectacular in appearance, works well in terms of pliability.

Comfort and fit are good for me, and so it isolation. But I have to use SpinFit CP145 eartips, as the stock ones are too small for me.

Tonality and Technicalities

Don’t forget, I have the standard edition without switches, which is somewhat on the bassy side (with the SpinFits), at least when compared to the vocals in the lower midrange. Despite the many drivers, there is no issue with cohesion and the sound does not exhibit the usual BA timbre, but is reasonable natural.

Star is the bass: super deep digging, thumpy, driving, energetic, lively, well composed. If I had switch, I’d dial it back a tad. It conflicts a bit with the more recessed male/female voices of the lower midrange. Midrange resolution, transparency, and clarity are quite good.

Compared to earlier KZ models and also to the frequency response graph, the recession is actually acceptable and not a dealbreaker. It adds to the soundstage and imaging. Vocals are articulate and well placed in 3D space. There is no shoutiness whatsoever as the frequency starts dropping off at 3 kHz.

This leads to a safe, middle-of-the-road treble response. Cymbals and high notes are well resolving but a bit in the background. This combination leads to a soundstage of lower average width with very good depth, and to great spatial cues. The 12 drivers do an excellent job in terms of imaging, separation, and layering. That’s where your money is.

In comparison, the $150 Sennheiser IE 200 with their single dynamic driver have a flatter tuning with a wider stage lacking the AS24’s depth. While the AS24 are technically superior, the IE 200 are more fluid with a wider but shallower stage. Another big difference is the size of the earpieces…after all, 12 drivers need a lot of space.

The Tempotec IM05 with their 5 drivers have similarly bulky shells and feature a similar V-shaped tuning as the AS24, but with a peakier upper midrange. That’s where the AS24 gets the upper hand. Both have an elevated bass compared to neutral.

Concluding Remarks

KZ have finally produced an iem that, in my opinion, can be considered as very good for its class. For your $112, you get an iem that had cost $200 a couple of years ago. The AS24’s dominant features are its deep digging, thumpy bass and its immersive, holographic stage with very good imaging, which contribute to its lively, dynamic sonic reproduction. Its shortcomings are maybe KZ’s continued recessed midrange, which is not a big deal in this case. But they have eliminated shoutiness and glare.

Yep, KZ are finally starting to rock…after so many tens of models. Congrats. If you want to try a KZ earphone, start with their flagship. Think Big!

Until next time…keep on listening!

The post KZ AS24 (Standard Version) Review – Steamy Flagship appeared first on Music For The Masses.

All Our Earphone-related Articles: here

ALL OUR REVIEWS (headphones, earphones, dacs/amps, daps, bluetooth, clean power & USB, microphones, cables/adapters, eartips, earpads, noise insulation): here

Models labelled with “*” are on our Wall of Excellence.

April additions: TRN BAX PRO ,Creative Aurvana Ace 2, CCA Rhapsody.

March additions: TRN Conch, Simgot EA1000.

February additions: Truthear X Crinacle Zero Red, Oladance OWS Sports, Simgot EA500, Sennheiser IE 600.

Reviews in Alphabetical Order:

1. 7Hz Timeless (1) (Alberto Pittaluga)
2. 7Hz Timeless (2) (Durwood)
3. 7Hz Timeless (3) (Loomis Johnson)
4. Acefast T8 (Kazi Mahbub Mutakabbir)
5. Acoustic Effect TRY-01 (Baskingshark)
6. AFUL Performer 5 (Jürgen Kraus)
7. Akoustyx R-220 (Jürgen Kraus)
8. Akoustyx S6 (1) (Jürgen Kraus)
9. Akoustyx S6 (2) (Alberto Pittaluga)
10. AME Custom Argent Hybrid Electrostatic (Jürgen Kraus)
11. Anew X-One (Jürgen Kraus)
12. Anker Soundcore Liberty Pro 2 (Loomis Johnson)
13. Astrotec AM850 MK2 (Jürgen Kraus)
14. Astrotec Vesna (Jürgen Kraus)
15. Audbos/Tenzh P4 Pro (Loomis Johnson)
16. Audiosense DT200 (1) (Baskingshark)
17. Audiosense DT200 (2) (KopiOkaya)
18. Aune Jasper (1) (Loomis Johnson)
19. Aune Jasper (2) (Jürgen Kraus)
20. AXS Audio Professional Wireless Earbuds (Loomis Johnson)
21. BCD X10 (Loomis Johnson)
22. Beyerdynamic Soul Byrd (Jürgen Kraus)
23. BGVP DM9 (Durwood)
24. Beats Powerbeats Pro TWS (Loomis Johnson)
25. Blon A8 Prometheus (1) (Loomis Johnson)
26. Blon A8 Prometheus (2) (Durwood)
27. Blon Bl-01 (1) (Baskingshark)
28. Blon BL-01 (2) (Alberto Pittaluga)
29. Blon BL-03* (1) (Jürgen Kraus)
30. Blon BL-03* (2) (Loomis Johnson)
31. Blon BL-05 (1) (Baskingshark)
32. BLON BL-05 (2) (Loomis Johnson)
33. Blon BL-05s (1) (Jürgen Kraus)
34. Blon BL-05s (2) (Kazi Mahbub Mutakabbir)
35. Blon BL-05s (3) (Baskingshark)
36. Blon BL-Max (Kazi Muhbab Mutakabbir)
37. Blon Mini (Baskingshark)
38. Brainwavz Delta (Jürgen Kraus)
39. Brainwavz Koel (Jürgen Kraus, Biodegraded)
40. BQEYZ Autumn (1) (Jürgen Kraus)
41. BQEYZ Autumn (2) (Kazi Muhbab Mutakabbir)
42. BQEYZ KC2 (Jürgen Kraus)
43. BQEYZ Spring 1 (1) (Durwood)
44. BQEYZ Spring 1 (2) (Loomis Johnson)
45. BQEYZ Spring 1 (3) (Jürgen Kraus)
46. BQEYZ Spring 2 (1) (Durwood)
47. BQEYZ Spring 2 (2) (Loomis Johnson)
48. BQEYZ Summer (1) (Jürgen Kraus)
49. BQEYZ Summer (2) (Alberto Pittaluga)
50. BQEYZ Topaz (Kazi Muhbab Mutakabbir)
51. Cambridge Audio Melomania 1 (Loomis Johnson)
52. Campfire Audio Ara (Alberto Pittaluga)
53. Cambridge Audio SE1 (Loomis Johnson)
54. Campfire Audio Andromeda 2020 (Alberto Pittaluga)
55. Campfire Audio Honeydew (Kazi Muhbab Mutakabbir)
56. Campfire Audio Satsuma (Kazi Muhbab Mutakabbir)
57. Cat Ear Mia (1) (Loomis Johnson)
58. Cat Ear Mia (2) (Durwood)
59. Cat Ear Mia (3) (Kazi Mahbub Mutakabbir)
60. Cayin Fantasy (Jürgen Kraus)
61. CCA C10 (Slater)
62. CCA C10 (Loomis Johnson)
63. CCA C10 Pro (1) (Durwood)
64. CCA C10 Pro (2) (Baskinghark)
65. CCA CA16 (1) (Durwood)
66. CCA CA16 (2) (Loomis Johnson)
67. CCA CKX (Durwood)
68. CCA CRA+ (Durwood)
69. CCA CX4 Wireless (Loomis Johnson)
70. CCA Duo (1) (Jürgen Kraus)
71. CCA Duo (2) (Durwood)
72. CCA Lyra (1) (Durwood)
73. CCA Lyra (2) (Loomis Johnson)
74. CCA Rhapsody (Jürgen Kraus)
75. CCZ Plume (Baskingshark)
76. Celest Pandamon (Jürgen Kraus)
77. Cozoy Hera C103 (Jürgen Kraus)
78. Creative Aurvana Ace 2 (Durwood)
79. CVJ CS8 (Baskingshark)
80. ddHiFi Janus1 (E2020A) (Jürgen Kraus)
81. ddHiFi Janus2 (E2020B) (Jürgen Kraus)
82. ddHiFi Janus3 (E2023) Jürgen Kraus
83. Donner Dobuds One (Kazi Mahbub Mutakabbir)
84. Drop Grell TWS1X (Darin Hawbaker)
85. Drop Grell TWS1X (2) Loomis Johnson
86. Drop + JVC HA-FDX1* (1) (Jürgen Kraus)
87. Drop + JVC HA FDX1* (2) (Loomis Johnson)
88. Dunu DM-380 (Jürgen Kraus)
89. Dunu DM-480 (Baskingshark)
90. Dunu Falcon Pro (Alberto Pittaluga)
91. Dunu Kima (Kazi Muhbab Mutakabbir)
92. Dunu Luna (1) (Kazi Mahbub Mutakabbir)
93. Dunu Luna (2) (Baskinghark)
94. Dunu Studio SA6* (Kazi Mahbub Mutakabbir)
95. Dunu Talos (Jürgen Kraus)
96. Dunu Vulkan (Jürgen Kraus)
97. Dunu Zen* (1) (Kazi Mahbub Mutakabbir)
98. Dunu Zen* (2) (Jürgen Kraus)
99. DZAT DR-25 (Jürgen Kraus)
100. Earstudio HE100 (Jürgen Kraus)
101. Earsonics AERØ (Jürgen Kraus)
102. Earsonics ONYX (Kazi Mahbub Mutakabbir)
103. Einsear T2 (Loomis Johnson)
104. Elevoc Clear (Loomis Johnson)
105. Etymotic E2XR (Loomis Johnson)
106. EZAudio D4 (Jürgen Kraus)
107. FAAEAL Datura Pro (Baskingshark)
108. FIIL CC2 (Kazi Mahbub Mutakabbir)
109. FIIL T1XS TWS (Loomis Johnson)
110. FiiO FA1 (Loomis Johnson)
111. FiiO FD1 (Jürgen Kraus)
112. FiiO FH1s (Jürgen Kraus)
113. Fiitii HiFi Air 2 (Durwood)
114. Fiitii HifiDots (Durwood)
115. Final Audio A3000* (Alberto Pittaluga)
116. Final Audio A5000 (Alberto Pittaluga)
117. Final Audio B3 (Alberto Pittaluga)
118. Final Audio E3000* (Baskingshark)
119. Final Audio E-Series Roundup (Kazi Mahbub Mutakabbir)
120. Final Audio F7200 (Alberto Pittaluga)
121. Final Audio ZE3000 (English) (Jürgen Kraus)
122. Final Audio ZE3000 (Japanese) (Jürgen Kraus)
123. Geek Wold GK10 (1) (Baskingshark)
124. Geek Wold GK10 (2) (Loomis Johnson)
125. Gravastar Sirius Pro TWS (Alberto Pittaluga)
126. Hidizs MD4 (Durwood)
127. Hidizs MM2 (1) (Jürgen Kraus)
128. Hidizs MM2 (2) (Kazi Mahbub Mutakabbir)
129. Hidizs MP145 (1) (Durwood)
130. Hidizs MP145 (2) (Loomis Johnson)
131. Hidizs MS1 Rainbow (1) (Durwood)
132. Hidizs MS1 Rainbow (2) (Loomis Johnson)
133. Hidizs MS3 (1) (Durwood)
134. Hidizs MS3 (2) (Loomis Johnson)
135. Hidizs MS5 (1) (Durwood)
136. Hidizs MS5 (2) (Alberto Pittaluga)
137. Hidizs MS5 (3) (Kazi Mahbub Mutakabbir)
138. Hifi Walker A1 (Jürgen Kraus, Biodegraded)
139. Hill Audio Altair • RA (Jürgen Kraus)
140. Hill Audio S8 (Jürgen Kraus)
141. Hisenior B5 (Loomis Johnson)
142. Hisenior Okavango (Kazi Mahbub Mutakabbir)
143. HZ Sound Heart Mirror (1) (Baskingshark)
144. HZ Sound Heart Mirror (2) (KopiOkaya)
145. iBasso IT00 (Baskingshark)
146. iBasso IT00/Tin Hifi T2 Plus/Moondrop Starfield comparison (Durwood)
147. iBasso IT04 (Alberto Pittaluga)
148. iBasso IT07 (Alberto Pittaluga)
149. Ikko OH1 (Jürgen Kraus)
150. Ikko OH1S (1) (Alberto Pittaluga)
151. Ikko OH1S (2) (Jürgen Kraus)
152. IKKO OH5 Asgard (Alberto Pittaluga)
153. Ikko OH10* (1) (Alberto Pittaluga)
154. Ikko OH10* (2) Jürgen Kraus
155. IKKO OH2 (Jürgen Kraus)
156. Intime Miyabi (Alberto Pittaluga)
157. Intime Miyabi (Italian) (Alberto Pittaluga)
158. Intime Miyabi (Japanese) (Alberto Pittaluga)
159. Intime Sora 2 (Alberto Pittaluga)
160. Intime Sho DD (Alberto Pittaluga)
161. ISN Audio Rambo (Jürgen Kraus)
162. KBEAR Aurora (1) (Baskingshark)
163. KBEAR Aurora (2) (Durwood)
164. KBEAR Aurora (3) (Loomis Johnson)
165. KBEAR Believe (1) (Jürgen Kraus)
166. KBEAR Believe (2) (Baskingshark)
167. KBEAR Believe (3) (Kazi Mahbub Mutakabbir)
168. KBEAR Believe (4) (Loomis Johnson)
169. KBEAR Diamond in Japanese (Jürgen Kraus)
170. KBEAR Diamond (1) (Jürgen Kraus)
171. KBEAR Diamond (2) (Loomis Johnson)
172. KBEAR Diamond (3) (Christophe Branchereau)
173. KBEAR Diamond modding (Biodegraded)
174. KBEAR hi7 (Jürgen Kraus)
175. KBEAR KB04 (1) (Loomis Johnson)
176. KBEAR KB04 (2) (Baskingshark)
177. KBEAR KB04 (3) (Jürgen Kraus)
178. KBEAR KS1 (Baskingshark)
179. KBEAR KS2 (1) J ürgen Kraus)
180. KBEAR KS2 (2) (Baskingshark)
181. KBEAR KS2 (3 (Loomis Johnson)
182. KBEAR Neon (1) (Baskingshark)
183. KBEAR Neon (2) (Kazi Muhbab Mutakabbir)
184. KBEAR Lark (Jürgen Kraus)
185. KBEAR Qinglong (Jürgen Kraus)
186. KBEAR Robin (Baskingshark)
187. KBEAR Rosefinch (Jürgen Kraus)
188. KBEAR TRI I3 Pro (Jürgen Kraus)
189. KBEAR TRI Starsea (1) (Kopiokaya)
190. KBEAR TRI Starsea (2) (Baskingshark)
191. Kefine Klanar (Durwood)
192. Kinboofi MK4 (Jürgen Kraus, Biodegraded)
193. Kinera BD005 Pro (Baskingshark)
194. Kinera Hodur (Alberto Piitaluga)
195. Kinera Idun 2.0 (1) (Durwood)
196. Kinera Idun 2.0 (2 (Loomis Johnson)
197. Kiwi Cadenza (Durwood)
198. Kiwi Ears Orchestra Lite (Kazi Mahbub Mutakabbir)
199. Kiwi Ears Quintet (Kazi Muhbab Mutakabbir)
200. Klipsch T5 II TWS Sport (Loomis Johnson)
201. Knowlege Zenith AS24 (Standard Version) (Jürgen Kraus)
202. Knowledge Zenith AS24 (Tunable Version) (Durwood)
203. Knowledge Zenith ASF (Kazi Mahbub Mutakabbir)
204. Knowledge Zenith ASX (1) (Jürgen Kraus)
205. Knowledge Zenith ASX (2) (Loomis Johnson)
206. Knowlege Zenith F-Fi (Kazi Mahbub Mutakabbir)
207. Knowledge Zenith ED9 (Loomis Johnson)
208. Knowledge Zenith ED16 (1) (Jürgen Kraus)
209. Knowledge Zenith ED16 (2) (Loomis Johnson)
210. Knowledge Zenith EDX (Jürgen Kraus)
211. Knowledge Zenith ESX (Durwood)
212. Knowledge Zenith Ling Long (Jürgen Kraus)
213. Knowledge Zenith VXS Pro TWS (Durwood)
214. Knowledge Zenith ZEX (1) (Kazi Mahbub Mutakabbir)
215. Knowledge Zenith ZEX (2) (Durwood)
216. Knowledge Zenith ZEX (3) (Alberto Pittaluga)
217. Knowledge Zenith ZSN (Loomis Johnson)
218. Knowledge Zenith ZSN Pro (Slater)
219. Knowledge Zenith ZSN Pro X (Jürgen Kraus)
220. Knowledge Zenith ZS4 (Loomis Johnson)
221. Knowledge Zenith ZS7 (Loomis Johnson)
222. Knowledge Zenith ZS10 (Jürgen Kraus, Biodegraded)
223. Knowledge Zenith ZS10 Pro (Loomis Johnson)
224. Knowledge Zenith ZSX Terminator (Loomis Johnson)
225. Knowledge Zenith ZVX (Jürgen Kraus)
226. K’s Earphone Bell-LBs (Alberto Pittaluga)
227. K’s Earphone K300 (Alberto Pittaluga)
228. LETSHUOER Conductor (Biodegraded)
229. LETSHUOER DZ4 (Jürgen Kraus)
230. LETSHUOER EJ07M (Jürgen Kraus)
231. LETSHUOER EJ09 (Biodegraded)
232. LETSHUOER S12 vs. 7Hz Timeless (Jürgen Kraus)
233. Lker i8 (Jürgen Kraus)
234. Lypertek Tevi L3 Powerplay (Loomis Johnson)
235. LZ A2 (Jürgen Kraus)
236. LZ A7 (Baskinghark)
237. MEE Audio Pinnacle P2 (Loomis Johnson)
238. Meze 12 Classics V2 (Kazi Mahbub Mutakabbir)
239. Meze RAI Penta (Kazi Mahbbub Mutakabbir)
240. Meze RAI Solo (Jürgen Kraus)
241. Mifo S TWS (Loomis Johnson)
242. Moondrop Alice (1) (Durwood)
243. Moondrop Alice (2) Loomis Johnson
244. Moondrop Aria (1) Jürgen Kraus)
245. Moondrop Aria (2) Kazi Muhbab Mutakabbir)
246. Moondrop Aria SE (Kazi Muhbab Mutakabbir)
247. Moondrop x Crinacle Blessing2:Dusk (1) Jürgen Kraus)
248. Moondrop x Crinacle Blessing2:Dusk (2) Biodegraded
249. Moondrop CHU (1) (Kazi Mahbub Mutakabbir)
250. Moondrop CHU (2) (Alberto Pittaluga)
251. Moondrop CHU (3) Jürgen Kraus)
252. Moondrop Crescent (Jürgen Kraus)
253. Moondrop Illumination (Jürgen Kraus)
254. Moondrop Kanas Pro (1) Biodegraded
255. Moondrop Kanas Pro (2) (Jürgen Kraus)
256. Moondrop Kanas Pro (3) Loomis Johnson
257. Moondrop KATO (Jürgen Kraus)
258. Moondrop Lan (1) (Durwood)
259. Moondrop Lan (2) (Loomis Johnson)
260. Moondrop May (Durwood)
261. Moondrop Quarks (Kazi Mahbub Mutakabbir)
262. Moondrop Spaceship (Jürgen Kraus)
263. Moondrop Space Travel (1) (Jürgen Kraus)
264. Moondrop Space Travel (2) (Loomis Johnson)
265. Moondrop SSP (Jürgen Kraus)
266. Moondrop SSR (1) Jürgen Kraus
267. Moondrop SSR (2) (Baskingshark)
268. Moondrop Starfield (1) (Jürgen Kraus)
269. Moondrop Starfield (2) Loomis Johnson
270. Moondrop Starfield (3) (Durwood)
271. Moondrop Starfield II (1) (Durwood)
272. Moondrop Starfield II (2) (Loomis Johnson)
273. Moondrop Stellaris (Jürgen Kraus)
274. Naenka LITE Pro TWS (Loomis Johnson)
275. NF Audio NM (Kazi Mahbub Mutakabbir)
276. NF Audio NM2+ (1) (Jürgen Kraus)
277. NF Audio NM2+ (2) Loomis Johnson
278. NiceHCK Bro (Jürgen Kraus)
279. NiceHCK DB1 (Jürgen Kraus)
280. NiceHCK DB3 (Jürgen Kraus)
281. NiceHCK DT600 (Jürgen Kraus)
282. NiceHCK EB2 (Jürgen Kraus)
283. NiceHCK EB2S (Jürgen Kraus)
284. NiceHCK EBX21 (Baskingshark)
285. NiceHCK EP10 (Jürgen Kraus)
286. NiceHCK EP35 (Jürgen Kraus)
287. NiceHCK F1 (Jürgen Kraus)
288. NiceHCK Lofty (Jürgen Kraus)
289. NiceHCK HK6 (Loomis Johnson)
290. NiceHCK M5 (Jürgen Kraus)
291. NiceHCK M6 (1) (Jürgen Kraus)
292. NiceHCK M6 (2) (Loomis Johnson)
293. NiceHCK N3 (Loomis Johnson, Jürgen Kraus)
294. NiceHCK NX7 (1) (Loomis Johnson)
295. NiceHCK NX7 (2) (Jürgen Kraus)
296. NiceHCK NX7 Pro (Jürgen Kraus)
297. NiceHCK NX7 MK3 (1) (Loomis Johnson)
298. NiceHCK NX7 MK3 (2) (Jürgen Kraus)
299. NiceHCK NX7 MK4 (Jürgen Kraus)
300. NiceHCK P3 (Jürgen Kraus)
301. NiceHCK X49 (Jürgen Kraus)
302. Oladance OWS Pro (Jürgen Kraus)
303. Oladance OWS Sports (Durwood)
304. Oladance Wearable Stereo (Loomis Johnson)
305. Oneodio OpenRock Pro (Loomis Johnson)
306. Oriolus Isabellae (Jürgen Kraus)
307. Oriveti OH500 (Alberta Pittaluga)
308. Paiaudio DR2 (Jürgen Kraus)
309. Penon Fan 2 (Alberto Pittaluga)
310. PHB EM-023 (Jürgen Kraus)
311. Pioneer CH3 (Jürgen Kraus)
312. Queen of Audio Pink Lady (Jürgen Kraus)
313. Reecho Insects Awaken (Kazi Mahbub Mutakabbir)
314. RHA CL2 (Alberto Pittaluga)
315. Rose Mojito (Alberto Pittaluga)
316. Rose Technics QT9 MK2S (1) (Jürgen Kraus)
317. Rose Technics QT9 MK2S (2) (Kazi Mahbub Mutakabbir)
318. Samsung Galaxy Buds Live (Loomis Johnson)
319. Samsung Galaxy Buds Plus (Loomis Johnson)
320. SeeAudio Bravery (1) (Loomis Johnson)
321. SeeAudio Bravery (2) (Baskingshark)
322. Semkarch CNT1 (Loomis Johnson)
323. Senfer DT6 (1) (Jürgen Kraus)
324. Senfer DT6 (2) (Loomis Johnson)
325. Senfer UEs/NiceHCK Bro (Loomis Johnson, Jürgen Kraus)
326. Sennheiser CX 400BT (Loomis Johnson)
327. Sennheiser IE 40/400/500 PRO compared (Jürgen Kraus)
328. Sennheiser IE 40 PRO (Jürgen Kraus, Biodegraded)
329. Sennheiser IE 200* (Jürgen Kraus)
330. Sennheiser IE 300 (Jürgen Kraus)
331. Sennheiser IE 400 PRO (Jürgen Kraus)
332. Sennheiser IE 500 PRO (Jürgen Kraus, Biodegraded)
333. Sennheiser IE 600 (Jürgen Kraus)
334. Sennheiser IE 600 and IE 900 Counterfeits (Alberto Pittaluga)
335. Sennheiser IE 900* (1) (Alberto Pittaluga)
336. Sennheiser IE 900* (2) (Jürgen Kraus)
337. Sennheiser IE 900* (Deutsch) (Jürgen Kraus)
338. Shanling ME80 (Jürgen Kraus)
339. Shanling Sono (Durwood)
340. Shuoer Tape (Loomis Johnson)
341. Shozy Form 1.1 (Biodegraded)
342. Shozy Form 1.1 vs. Form 1.4 (Jürgen Kraus)
343. Shozy Form 1.4* (1) (Jürgen Kraus)
344. Shozy Form 1.4* (2) (Durwood)
345. Shozy Form 1.4* (3) (Loomis Johnson)
346. Shozy Rouge (1) (Loomis Johnson)
347. Shozy Rouge (2) (Durwood))
348. Shozy Rouge (3 (Jürgen Kraus)
349. Simgot EA500 (Alberto Pittaluga)
350. Simgot EA1000 (Alberto Pittaluga)
351. Simgot EM2 (Jürgen Kraus)
352. Simgot EM2 (Loomis Johnson)
353. Smabat M0 (Durwood)
354. Smabat M2 Pro (1) (Baskingshark)
355. Smabat M2 Pro (M2) (Jürgen Kraus)
356. Smabat Proto 1.0 (Alberto Pittaluga)
357. Smabat ST-10 (Jürgen Kraus)
358. Smabat X1 (1) (Baskingshark)
359. Smabat X1 (2 (Jürgen Kraus)
360. Sony MH755 (Jürgen Kraus)
361. Sony IER-ZR (Kazi Mahbub Mutakabbir)
362. Sony WX-1000XM3 (Loomis Johnson)
363. Soundpeats H1 (Loomis Johnson)
364. Soundpeats Opera (Kazi Mahbub Mutakabbir)
365. Status Audio Between Pro TWS (Loomis Johnson)
366. SuperEQ Q2 Pro ANC TWS (Loomis Johnson)
367. Tanchjim Blues (Jürgen Kraus)
368. Tanchjim Cora (Jürgen Kraus)
369. Tanchjim Darling (Aberto Pittaluga)
370. Tanchjim Ola (Loomis Johnson)
371. Tanchjim Oxygen* (Alberto Pittaluga)
372. Tanchjim Tanya (1) (Baskingshark)
373. Tanchjim Tanya (2) (Alberto Pittaluga)
374. Tangzu WAN ER (Jürgen Kraus)
375. Tansio Mirai TSMR-6 (Alberto Pittaluga)
376. TempoTec IM05 (Jürgen Kraus)
377. Tennmak Dulcimer (Loomis Johnson)
378. Tforce Yuan Li (1) (Durwood)
379. Tforce Yuan Li (2) (Loomis Johnson)
380. Tinaudio T1 (Jürgen Kraus)
381. Tinaudio T2 (Jürgen Kraus)
382. TINHIFI C2 Mech Warrior (Jürgen Kraus)
383. TINHIFI C3 (1) (Durwood)
384. TINHIFI C3 (2) (Jürgen Kraus)
385. TINHIFI C5 (1) (Durwood)
386. TINHIFI C5 (2) Loomis Johnson
387. TINHIFI P1 Max (Jürgen Kraus)
388. TINHIFI T2 DLC (Jürgen Kraus)
389. TINHIFI T2 EVO (Jürgen Kraus)
390. TINHIFI T2 Plus (1) Jürgen Kraus
391. TINHIFI T2 Plus (2) (Loomis Johnson)
392. TINHIFI T2 Plus (3) Durwood
393. TINHIFI T4 (1) (Durwood)
394. TINHIFI T4 (2) (Loomis Johnson)
395. TINHIFI T4 (3) (Jürgen Kraus)
396. TINHIFI T4 Plus (Jürgen Kraus)
397. TINHIFI T5 (Alberto Pittaluga)
398. TINHIFI Tin Buds 3 (Loomis Johnson)
399. Tinker TK300 (Baskingshark)
400. ToneKing Nine Tail (Loomis Johnson)
401. TOZO Golden X1 (Loomis Johnson)
402. Triaudio I3 (1) (Baskingshark)
403. Triaudio I3 (2) (Jürgen Kraus)
404. Triaudio I3 Modding (KopiOkaya)
405. Triaudio I4 (1) (KopiOkaya)
406. Triaudio I4 (2) (Loomis Johnson)
407. Triaudio Meteor (KopiOkaya)
408. Tripowin X HBB Olina (KopiOkaya)
409. Tripowin Leá (Jürgen Kraus)
410. TRN BA5 (1) (Durwood)
411. TRN BA5 (2) (Jürgen Kraus)
412. TRN BA5 (3) (Loomis Johnson)
413. TRN BA8 (1) (Baskingshark)
414. TRN BA8 (2) (Jürgen Kraus)
415. TRN BAX PRO (Jürgen Kraus)
416. TRN Conch (Durwood)
417. TRN Kirin (Alberto Pittaluga)
418. TRN ST5 (Looomis Johnson)
419. TRN-STM (1) (Loomis Johnson)
420. TRN-STM (2) (Baskingshark)
421. TRN-STM (3) (Durwood)
422. TRN T300 (1) (Baskingshark)
423. TRN T300 (2) (Loomis Johnson)
424. TRN T300 (3) (Alberto Pittaluga)
425. TRN V80 (Jürgen Kraus)
426. TRN V90 (1) (Durwood)
427. TRN V90 (2) (Jürgen Kraus)
428. TRN V90S (1) (Baskingshark)
429. TRN V90S (2) (Jürgen Kraus)
430. TRN VX (1) (Loomis Johnson)
431. TRN VX (2) (Baskingshark)
432. TRN VX (3) (Jürgen Kraus)
433. TRN-VX modding (KopiOkaya)
434. Tronsmart Apollo (Baskingshark)
435. Tronsmart Apollo Bold TWS ANC (Baskingshark)
436. Truthear Hexa (Durwood)
437. Truthear Hola (Durwood)
438. Truthear X Crinacle Zero (Kazi Muhbab Mutakabbir)
439. Truthear X Crinacle Zero Red (1) (Jürgen Kraus)
440. Truthear X Crinacle Zero Red (2) (Kazi Muhbab Mutakabbir)
441. Unique Melody 3DT (Jürgen Kraus)
442. Urbanfun YBF-ISS014 (Baskingshark)
443. Venture Electronics BIE Pro (Jürgen Kraus)
444. Venture Electronics Bonus IE (Jürgen Kraus)
445. Venture Electronics Monk Go (Jürgen Kraus)
446. Vision Ears Elysium* and VE8 (1) (Jürgen Kraus)
447. Vision Ears Elysium* and VE8 (2) (Biodegraded)
448. Vision Ears EXT (Jürgen Kraus)
449. Vision Ears Phönix (Jürgen Kraus)
450. Westone MACH 40 and MACH 60 (Kazi Muhbab Mutakabbir)
451. Whizzer BS1 (Jürgen Kraus)
452. Whizzer Kylin HE01 (1) Jürgen Kraus)
453. Whizzer Kylin HE01 (2) (Baskingshark)
454. Whizzer Kylin HE03AL (Jürgen Kraus)
455. Whizzer Kylin HE03D (1) (Durwood)
456. Whizzer Kylin HE03D (2) (Loomis Johnson)
457. Whizzer Kylin HE10 (Jürgen Kraus)
458. Yinyoo BK2 (Baskingshark)
459. Yinyoo D2B4 v2 (1) (Biodegraded)
460. Yinyoo D2B4 v2 (2) (Jürgen Kraus)
461. Yinyoo V2 (Jürgen Kraus)

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